Cup with everted flat lip and a short raised foot. Decorated in underglaze cobalt - blue on the rim with a key - fret design and a continuous chrysanthemum scroll on the exterior. Porcelain body with a transparent glaze. Base recessed and unglazed. D : 8 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century. Condition : Nearly perfect - there is just one short nearly not visible hairline. ( John S. Guy , Oriental Trade Ceramics in South - East Asia, item Nr. 55 )

Jarlet with high shoulder and a short cylindrical neck. Decorated in underglaze cobalt - blue. Porcelain body covered with a transparent glaze stopping short of the foot. Flat base unglazed. H : 5 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century. Condition : 2 short nearly not visible hairlines. No chip and the glaze in a very nice condition.

Jar of globular form with a short cylindrical lipped neck and two horizontal lugs on the shoulder. The body is divided into four panels by vertical lines of applied studs, alternate panels being decorated in underglaze cobalt - blue with a chrysanthemum spray. Porcelain body covered with a transparent glaze stopping short of the foot. Flat base unglazed. H : 7,7 cm. Jingdezhen or Fujian. Yuan Dynasty, fourteenth century. Condition : 1 very minute chip visible on a enlargement. ( John S...

Jar of Guan form, decorated in underglaze cobalt - blue with a classic scroll and a continuous chrysanthemum scroll set between horizontal lines. Porcelain body covered with a transparent glaze. Base unglazed. H : 5,9 cm. D : 7,3 cm. Jingdezhen or Fujian. Yuan Dynasty, fourteenth century. Condition : 3 hairline cracks.

Jarlet of globular form with a short cylindrical lipped neck and two horizontal lugs on the shoulder.Decorated in underglaze cobalt - blue with a continuous chrysanthemum scroll.Porcelain body covered with a transparent glaze. Base unglazed. H : 5,7 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century. Condition : Perfect ( John S. Guy - Oriental Trade Ceramics in South - East Asia, item Nr. 58 )

19th Century Edo Period Japanese Clay Mask of Tengu, the mischievous God of the Forest. A wonderful example of Mingei used as decorative art, with an underglaze of red and white fired to give a wonderful presence. 8.25 inches (21cm) tall) x 6.25 inches (16cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Antique Bronze Rabbit Sculpture in a natural form. It has a rich dark patina, and a wonderful alert presence. A classic Japanese image of a Rabbit, and a charming Meiji Period Bronze. circa 1890 - 1900. 6 inches, 15 cm height.

Japanese Antique Bronze Horse in a classic galloping pose. A solid, strong image with rich patina, finely rendered detail, naturally executed. A fine addition for horse fanciers. Signed, circa 1920. 12 inches (30.5cm) tall x 15.75 inches (40cm) long. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Late Edo Period (1850 - 1868) Japanese signed Noh theater Mask of Okame, the Goddess of Mirth, a very popular image in Japanese culture. A beautiful example of the type of mask done by a master carver, using Cypress wood (Hinoki) and many layers of Gofun, crushed oyster shell lacquer. A very charming and well rendered image. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Pair of 19th Century Japanese lacquer miniature composition masks representing living ("Iki" living figures) expressive faces, with ivory teeth, glass eyes and human hair. They have an arresting presence and are a great study of portraiture, representing fine Japanese craftsmanship. 5 inches (12.5cm) x 4.25 inches (11cm) wide (each). From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Late Meiji Period (circa 1900) Japanese Signed Okimono Sculpture of a pair of Mandarin Ducks, symbols of life long faithfulness and one of Japan's most beautiful birds. Original artist signed box is included. Beautifully carved of Poloma wood, one of the finest woods used in Japanese sculpture, and gorgeously painted with vivid colors. They can be exhibited in an endless variety of positions and make a wonderful object of art. 3.5 x 8 inches, 9 x 20 cm...

Late Edo Period (1850 - 1868) Bronze Incense Burner Sculpture of a Duck, Japanese symbol of faithfulness and light. An exquisite expression of Japanese bronze craftsmanship of the finest quality. It exhibits a rich dark patina. A Japanese bronze classic. An important acquisition for a bronze collector. 13.75 inches, (35cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

16th Century Japanese Momoyama Period Wood Sculpture of Nyoirin Kannon, widely worshiped by those who hoped to gain riches and fulfill requests, seated on a lotus flower on rocks. Nyoirin's pose was appealing to devotees: his relaxed pose is inviting and the hand raised against his leaning head, which signifies a meditative state, adds a human touch. The bodhisattva's pose, in fact, indicates that he is resting in his personal paradise on Mt...

