A Tlatilico "Pretty Lady" from the pre-Classic period [1200 BC-300 AD]. Stress breaks arms and legs professionally restored. Rare large size. 7.5" high.

A female Colima figure from the pre-Classic period [1200 BC-300AD]. She wears a hat, earrings, necklace and shoulder ornamentation. There are stress cracks of the arm, neck and leg which have been professionally restored. It shows strong yellow and red pigmentation. 9" high.

A very early pre-Classic [1200 Bc-300 AD] Tlatilco female figure. Although the right arm and most of the headdress are missing, it is still a fine example of a very early pre-Columbian art work. 4" tall.

This kind of Kanzashi is called Gin (silver in Japanese) Kanzashi. The body is usually made out the stronger mixed metal as this one. The darkened metal flowers are tarnished silver, I believe. The bira bira Kanzashi started to become fashionable in late 18th century, Edo Period and this set is from late Meiji to Taisho period, early 1900s. The chains are very light weight so you can wear as a set if you like...

A Mezcala stone figure from the pre-Classic period [1200 BC-200BC]. There are drilled holes at the base of the neck for wear as a pendant. 6.5" high.

A Mezcala stone figure from the pre-Classic period [1200 BC-300 AD] with folded arms. 5.25" high.

A nice example of an early small Mayan cylinder with several small stress cracks from the pre-Classic [1500 BC-300 AD] period. 3.5" wide and 2.75" deep.

Beautiful Shusu (satin silk) Uchikake kimono from the Meiji period (1868 - 1912). All hand sewn with embroidery and gold couching work - overlaying of threads (real gold wrapped around thread) rather than going in and out of the base fabric.

The dimensions are 50 inches between from tip to tip of the sleeves, 60 inches long and 29 and half for the sleeve length. All the edges and openings are generously stuffed with raw silk...

This is a Beautiful Pair of ANTIQUE SATSUMA VASES. Each Vase is 7 1/2" Tall. The Most Striking Features are the SUNFLOWERS on each Vase ... those Flowers accented with Pink and Gold. Research shows these Vases to be signed with the SHIMAZU Mon; made by the Chin Ju Kan Family. Circa 1900 and in EXCELLENT Condition. A Most Desirable Pair of SATSUMA VASES.

Japanese lidded porcelain choshi, sake server, blue and white glazed, handle is pierced with decorative holes, melon-shaped body, 18th/19th century, good condition with no cracks, chips or losses. 5 1/4" high x 7 1/8" long (to spout) x 5 1/8" wide.

Japanese blue and white glazed Imari plate with scrolling vine motif and sho-chiku-bai (three friends of winter: plum, pine, and bamboo) motif, signed with 4 characters on back, one very minor crack near at rim otherwise great condition, Edo Period (18th century). 11 1/4" wide x 2" high.

Japanese blue and white glazed imari plate with dove on peony branch, Edo Period (19th century, two very minor cracks at rim, beautifully painted. 11 3/4" wide x 1 3/4" high.

This early 20th century Chinese carved wood statue is 9 ¼ inches tall, 6 inches wide and 4 inches in depth. The statue presents a legendary Chinese character who is a member of the eight immortals. According to legend, one day he told his follower that his spirit was going to travel far away. He asked the young follower to watch his body for seven days while he was away. If he did not come back after the seventh day, the young man must burn his body...

This 19th century Japanese unsigned hardwood netsuke of JUROJIN is 2 inches tall, 1 inch wide and ¾ of inch thick. It depicts JUROJIN with both hands in his sleeves in front of him. It is in perfect condition.

This middle or late 18th century Japanese wood netsuke is 3 ¼ inches tall, 1 inch wide and ¾ inch thick. It was carved from unknown softwood and not signed. It depicts a famous Chinese historical character GUAN YU. His right hand is holding a weapon (long handled knife) and his left hand is holding a book called ¡°Spring-Autumn Annals¡±. It is in great condition.

13"H buff-colored earthenware Yangshao type funerary urn decorated on the shoulders with bold black and red geometric designs. The symbolic significance of this decoration is apparently unknown. Ovoid form with a wide body extending to its widest girth at the mid-section and tapering to a narrow base. Two strap handles at the sides. Neck ending in an everted rim with evenly spaced tiny holes. Machang type (circa 2200 B.C.) of the Majiayao culture, Gansu Province...

The wood statue Shou Xing (longevity) is carved from a part of a tree joint and it is quite heavy. He is holding a staff and a peach. The statue is 11 ½ inches tall, 2 ¾ inches thick and 5 inches on the widest part. It is late 19th century piece. The carving is simple but elegant. There is single Chinese character ¡°Wang¡± which was scratched on the back of Shou Xing¡¯s robe, maybe by collector. There are some crack lines and small chips due to the age...

This is an ANTIQUE SATSUMA SMALL VASE from an Eastern Shore of Maryland Estate. The size is 5 3/4" Tall X 2 1/2" at the Widest point. Decorated with Red Enamel and Gilded Highlights, this Vase shows Three Boys at Play on the Bottom. Ca. 1900 - 1925 the Condition is EXCELLENT. JPGS provide more info

An actor portraying a samurai admiring himself in a mirror in a scene from the kabuki theater by Toyokuni III (also known as Kunisada). Signed "by special request of the publisher." Published by Kinjudo between 1847-48. Standard "oban" size panels measuring roughly 15"V x 10"H. Possibly from a triptych. Excellent color with vibrant yellow and green in the background. Good overall condition with no tape stains, toning or tears. The baren marks and image are clearly visible on the back...

