A beautiful Chinese huanghuali stool, Full carbon dated Report: circa 1750. Glowing original finish in wonderful condition. Stunning wood grain. Circa: 18th/19th Century Size: 19.5" height, 16" width, 15.5" depth

Thick feldspar glaze highlighted by reddish ore seeping from the iron-rich clay, this is a very attractive Shino vessel that may have originally been a yunomi but was later fitted with a silver globe and repurposed as an incense burner (koro). In Japan extending the useful life of a piece—by converting it to another use or perhaps by mending broken pieces (kintsugi)—is a common practice which demonstrates a deep consideration and respect for ceramic works of art...

This chawan was made by the 8th generation Ohi Chozaemon (1851-1927) based in Kanazawa and is done in a style known as “ameyu” or candy glazing. The glazing is a wonderful example of ameyu and, in fact, approximates the color of a caramel candied-apple. The interesting color scheme and glossy sheen make it an attractive backdrop for a frothy bowl of dark green matcha. While some tea bowls may look best in the confines of a dimly lit tea room, this bowl looks much better in bright light...

A VeryLarge Fine/Rare Korean Hae-Tae Shaped Wood Canddle Stick Stand-19th C.: with an onriginal panel stand. korea, Joseon dynasty, 19th century. Made of polychromed pigments and carved wood, the mythical animal recumbent with legs tucked in, the broad face modeled with large upturned bulging eyes under thick eyebtows, above the large smiling mouth set with a row of teeth, pierced with a large aperture for holding a large candle holders, with stand...

Chinese Ming 16th century sancai dish decorated with fish motive. 27,2 cm diameter. 4,3 cm high. Conditions : Have small chipped at the rim and glaze peel at one area (please see on the pictures) no crack, no repair or additional colour.

Chinese yixing zisha purple clay teapot. Qing dynasty. mark at the base and inside the lid. Good conditions except small chipped at the spout and the lid. Size : 17,5 cm wide. 9 cm high. Please check at http://www.ebay.com/itm/-/231706647389?

A Very Heavy/Large/Fine Octagonal Bronze Brazier/Incised Deco.-19th C.: Korea, Joseon dynasty, 19th century...

Antique Japanese book of 34 various woodblock prints. Each page vividly depicts a story, with bright color and exciting subjects. The outside is covered in brick red fabric with flowers. Size: 13.5" x 9" x .75"

19th Century, Boxwood Netsuke finely hand-carved and engraved boxwood netsuke depicting a squatting Karako (Chinese Boy), wearing the customary Chinese garb, hiding an Okame mask behind his back. He is doing the Bekkanko gesture, which tells us that he is playing a game with his friends where the objective is for other people to guess what he is hiding. Nice compact form; great expression and form details; nice mellow patina...

Hard to find, 19th Japanese articulated spiny lobster. Loss case method of solid copper. Each piece is meticulously cast and fitted with all 10 legs and long antenna. Fully articulated and movable, the lobster if fully splayed for viewing on a complex mounted stand.

For a similar example, see Meiji No Takara, Metalwork II, number 112.
Original eyes with no missing pieces...

Chinese Ming dynasty swatow polychrome dish decorated with Islamic or Arabic inscriptions. 24,7 cm diameter. Good condition except two small fritting at the rim. No additional colour or repair.

Head of a moustached nobleman, wearing an elaborate turban, with an interesting mixture of Greek and Indian features. Grey schist. Pakistan, Gandhara Graeco-Buddhist period, 1st to 3rd century. The head is nicely munted on a custom stand. Height (without stand): 4 1/2" (11,4 cm). Nose and chin slightly chipped, otherwise good condition.

Rare Japanese 7th Century Asuka Period Buddha of Paloma Wood. Beautiful patina and wood grain. The Asuka Period is known for its significant artistic, social, and political transformations, having their origins in the late Kofun period but largely affected by the arrival of Buddhism from China. The introduction of Buddhism marked a change in Japanese society. The Asuka period is also distinguished by the change in the name of the country from Wa to Nihon...