Rare Japanese Heian Period, 12th Century Wood Sculpture of Kannon, the Goddess of Compassion and Mercy. Even though it is not in a complete state, it has a wonderful, peaceful presence that is really a delight to bask in. It has a magnetic face with a serene expression. Japanese sculpture of this age is hard to find. A fabulous work of art and a rare, magnificent sculpture. 16 inches, 40.5 cm...

This is a Crow parfleche made of raw hide, used as storage containers. c. 1890-1900, 25.25" x 11.5"

Cheyenne beaded bag with tin cone suspensions. c. 1880, 5.75" x 2.375".

c. 1920, 11.25" tall by 3.5" wide. Wood loss on one foot, one foot has been reattached, cracking to the cottonwood on the casemask and rear of the doll; otherwise in very good condition considering the age. Some paint loss.

Relics of the Nile is very pleased to present this superb rare ancient Egyptian necklace composed of New Kingdom faience tubular beads (read below for information regarding how the beads were made). The beads are multi-colored and are brilliant in every way, displaying colors of red, white, very bright blue, green, rust, and more! The thick blue and green faience was extremely popular during this period. The length of the necklace measures a very nice 17" in length...

Ca. 1700s or earlier

Hollow cast in coppery-bronze. Two similar images depict Buddha in “Earth touching” mudra. Both are heavy castings, having an even, dark brown patina and hollow interiors with old brown patina and light traces of verdigris. The backs of both pedestals are cast with a lopp just below the seated Buddha and these were used to secure these two smaller images to a larger altarpiece...

Ca. 1400s

Well potted with thick, even celadon glaze overall except for the unglazed base and foot. The glaze is of a deep green tone and crackled all over covering the interior of the neck as well. Three floral form appliques decorate the shoulder just below three concentric rings leading up to the neck. A few minor earth stains remain from burial. Overall very good condition.

Diameter: 2 5/8 in., Height: 3 ½ in.

A Very Rare Imperial/Incised Celadon Glazed Cup-stand: Korea, Koryo Dynasty, 12th Century This is a very high quality and imperial celadon glazed cup-stand, the domed corner incised with lotus petals within a raised ring, enclosed pendent leaves the broad reverted rim divided into eight foliages, evenly applied overall with a fine celadon glaze with 5 spur marks on the bottom. It is in excellent condition without any damages. Measures 6 1/4” x 1 5/8”h

Old silk kesa, an outer garment worn by Japanese Buddhist priests. Kesas were originally made from old scraps of material donated to the temples. The scraps became finer and quite luxious with time. People who gave to Buddhist institutions were often keen to give very expensive items, so some fabulous kesas were created from wonderful silk brocades. This could also mean that the wealthier temples ended up collecting better fabrics or were able to send out for expensive custom made kesas...

Spectacular Early Meiji Period (circa 1880) Japanese Lion Mask used on the head of a float for the Gion Festival. This huge mask is an arresting image to behold. This fabulous carving is heavily lacquered in red, black and gold. The head can be raised to show his open mouth, creating a very impressive and imposing presence to behold. 38 inches (96.5 cm)w x 25 inches (63.5 cm)h x 24 inches (61 cm)d...

17th Century Early Edo Period Spectacular Japanese Temple Sculpture of Baku, a mythical beast loosely representing an Elephant with a combination of other animals, creating an original form. The Baku is the "Dream Catcher" of ancient Japanese Shinto mythology. It is inserted in the ceiling to watch over the temple. This Baku is a masterpiece sculpture of magnificent presence. It will surely be the focal point in any environment...

Museum Quality Early 18th Century Edo Period (circa 1700) Gilded Japanese Sculpture of Amida Nyorai Buddha. Seated cross-legged in the lotus posture, hands joined in the mudra of contemplation, eyes all but closed in meditation, we are gazing upon the sculptor's vision of Amida enthroned in paradise. The elaborately carved lotus upon which he sits is itself a symbol of the attributes of the Amida Buddha: gentleness, openness, and purity. This is a large, rare and exquisite example, fabulously ca...

