This is a beautiful early Japanese satsuma vase. It is made in the style and quality of mercury/gold fired Meizan pieces, except it stands 18 inches tall. It also features a basket weave design and extensive enamel work. It's unsigned and a very heavy piece. The bottom edge is rough so a stand or protection will be needed to keep it from scratching surfaces. This rare piece belongs in a museum.

19th century netsuke of a Buddhist monk sawing off the horns of an oni (little mischievous demon) who is holding its hands in a praying attitude. The subject is Oni no Nembutsu - a demon who saw the light of Buddhist teachings and decided to become pious. Wonderful faces, great detailing, beautiful patina, very pleasant yellowing to the surface. Signed SHOKYUSAI on the bottom - the artist is listed on p. 969 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick...

A large two-colored Egyptian eye of Horus amulet. Made of turquoise glazed composite, the pupil and eyebrows accentuated in dark brown. Dating c. to the 22nd to 25th Dynasties, 946 - 657 B.C. Condition: traces of age. Dimension: c. 3.3 cm long, 2 cm high, 0.5 cm thick.

A lovely chawan made of three separate excavated shards connected by lines of gold dating from the Kamakura to early Muromachi periods (13th to 14th centuries). It is 15.7 cm diameter, 7 cm tall and in excellent condition, enclosed in an old wooden box.

Pair of 19th Century Japanese Kutani Porcelain Vase with Immortal Figure Marked

They are 14.2 inches (36 cm) tall by 6 inches (15.2 cm) wide. Total weight is 8.7 Lb.

They have dark spots, skip glaze, excess clay at the bottom, rubbing of gold, and surface wears (as seen in the photos).

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19th (can be as early as 18th) century Tibetan banded agate bead of elongated seed shape. Beautiful stone with wonderful contrasting layers, excellent patina from wear, very pleasant to hold. Length 1.63 inches.

Dry lacquer mask of the traditional Gigaku Theater, finely carved and lacquered to depict an elderly man (old widower) with a long aquiline nose, full red lips forming a smile, elongated earlobes, and deeply carved wrinkles. The eyes and mouth are pierced. The back with a label inscribed inside deszcribing the mask and with the artist signature. Rich, dark patina. Height: 25 cm...

Exceptional Meiji Period wood carving of Daikoku, one of the seven lucky gods, known as the god of abundance. He stands on two full rice caskets and carries a bulging bag of treasures and happiness. 22cm tall x 13cm wide x 9cm deep. Ask for shipping quote.

Antique Indian Kangra School miniature painting of Annapoorani Amman. A scene where Annapurna (the goddess of Nourishment and a manifestation of Parvati) seated on a throne, gives food to her consort, Shiva. The story goes that Shiva challenged the need for all materialistic things including food. Parvati, in order to prove to Shiva that food was essential (especially to his followers) disappeared, creating a state of famine. Humans and gods suffered...

Antique Chinese Peking glass bowl in a brilliant yellow color. Foliate form with six sides. Each lobed section is carved with a different type of flower ranging from lotus to narcissus.

Dimensions: 3" high x 7 1/4" wide

Antique Japanese gosho ningyo doll. Called a "palace doll" as these were once given as gifts from the Emperor and Empress to young princes and princesses. These young baby dolls represent a hope for happiness and prosperity. Made of ceramic and painted with gofun (a paste made from fine itabo oyster shell powder). The gofun was applied in many layers before carving, shaping, polishing and finally painting the details on. This doll is painted with royal gold and purple robes...

Japanese antique 15 ken (plates) jingasa hat for a ashigaru foot soldier. Made of iron with large rivets and edged with oxidized silver. Comes with a custom metal stand. The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather.

Age: Edo Period (1603-1867)

Dimensions: 23" high (including stand) x 15 1/4" wide

Crane. Painted with ink and pigments on silk. Signed Furunobu and sealed. It is attributed to Kano Furunobu.

Kano Furunobu was a painter from the middle of the Edo period. He is the fifth generation of the Kobiki-cho Kano family. He learned painting from his father. He succeeded his father as a painter for the shogunate. He is conferred a Hoin.

Some light marks, foxing, and light crease are present on the painting itself, otherwise the painting is in good condition with the age...

Rich green glaze covers this elongated delicate undulating bottle from the Kosugi-yaki tradition of the Kaga region near modern day Kanazawa city. This bottle is roughly 20 cm (8 inches) tall and in excellent condition.
Kosugi ware is a type of pottery that was produced in Kosugi Town over four generations for about 80 years, from around the early Bunka era (1810-1820) to the Meiji 20s (around 1890)...

Shabti for Iset Ta - Hemdjert (1)

Faience Ushabti “Iset Ta-Hemdjert” the Great Royal Wife of Pharaoh Ramses III.

Death figure with uraeus and youthful curls, as well as with remains of the eight-line surrounding inscription.

Queen “Iset Ta-Hemdjert” had at least two children, Ramses the successor to his father, and Amunherchepeschef (Ramses VI), who became king after the death of his brother and nephew (Ramses V...

Late Meiji (1890s - 1910s) Japanese ivory chashaku (tea scoop used for powdered tea during tea ceremony) of elegant slender shape. Comes in original chazutsu (inscribed bamboo case). Delicately carved, in great condition, beautiful patina, very pleasant to the touch. Chashaku length 7.25 inches, case length 9.25 inches.

Very tall bottle with elongated foot, tapering body, long thin neck, and bulging rim.
Ceramic
Greek, Hellenistic Period, 4th-2nd century BC
H. 25 cm (9.8 in)
Broken neck reconstituted. Some wear and accretions on the body.
Swiss private collection. Acquired in the German art market, June 2008.

The authenticity of the object is unconditionally guaranteed.

Tall bottle with flat base, piriform body, and long cylindrical neck ending in a flared rim.
Unguentaria are small ceramic or glass bottles frequently found in burial contexts. Their most common use was probably as a container for oil. The unguentarium is sometimes referred to as lacrimarium (tear-container) or balsamarium (balsam-container)...