A Chinese Canton enamel dish vividly panted with two cockerels beside flowers issuing from rockwork within a border of plum flowers, cracked ice, ruyi heads and waves, the reverse with three flower sprays. Qianlong, 18th century. 23 cms diam. One small area of restoration to the white on the back of the rim. Otherwise in good condition bar the odd usual stress crack.

A Tibetan thangka portraying the deities, Amitayus, Namgyalma, and Green Tara. Amitayus is the Buddha of Infinite Light and often is associated with the Sukhavativiha Sutra and Pure land references. Green Tara embodies the essence of compassion and Namgyalma represents the vast wisdom of the Buddha. Age: 18th century. Size: length 43.75" width 27.5"

Width approximately 18.5 cm (across the handles). Height approximately 11.5 cm included the stand. There are a sticker mark and light effects on the body, no patches or damage to the body. At the base, there are erosions, peeling skin, and a skin crack. More pictures are available. In good condition.

A Chinese bronze censer with stylized fish handles. The recessed base with a cast apocryphal Ming Xuande reign mark. 18th century.

An almost identical censer was auctioned at Christie’s “Interiors”, London, South Kensington, lot 795. 9th November, 2011. Results available on the Christie’s website.

Approximately 9.5 cm mouth diameter, 8 cm high.The censer weighs 414 grams...

Cup in mandarin pattern enamels
Late 18th century
Qianlong-Jiaqing reign, Qing dynasty
Porcelain with overglaze enamels
H: 7 cm D: 5.7 cm
A small & faint hairline in the interior (it does not seep through the exterior); no further damage
From Cape Cod, MA estate

The mandarin pattern—with its bold combination of overglaze red and brown, grisaille, and various enamels (mainly purple, blue, and green)—is interesting in that it employs native Chinese e...

An interesting and rare Chinese teapot of conventional bullet form with flanged lid with foo dog finial decorated in a combination of opaque famille rose enamels and translucent famille verte enamels probably dating from the earliest period in the development of the “famille rose palette circa 1720-1725. The subject is that of Li Bai, the famous Tang poet and imbiber of fine wines. Here pictured in one of his famous escapades dressed as a scholar riding a donkey accompanied by a page...

Edo Period (1603-1868) Japanese Antique Kyo Ware Tsutsu Chawan (Tea Bowl) for Tea Ceremony.

Kyo/Kiyomizu Ware has several centuries of history with over 300 kilns located around Kyoto, Japan.
The history of Kiyomizu pottery goes back to the Momoyama period (1568-1600).

Size
Height 9.5cm
Width 10cm
Weight 480g

Condition
Overall good considering the age, no cracks, no chips.
Supplied with old wooden box.

Museum Quality Early 18th Century Edo Period (circa 1700) Gilded Japanese Sculpture of Amida Nyorai Buddha. Seated cross-legged in the lotus posture, hands joined in the mudra of contemplation, eyes all but closed in meditation, we are gazing upon the sculptor's vision of Amida enthroned in paradise. The elaborately carved lotus upon which he sits is itself a symbol of the attributes of the Amida Buddha: gentleness, openness, and purity...

Size : 14,5 cm diameter. 1805 Gram weight. Good conditions.

One prominent Buddhist story tells of Avalokiteshvara vowing never to rest until he had freed all sentient beings from Samsara. Despite strenuous effort, he realizes that still many unhappy beings were yet to be saved. After struggling to comprehend the needs of so many, his head splits into 11 pieces. Amitabha, seeing his plight, gives him 11 heads with which to hear the cries of the suffering...

Ca. 1750-60s, early 18th century
Qianlong period, Qing dynasty
Porcelain with overglaze famille rose enamels
D: 22.7 cm, h: 3.8 cm
From a NYC area estate

A charming matched pair of Qianlong export soup plates, with scalloped edges decorated with fleur-de-lis like border, and carefully enameled with floral sprigs in the Meissen fashion...

An unusual moulded dish decorated with swirling ribbon like Shonsui brocades alternating with depictions of the Shochikubai. The central Mikomi decorated with a floral motif of two stylised flowers surrounded by a broad band of alternating cartouches in kakiwake style with auspicious objects, Chinese and Japanese Fans and a Whisk, and Cranes. The dish has a fuchi beni, iron brown glazed rim with no pattern to the reverse...

Offered is a lovely pair of 18th Century Japanese Arita Porcelain Awabi Dishes, made for use in the Kaiseki (懐石) or kaiseki-ryōri (懐石料理), a traditional multi-course Japanese dinner. Each dish is molded in the form of an abalone shell (Haliotis Gigantea, Abalone or Sea-ear - Awabi in Japanese). These dishes are decorated in underglaze blue as well as overglaze enamels of green, red and aubergine, further enhanced with gilding...

This is Japanese antique Hikeshi Hanten (fireman coat)used in the Edo period.( 1830-1850) of natural indigo dye cotton. It is a very nice cotton hand spun with warm hands. It is drawn with Tsutsugaki and with natural indigo dye. There are slight stains, but they are not noticeable. There is a slight rubbing mark. The state can be worn well. Length 93 cm / 36.6inch　Cuff to cuff, across the back: 127.5cm / 50.1inch Box.F

Diameter approximately 27.5 cm. There are bits of chipped glaze on the rim. In good condition.

This is chirimen-silk yuzen-dye and Embroidery yogi kimono in Edo period(1800-1867)Very rare.This yuzen-dye yogi kimono is a museum class.It all is expressed with embroidery and yuzen-dye. It is wonderful beautiful kimono. It does not have a stain. There is a small hole in several places. There is the part which a thread of the embroidery came off. However, it is excellent condition. size:186cm x 156cm(73.6" x 61.4")

An Arita serving bowl, namasu, of moulded simplified lotus form partially celadon glazed with a ko sometsuke style Sansui landscape in the well of the bowl framed by enamelled Chestnut branches outlined in gilt. The reverse plain and the interior of the foot-ring clear glazed. The bowl is typical of the output of the Higuchi kiln in the Nangawara valley which specialised in combing celadon and clear glazes...

A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl. The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design...