Meiji Period (circa 1890) Japanese Hago-ita (Battledore or Badminton) Paddle in its original display case. It is very rare to find one from this time period, especially with its original case. A deluxe example that is enhanced with three dimensional objects. We have never seen such a wonderful and elaborate Hago-ita. 26 inches 66 cm) tall with case. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Late Edo Period (1850-1868) Japanese Musha Ningyô (Boys Day Doll) wearing an Eboshi, a court hat and robes with crests. He is seated in a court position and has a handsomely caved face. His silk fiber hairs are tied in a top knot. This is a well executed example. 11 inches (28cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Very Old Edo Period (circa 1720) Extremely Rare Set of Three Female Musicians for Hina Matsuri (Girls Day Festival) Almost all musician dolls were male, making this group highly unusual, especially from the 18th century. They have the most wonderful features painted on carved wood covered with burnished gofun (oyster shell lacquer). The textiles are chirimen silk. 8.75 inches (22.5 cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and ...

Early Meiji Period (circa 1870) Japanese Musha Ningyô (Boys Day Doll) of Emperor Ojin, Japan's first historically verified emperor. He has been deified as Hachiman Daimyojin, regarded as the guardian of warriors. This boys day figure is gorgeous in every way. The brocades are so sumptuous and the face is magnificent. He is wearing a Kabuto (court hat) and holding a long battle baton complete with a sword. The figure is 14 inches (35.5 cm) tall, and the overall height is 24.5 inches (62cm). From...

Meiji Period (circa 1880) Japanese Musha Ningyô (Boys Day Doll) depicting the Legendary Toyotomi Hideyoshi, seated in court position wearing dramatic brocades and gold lacquered armor, a gembun fan in his right hand and wearing a classic winged cap. His face is finely carved with a regal expression. This Ningyô is Meiji craftsmanship at its best. 14.5 inches, 37 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Extremely Rare 18th Century Edo Period (circa 1780) Musha Ningyô (Japanese Boys Day Figures) representing the famed brave warrior, Kato Kiyomasa (1562-1611), who accompanied Hideyoshi on his campaign against Korea. He is gloriously represented here, along with his attendant holding a banner of a Buddhist prayer, in this spectacular Ningyô. Kato is wearing sumptuous brocades, a black velvet trim robe with gold trim and is holding a spear with a sword at his side. He is seated on a military ...

Edo Period (circa 1820) Japanese Daki Ningyô (Hugging Doll) standing at the unusual height of 27.5 inches (70 cm), making him a very rare and striking figure. It is most uncommon to see this type of Ningyô outside of Japan, for they are highly prized by the Japanese. A widely held theory has it that these dolls were commissioned by patrons of Geisha as presentation gifts. This one is outstanding in every way. It has a wonderfully expressive face and conveys a very happy spirit. He wears a spec...

Extremely Rare 18th Century Japanese Musha Ningyô (Boys Day) Dolls, Samurai Set. Ningyô this early almost never appear for sale, much less with all of its original accessories, as we have here with this very fine, scarce, museum quality pair. We are very proud to offer this set. They have finely carved faces, and are lacquered with many coats of Gofun (Oyster Shell). They are adorned with sumptuous silk brocades and silk armor, indicative of mid Edo Period Ningyô artists. This set is a treasu...

Meiji Period (circa 1900) Japanese Satsuma Vase. A very beautiful example of Satsuma ware, featuring a spectacular eagle on a pine tree, both Japanese symbols of dignity, in thick gold and color enamels on a cream field. A classically shaped vase with a rich image. 10 inches, 25.5 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Rare, Early Japanese Satsuma Censer. A fine example of Satsuma ware with beautiful complex underglazes of gold, red, blue, green and white, and featuring auspicious Crane and Floral motifs, creating a beautiful design on a gorgeous shape with stunning handles and cast silver top of raised flowers. A great find for the Satsuma collector. Late 18th Century Edo Period. 3 inches (7.5cm)h, 4 inches (10cm)w. From a widely renowned and published collection that has been exhibited at the Metropolita...

Important Japanese Arita Charger with complex glazes, featuring a performance of Okina by a Noh actor set into an extraordinary design. Okina was traditionally performed for a royal audience. This piece was most likely made for royalty or aristocracy. There are many interesting motifs and intricate patterns in this wonderful work of art. Different from Noh and Kyogen, Okina is a performing art patterned after an ancient ritualistic ceremony. It is related to a folk ritual in which an ancient god...