The carps and nobori Japanese banners, warrior's Yoroi and Kabuto helmets, samurai dolls and swords are all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parent's wish to inspire their boys in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, Nobori was used in the battle field to identify the troops, some were to show the warriors where their taisho (general) was...

These dolls are a part of the Hina doll set displayed for the Japanese Girls Day, Hina Matsuri (Festival) in March. The day is also called Peach Festival. When the peach blossoms open in February to March by breaking through the snow, it is an announcement of the beginning of spring in Japan. The blossoms are very much associated with women’s strength and for this reason, along with their beauty, daintiness and softness, these are all desirable characters for women...

The shape of this oval Japanese Arita dish derives from European forms. The combination of colors (Celadon and blue & white) is known to be produced from 1780 – 1820, a late Edo example. The dimensions: 7 1/2" x 6"

Japanese female mask in the style of a Noh mask. This face may have been considered beautyiful many years back, but now it carries a heavy-duty insult to any ladies if they were to be called Otafuku-chan or Okame-san in Japanese. Otafuku-kaze is the mumps and there are popular snack beans called Otafuku-mame, shaped exactly like this face.

Otafuku simply means “much happiness”. Also known as Okame or Uzume, this face has been the symbol of good wishes for health and happiness. Mu...

This middle or late 19th century snuff bottle has a white background and is hand painted in copper red and cobalt blue with an old sage and his servant. It is 3 inches tall and 1½ inches wide. The cap and spoon are replacements (not in the picture). It is in good condition.

This old wood netsuke figure is 3 inches tall and 1 inch wide. It depicts a long haired, bearded sage (or hermit) holding a staff. It is not signed and is in great condition.

Old Japanese decorative roof tile, Onigawara, depicting the legend of Jo and Uba, spirits hunting in the pine trees of Takasago. They symbolize the harmonious marriage and long life together. This tile was probably on the roof of the traditional wedding place once. Dimensions are approx. 11 1/2" high x 18 1/2" width and 5" depth, 14 pounds.

I thik this is Japanese (?) candlesticks dated from the Meiji period (1863 - 1912). Some holes. The biggest one is shown in the enlargement #7. These are generally caused by too much dampness in Japan. 17 1/2" high.

Early 20th century Japanese square satsuma plate is 7 ¾ inches by 8 inches. It has a raised floral and peacock design with houses and a lake in the distance. It is signed ¡°Hododa¡± and is in great condition.

This is an old silk fukusa from Meiji period (1868-1912). This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony. Lined with a deep red crepe silk, this fukusa is almost in perfect condition.

Pine trees are considered as sacred in Japan. Here, an ancient pine tree is mostly done with the gold couching, overlaying of threads (wrapped in gold) rather than going in and out of the base fabric. The color of gold is particularly pretty here contructing to t...

This VASE is Best DESCRIBED as FANTASTIC. Acquired from a SUPERLATIVE ESTATE of a Maryland JUDGE who liked the BEST, this is a CARVED SODALITE HARDSTONE VASE. In Two Pieces the BOTTOM section Depicts a PHOENIX and a MAIDEN; the Second Side has QUAN YIN and a CHILD. The TOP Depicts a CARVED DRAGON. The CARVING is EXCEPTIONAL with much PIERCED Work Top to Bottom/ Side to Side including Two FROGS on LILLY PADS at the Shoulders of the Vase. Due to the lack of GOLDSTONE One must determine this...

This Chinese vase comes from Canton from the end of the 19th century or perhaps the first few years of the 20th century. The shape is termed onion neck for obvious reasons and derives from Delft forms made in Holland in the 17th century. The bright overglaze enamel colors are typical of export wares of the era and the subject matter of boys with balloons containing characters meaning "prosperity" and "good luck".

A hexagonal Chinese covered dish, decorated in overglaze enamels win the Famille Jaune pallette. The motifs seen in the shaped collar (in the form of a ryui fungus) around the lid are Buddhist precious objects. the flowers are those usually found on such porcelains and include hawthorn (prunus), lotus, orchid, peony, chrysanthemum, etc. The mask handles on the sides would originally have had wire carriers fitted. This piece dates from the 19th century

Dimensions: 11 1/4" width (tip t...

Please see Trocadero#38274 for details.

This is a beautiful example of an old Kyoto Yuzen dyeing. In this kimono, you can see the white lines around the designs, the very characteristic of Yuzen dye. This is where the rice paste is used to resist the dye and is later washed off. The dye on the silk bleeds. By outlining or covering the design area with the paste, the dye artists can work with the design more freely in detail than in the older pre-Yuzen method, which simply uses dip dying and/or embroidery. This is the revolutionar...

This is a very well carved early 20th century ivory fan. The front is carved as grapes and leaves; the back and ribs are plain. The loop which holds the fan ribs together also is made of ivory. It is 7 ¾ inches long and 13 ½ inches wide (open). The silk ribbon is a replacement. It is in great condition.

This is a beautiful old Japanese maru obi with the design throughout on front and back. It is the kind of obi that we no longer see them produced. The white area is rich white satin and is whiter than shown in the photos. 12-1/4" wide x 154" long. Early 1900.