A Han dynasty bronze hu vase. Raised on high, cupped foot. The body cast with three grooves bands around the circumference and below the girth. Another three grooved bands (one smaller) above the girth. Two mask handles with loose rings (original to the vase) on opposing sides of the shoulder. One larger grooved band under the rim. Condition sound with the vessel of solid casting, no active rust and good patina...

Spectacular and dramatic Japanese Bunraku Puppet of a Sambaso dancer, rooted in myth, religion, and rituals performed at Shinto shrines and the imperial court, rituals aimed at conjuring up the gods. Has articulated eyes, mouth and arms making an array of wonderful expressions. He is holding his bell rattle, wearing a silk costume and a lacquered hat, presented on a classic Bunraku Puppet stand. 25.5 inches (65cm) tall.

Antique Japanese book of 24 delightful woodblock prints, all with beautiful ladies in kimonos in various court scenes. The book can be read front or backwards and is covered by woven blue fabric with orange flowers. Most likely a gallery collection from the meiji period. Size : 9.5" x 7" x 1"

Well potted porcelain body, decorated in an very nice underglaze Cobalt blue with Chrysanthemum and Cloud scrolls. The enameled iron red ground is over the glaze. Seventeenth century or later. Diameter : 17,2 cm. H : 6,4 cm. Condition : Perfect. Provenance : Old south German collection. As a reference please have a look at : Sothebys New York, Important Chinese works of Art, 17 – 118 March 2015, Lot 268

Exceptionally beautiful Japanese basket for ikebana (art of flower arranging). The handle is made with natural burl Cherry branch. The body is globular with large woven bamboo and a wide, flat rim. Perfect condition. Taisho Period (circa 1920's) Size: 18" height, 9.5" width

Large Chinese hardwood burl stand with a beautiful, asymmetrical shape with plenty of knots, crevices, and holes. Beautiful original piece and wonderful woodgrain. Makes an excellent stool. 19th Century Size: 13" height, 17" width, 14" depth

A fine Chinese bronze Gu, beaker, form flower vase of elegant elongated form cast with geometric, principally leiwen patterns, with zoomorpihic elements based on a Shang precedent. The design here largely adapted from examples to be found in the famous Song catalogue “Xuanhe Bogu Tu”, notably one example with two opposing worm like creatures incorporated in the central band of decoration. The casting is of excellent quality with a good patina...

Know more for his works of powdery-blue celadon, on occasion Sozan also produced fine white porcelains as well. This delicately-crafted porcelain kashibachi (sweets bowl) is one such example. Displaying a wonderful low-relief vine and leaf pattern on a backdrop of nearly eggshell thin ivory-white porcelain—this is a rare and interesting composition by Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture...

Wonderful unusual round bronze suiban or ikebana flower vessel from the late Taisho Period c.1920. Subtle silver inlay fence and small flowers in relief. Excellent condition, no dents or cracks. 10" diameter and stands on tripod legs 2 1/2" tall. Ask for shipping quote.

Here is another stunning chawan from our collection - one of the oldest available chawans in the world, already exhibited in a museum and published in books!

Nogime (hare's fur) Tenmoku tea bowl from the Jian Kilns - made in the Northern Song Period. This is one of the first tea bowls in Japan, which came together with the first tea from China. More than 1000 years old!

Little refined iron bearing clay, with iron oxide, thrown into the typical tenmoku shape...

Antique Japanese Solid keyaki (elm) low tansu from the Yonezawa region. The top long drawer has an iron locking plate in it center, incised with bamboo leaves, and two sliding doors below. Very heavy solid original piece. 100% original condition and finish. Meiji age (1868-1912) Size: 18.75" height, 34.25" width, 16.25" depth

Antique Japanese large oribe bowl with cream crackle glaze, short basket style handles with bright blue-green glaze dripping down the sides of the bowl, designs of wavy lines and dots along the rim, bold floral patterns on the interior, swirling pattern on the foot. A truly beautiful piece. 19th century. All original condition. Size: 7.25" height, 15.5" width

Beautiful antique Japanese Saki Ori vest made out of cotton reinforced with hemp stitching. Areas of indigo with red stitching have an effect to appear purple. Sashiko-stitched inset in the shoulder traditionally added to strengthen this part of the garment. Trim and hems are in flat indigo cotton. This type of vest was intended to be used in the mountains, for cutting and carrying wood for household use for charcoal. Great Wall piece! Wonderful Original Condition. Age: Taisho Period (19...

