Pair of ceramicware toads with three legs on their bases engraved in wood. One of them holds a pearl in his mouth.

The tree-legged toad, derived from Chinese mythology, is a Feng Shui symbol representing prosperity and wealth. Chan Chu, the three-legged toad, is mentioned by the poet Qu Yuan in Chu’s Songs...

This is an extremely rare pure gold 23K gold cup from Colombia. It is 3 1/2" tall. It has been hammered paper thin and has some crinkling. I purchased it in 1986 from dealer Royce Hubert.

This is antique Indigo dye Stripe cotton sashiko boro noragi textile of the Meiji era(1868-1912). It is boro cotton and patchwork of very beautiful indigo dyeing. All this sashiko stitches are made by hand. I can enjoy it with the both sides. It is very rare textile. This is textile made in the japan Seto Inland Sea district.I recommend it to collection of you. size:114cm x 113cm (44.9" x 44.5") Box.G

Inrô with five compartments with lake landscape decoration in continuity on both sides, in gold lacquer hira maki-e, taka maki-e, kirigane and brown lacquer on a fundame gold background. The interior is in nashi-ji lacquer.

Wooden netsuke representing Daikoku, carrying in his right hand his wooden mallet and in his left hand his bag.

Daikoku, deity of wealth and trade, is part of the Seven Gods of Happiness...

The Only Antique Korean Quiver and Arrows Set Ever Offered for Sale. Metal quiver and wood arrows with pointed metal tips. This type of lid locking mechanism appears only on Korean quivers. Quiver length: 29 inches (74 cm).

Antique Tibetan thangka painting of Green Tara, one of the manifestations of the bodhisattva of protection. The central figure of Green Tara is flanked by bodhisattvas while the Amitabha Buddha is seated directly above her head. Below Tara are a fierce deity with mortal attendants carrying offerings...

A beautiful stand mounted Japanese architectural (corbal) carving of ocean waves. One of this detail and design would have been built into the architecture of a temple. The carving is highly stylized with large openwork areas. The Keyaki (zelkova) woodgrain is visible on the reverse of the carving. Mounted on black iron plates.

Mid Edo Period (1603 - 1868)

Dimensions: 32" L x 3 1/2" D x 17 1/4" H, 13" H carving only

A lacquered cabinet for storing Tea accoutrements by Koyama Kogetsu enclosed in the original signed wooden box dated 1931 and titled Tsukiyama Maki-e Kikkyoku (Mon and Hills Maki-e Tea Cabinet). On the door deer stand on the edge of a glade, gold, lead and Raden (mother of pearl) trees with branches of gold and silver maki-e above. The door lifts off to reveal the silver disc of a full moon rising over evening hills. It is signed in gold Kogetsu...

A splendid set of five Chataku Tea Cup Saucers of turned wood decorated in ridiculously thick lacquer floral decoration by Ikkokusai enclosed in a fine wooden box signed by the artist and dated Meiji 39 (1906). Accompanying is a note stating the set was received as a gift upon visiting the Naganuma Ryokan during a trip to Hiroshima in the fifth month of Meiji 43, accompanied by the name Kayanomiyasama. Kaya-no-miya were a collateral branch of the Japanese Imperial family...

Antique Chinese rectangular bronze censer. Flanked on either side by standing figures of men holding rings and themselves functioning as handles. Each figure is cast in such detail as to highlight long curling hair, beards, and jolly expressions. The men wear flowing robes and jewelry in a manner which suggest they may represent foreigners of some sort...

Japanese Funa Tansu, or ship safe box, made from Keyaki (Zelkova) wood in an unusual wide shape with two hinged doors instead of the typical one (this style known as Ryobiraki-do). It has iron hinges, corner hardware, and a large, round iron lock in its center with multiple sliding locks and two kan (ring) handles. Inside, it has two long drawers with two warabite handles each, one large drawer with a single handle, and two smaller drawers with leaf shaped handle backings/locks...

A startling find! A Horned Demon mask dating from the Nanboku-cho to earlier Muromachi eras (14th to 15th centuries) carved from a single block of wood and enclosed in an ancient kiri-wood box. The visage would have once sported a lower jaw, likely suspended by chord, which is no longer extant. It is 21 x 15 x 9 cm (8-1/4 x 6 x 3-13/4 inches) and is in overall fine condition, exuding a great sense of age.
Oni Masks: Oni are a type of horned demon or ogre in Japanese folklore...

Antique Japanese kiri (paulownia) wood tansu of a rare and unusual size, with beautiful rosey iron corner bracing, locks, and handles of an elegant and elongated shape. Gorgeous natural finish hardwood. Early Meiji period (1868-1912) Size: 49" L x 18" D x 26" H

Pair of Japanese antique abumi (horse riding stirrups), made of iron with silver inlay all over in beautiful designs of vines and leaves, the bottom of each stirrup is decorated with a bamboo motif, the foot areas are lacquered black, each abumi is inlaid with writing: Kaga Ishikawa Prefecture, Mori Hei Saku (artist's name and "signed by") lived in Komaki. Edo Period (18th century). Size of each: 9 1/2" high x 11 1/2" long x 5" wide.

This is a Mayan Jade sitting cross-legged pregnant woman. Depictions of women are rare. Pregnant women are even rarer. She is wearing a coiled snake headdress. Snakes are a powerful symbol among the Maya. In their primal form, snakes represent the surge of life force that brings all things on earth into manifestation. It is 3" tall. Excellent patina. No damage. It was found in Guatemala and dates to 250-600AD. I purchased it in 1991 from dealer Michael Robbins.

Antique Chinese altar table, original patina with its transparent burgundy lacquer, constructed from old growth Jumu wood. Unusual form that is very linear and narrow with fine scrolling Apsaras drapes and the panels on the leg apron with a lingzhi motif (a symbol of longevity and a ruyi scepter, meaning "as you wish".

Late 18th / Early 19th century

Size: 123"L x 11" W x 39" H

Complete footed cast bronze Hu (wine container), terminating curved and bulbous contour flaring on square mouth. Banded edge and lidded square cover. Has a slight apex top with four serpentine shaped mounted on a terminal bends. The ring handles of the hu measures 2 1/2" diameter with loped and mounted on a taotie mask which is molded in low relief...

An antique Japanese Zushi (portable altar) with standing Amida Buddha within. Urushi lacquer over wood. Original bronze ornamentation features a large clasp with stylized arabesque Lotus blossoms on either side and the Dharma wheel above and below. Makie lacquer crossed feathers Mon (family crest). Opening the doors of the altar reveals the Buddha in its original patina and a hand painted upper apron with lotus blossoms...