Well potted porcelain jarlet, decorated in underglaze Cobalt blue with Ruyi-shaped panels , divided by Pendent Tassels encircling the body. Ming Dynasty, Yongle Period ( 1403 - 1424 ). Diameter : 7,5 cm. H : 5,9 cm. Condition : Perfect.

Large and well hand carved Chinese wooden statue of Confucius from the Qing Period, around 1850.

It is made of one piece of wood and has a fine red laquer and rests of gilt color. Very nice display item!

Confucius was a Chinese teacher, editor, politician, and philosopher of the Spring and Autumn period of Chinese history.

The philosophy of Confucius emphasized personal and governmental morality, correctness of social relationships, justice and sincerity. His ...

Special autumn offer:

Another beautiful chawan from our familiy collection: square cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay, with a flaring mouth in shape of a half pipe.

Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the...

This lovely Ido-gata shaped chawan has very nice asymmetrical balance highlighted by extensive and skillfully applied kintsugi gold repairs. The inside bottom of the bowl is covered in a green glaze resembling a carpet of fine moss which stands out nicely agains the backdrop of the ashen-colored crackled glazing of the walls of the bowl.

Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the h...

A dish decorated in a Chinese literati style with a composition featuring principally a scholar’s refuge, Ting (Chinese), Teshi (Japanese ) beneath a rather curious gnarled tree with fan like foliage, presumably a Pine, and an auspicious ruyi (lingzhi) cloud pattern. This cloud motif, unki-zu, is essentially Chinese, xiangyun, relying on the homophone yun, yun, cloud, which sounds like yun, good luck or fortune, combined with Tian, heaven, so signifying heaven sent good luck. The design clearl...

A circular dish with slightly everted rim decorated with a landscape freize to the cavetto. The pattern is split into equal halves, by a zigzagging screen wall on one side, and an S shaped motif with ruyi cloud shaped motifs. The first portion of the design shows a pair of scholar’s playing Go sitting beneath a Bodri Tree set in a landscape with a scholar’s refuge cum tea house and oddly oversized autumn flowers, kikyo, bell flowers, and suisen, Japanese narcissus. The second portion a mou...

A circular dish with slightly everted rim decorated with a landscape freize to the cavetto. The pattern is split into equal halves, by a zigzagging screen wall on one side, and an S shaped motif with ruyi cloud shaped motifs. The first portion of the design shows a pair of scholar’s playing Go sitting beneath a Bodri Tree set in a landscape with a scholar’s refuge cum tea house and oddly oversized autumn flowers, kikyo, bell flowers, and suisen, Japanese narcissus. The second portion a mou...

This poem, inscribed with Rengetsu’s unmistakeable flowing calligraphic script, is set on a backdrop of colored washi paper decorated with gold flecks and intricate renderings of magical forest spirits. The spirits are drawn using “gofun”—a calcium carbonate powder obtained by heating and grinding oyster shells collected around the Inland Sea coast. Due to the luminiferous properties of gofun, the spirits seem to appear and disappear depending on the light and the angle of viewing—add...

Antique Japanese Nabeshima ware bowl, with cobalt blue design of waves and an array of scholar objects in mint green, lilac, yellow, and red glaze. Edges are decorated with "comb" design along foot. Underside has interesting signature mark of a budding flower. 19th century. Size: 6" diameter, 1.5" height

Charming Antique Japanese box with large lid, lacquered red and black with mother of pearl inlay. Black lacquer mon of pine tree and writing in black, heavy iron hardware. Has original holes for tying top to bottom for travel. The inscription on both sides state the name of the confectioner. Trans: Confectioners Matsuzaka Asano Rokkado. Late Edo Period- Meiji Period (19th century). Size: 17" high x 16" wide x 13 1/2" deep.

Antique Japanese merchant's chest (choba tansu), made of sugi (cryptomeria) wood with dark red lacquer finish, 4 exterior drawers and safe box with 2 small interior drawers. Beautiful heavy iron hardware including elaborate bracing on front frame, wooden bracing on sides and back. From the Mikuni area in Japan. Edo Period (late 18th Century. Stunning original Condition. Size: 32 1/2" high x 38" wide x 18" deep.

The Hiramaki-e technique, which dates from the latter part of the Heian Period (794-1185), was preceded by Togidashi maki-e, a technique in which not only the design, but the whole surface is covered with clear lacquer after the sprinkling of metal powder. The lacquer is then polished down to reveal the design.

The Japanese letter box is decorated in low relief of mountainous terrain and a stylized linear mist or cloud line. The interior ground is lacquered and sprinkled with gold fl...

A moulded hexagonal bowl, hakkaku hachi, decorated to the exterior with an iron red ground inset with alternating reserves containing ribbon bound scrolls, makimono, and artemisin leaves, mogusa-ha, two of the Eight Chinese precious objects, Babao, hachitakara, and a band of stylised eight petal flowers, presumably Tessen the clematis flower, with leaves and pine branches. The interior divided into four brocade panels, each with a reserve containing, respectively auspicious Chrysanthemums and Ro...

In China, the first mention of the Japanese Archepelago was in the historic text Book of Later Han, written in the year 57 AD. From that time forward, a great flow of Chinese cultural objects and ideas made their way to Japan—greatly influencing future developments there. This flow continued unabated until reaching a fevered pitch during the Chinese cultural revolution when—under Maoist reform—untold cultural relics and artifacts were destroyed by officials and enthusiastic supporters of t...

In China, the first mention of the Japanese Archepelago was in the historic text Book of Later Han, written in the year 57 AD. From that time forward, a great flow of Chinese cultural objects and ideas made their way to Japan—greatly influencing future developments there. This flow continued unabated until reaching a fevered pitch during the Chinese cultural revolution when—under Maoist reform—untold cultural relics and artifacts were destroyed by officials and enthusiastic supporters of t...

This finely crafted tripod incense burner is one of several often-employed motifs used by renowned Meiji/ Taisho ceramic artist Suwa Sozan I. With a design borrowed from ancient Chinese porcelain production, this piece displays horizontal bands on a field of luminous light-blue—contrasting nicely with the lid which is a dark varnished wood.

Suwa Sozan (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pot...

Antique Japanese Nabeshima ware bowl, with blue gourds hanging from a vine and two red flower buds with gilt pigment accents on the stem and around the bowl's rim. Blue butterflies decorate the outer edge and "comb" design along foot. Provenance sticker from Japanese antique dealer Shiota in San Francisco. 19th century. Size: 6" diameter, 1.5" height

Antique Japanese Nabeshima ware bowl with scalloped rim to resemble a lotus, with blue cobalt florals designs along the outside and "comb" style design along the foot. The interior of the bowl has a black squirrel hunting for grapes. Provenance sticker from Japanese antique dealer Shiota in San Francisco. 19th century. Size: 5.5" diameter, 2.25" height

A variant of Hopi Mona Kachina River or Thunder Kachina -Green case mask, triangular mouth, a band across the forehead. Fur ruff. Kilt, sash, woman's belt, red moccasins. Bluish body paint. Appears singly in Mixed Kachina Dances. Third Mesa. -Height: 9 inches -Width: 2.5 inches -c.1930-1940

-Reddish brown sack mask to which are fastened three gourds, one on top and one over each ear, and painted reddish brown. Rag ruff. Kilt made from a woman’s old dress. Body painted with red-brown clay. He carries a feather and a rattle. Koyemsi is the most common Hopi clown. He appears in Mixed Kachina Dances and sometimes a group of Koyemsi appear in a dance of their own. At First Mesa they are said to sing Zuni songs. - Provenance: Wendell Gates professor, artist, Santa Cruz, CA, purchased...

-She wears a white sack mask with red spots painted on her cheeks, fox skin ruff, woman’s dress, and maiden’s shawl. She may be barefooted or wear white boots. She usually carries a gourd filled with water. She is said to be the mother of all the kachinas, and is a principal actor in the Water Serpent Ceremony. She may appear at other ceremonies such as the Niman Kachina Dance. --Provenance: Dorothy Louise Luhrs PHD. 1910-1972, UNM/ School of Field Research. -Height: 8 inches -Width: 3...

- Green case mask with black crow wings on the side. Fox skin ruff. She wears a woman's dress and ceremonial robe with green moccasins. At Oraibi she carries a yucca whip, at Second Mesa a tray of corn. The Crow Mother is mother of the Hu Kachinas and appears in the Bean Dance. By some Hopis she is considered to be the mother of all the kachinas. Her Hopi name translated means "Man with Crow Wings Tied to." Fewkes, 1894, 1903; Stephen, 1936; Earl and Kennard, 1938. - Provenance: Dorothy Lo...

Chinese song dynasty white or qingbai glaze flower shape small dish. Decorated with molded flower motive. 12 cm diameter. dish has some hairlines at the center (please see on the pictures).

Antique Chinese hardwood desk, made from attractive jumu wood. Three drawers with ring pulls and carved outlines run along the front with a carved panel of dragons and flowers below. 18th/19th Century Size: 33.75" height, 40" length, 23.25" depth

Antique Chinese ceramic vase with a greenish brown glaze. The body is ribbed and globular with a tapered neck. The handles resemble two small critters. Dates from the Han Dynasty ( 206 BC - 220 AD ) Size: 11 1/2" High X 9" Wide

Ca. early 1800s

This porcelain dish is in the shape of an abalone shell with underglaze blue and overglaze enamel decoration. It is raised on a low footring with an underglaze blue four character mark reading, “Made in the Great Ming.” There is minor glaze wear to the interior and minor firing flaws. There are no cracks or restorations.

Length: 6 3/8 in., Width: 5 3/8 in., Height: 1 ¼ in.

An excellently and thinly potted Porcelain jar, decorated with an abstractly painted landscape scenery. The underglaze Cobalt blue is deep and very nice. Qing Dynasty, Yongzheng Period ( 1723 - 1735 ) H : 10,9 cm. Diameter : 9,7 cm. Condition : Perfect.

Finely drawn chrysanthemums on a field of ivory porcelain. The flowers are placed on the outside and inside edges of one half of the bowl drawing the eye away from the center and giving this piece a unique perspective.

Seifū Yohei IV, Seizan (1871-1951) was the second son of Seifū Yohei III (1851-1914) who was awarded the title of Teishitsu Gigeiin or “Imperial Court Artist” in 1893. He studied literati-style painting under Tanomura Shōsai (1845-1909)—a son of T...

19th Century, nicely hand-carved Ebony Netsuke depicting Ama, the Diving and Fisher Girl, standing with a basket on her back, accepting the advances of the amorous Octopus that is enveloping her legs with its tentacles and placing one of them in her private parts. The netsuke is unsigned. It measures 0.75 inches (1.9cm) wide, and 2.68 inches (6.8cm) tall. It is in excellent conditon, as may be seen in the posted photos.

Antique Chinese tripod ceramic celadon with pale green underglaze, resting on an a hardwood stand with three raised pockets for each foot of the censer. This is a Longquan Celadon, unusual size, dating from Song to Ming dynasty. Perfect Condition. Size: (on stand) 3.25" height, 2.5" diameter (off stand) 2.25" height

A stunning two section Japanese tansu from the Yonezawa region, made with Kuri (chestnut) front and Sugi (cedar) burl frame. The iron hardware is highly decorative with floral elements and incised cherry blossom mon (family crest) into each round lock plate, as well as attractive mokko "melon" style handles for each drawer. Top section has side lockbox with two drawers within. Beautiful lacquer finish. 19th century. Size: 38" height, 42" width, 18" depth

Antique Japanese large carved wooden tray, natural form and curled edges reminiscent of a lotus leaf, beautifully sculptured, late Meiji/early Taisho Period. Size: 24 1/2" wide x 15 1/2" wide x 1" deep.

Antique Burmese basket woven by the Akah people, tall hour glass shape, still with it's original lid, beautifully woven in different patterns, c.1920. Size: 26 1/2" high x 14" wide diameter

A wonderful and charming turquoise snuff bottle, with detailed carvings of chrysanthemums blooming with a small bird keeping close watch. The stopper is an adorable carved rabbit. Gorgeous color and size. 19th Century Size: 2.5" height, 1.75" width, .5" depth