Square-shaped ivory netsuke manju depicting four lacquered frogs in different positions. It has a cavity inside where the himotoshi hole is located. Origin: Japan Period: Edo 19th century Dimensions: 4 x 4 x 1cm. State of conservation: Very good

Sought after high quality ivory netsuke depicting six ginkgo nuts with a beautiful ivory patina and luster. The six ginkgo nuts of this netsuke, famously strong and symbolic in Japanese culture, are strategically placed to form a natural hole in the center. Origin: Japan Period: Edo 19th century Dimensions: 5 x 3 x 2.5cm. State of conservation: Very good

Ivory netsuke depicting a quail crouching on millet, carved with attention to detail on its feathers and body. The eyes are in horn. This netsuke is signed under the base in an oval reserve and has a natural himotoshi. Origin: Japan Period: Edo 19th century Dimensions: 2.8 x 3.5 x 2.3cm. State of conservation: Very good

Exceptionally beautiful Flambé Blue-Green see Glazed QING DYNASTY Kangxi Vase (1662-1722) with Artemesia/Artemis Leaf on base. Excellent condition overall. No chips, cracks, hairlines nor restorations. Size: height about 3"

A Chinese Dehua Blanc De Chine 'Guan Yin' Figure...

This large Yi Minority Hair Comb would have been worn for most probably a wedding or other important festival. the comb was hand carved wood and covered with silver decoration...so only the wood tines are visible. 8 inches wide, 2.5 inches deep and 6+ inches high not including the chain and end pins...

Ryusa Manju type ivory netsuke with openwork decoration and in the center a shishi, a Japanese mythological creature representing a lion or a lion dog, looking backwards. The frame around the Shishi features an accurate karakusa 唐草 decoration, a motif of stylized branches and leaves of Chinese origin. Origin: Japan Period: Edo 19th century Dimensions: 4.5 x 4.5 x 1.5cm. State of conservation: Very good

Stag horn netsuke depicting a Gama Sennin, a legendary figure of Japanese folklore, with a toad on his shoulder. Gama Sennin is represented in a pose with his left hand holding the hind leg of the toad, while the latter rests on his shoulders. Origin: Japan Period: Edo 19th century Dimensions: 5 x 2.3 x 2.2cm. State of conservation: Very good

A Japanese boxwood netsuke depicting Hotei 布袋, one of the Seven Gods of Good Luck, seated with his fan in his hands and a child embracing him. Hotei's face is plump, smiling, and conveys a sense of peace and tranquility. He is commonly referred to as the protector of children. Behind Hotei, there is a child, depicted with great sweetness, who embraces him. The carving lines are sharp and precise, creating an effect of three-dimensionality and depth...

Fine ivory netsuke depicting a playful scene where a monkey emerges from a giant chestnut. The monkey is depicted in a perky attitude. His muzzle expression and body posture convey a sense of joy in coming out of the chestnut. The giant chestnut creates a surprising and imaginative effect...

Square-shaped ivory netsuke manju depicting various objects, among which some fans stand out. The sculpture depicts kitchen tools, work tools and everyday objects. This netsuke features a silver bronze hook in the center. Origin: Japan Period: Edo 19th century Dimensions: 4 x 4 x 1cm. State of conservation: Very good

Ivory netsuke in the form of a small school table with a book and hat resting on the desk. The netsuke is finely carved, showing great attention to detail. The sides of the table are decorated with engraved geometric patterns, adding a touch of sophistication. Himotoshi under the base, signed Hideshige 秀重. Origin: Japan Period: Edo 19th century Dimensions: 3.3 x 3 x 2cm. State of conservation: Very good

A Japanese large boxwood netsuke depicting a fascinating scene, represented with great detail, holding the bridle of his noble steed with his hands. Next to the sage, a child approaches, holding a scroll. The use of boxwood in the making of this netsuke with wise man on horseback gives a natural and warm touch to the work...

A huge lead/bronze head of Gorgoneion / Medusa, Roman Empire, 1st.-3rd. century AD.

Interesting oversized item, probably from a piece of furniture or a military cariot. Very high relief and stunning quality portrait, made in lead and bronze.

Size: 10,2 cm. tall and 9,3 cm. wide and weighing 1180 grams - 1,18 kilograms!

Ex. Private Collection in Denmark, formed in the 1980s-1990s, bought from Ancient art dealer Arne Johansen, Pilestrædet Copenhagen c. 1990.

Chinese Laughing Buddha statue holding a large coin on a gold ignot. Hand painted with red, black, and gold lacquers, he retains much of his original paint. Dates circa 1900. Measures 34" high.

Rather unusual 19th century Asakusa school staghorn netsuke of a fly with spread wings on a folded leaf of a lotus plant with stem, root and 2 tiny bulbs by the bottom. For some reason flies are not common in netsuke. Superb design and excellent quality carving - see the elegant shape of the folded leaf with its veins and delicately incised wing patterns of the insect. Extraordinary warm patina, beautiful darker porous areas and patches of antler outer texture adding charm to the piece...

Late Meiji (1900s) good size netsuke of 3 mushrooms growing on a bamboo stump. Carved out of a section of bambooExcellent realistic carving, beautiful staining and patina. Wonderful sense of volume, very pleasant to hold. Height 3.42 inches.

Late Meiji (1900s) netsuke of a bamboo shoot. Excellent realistic carving capturing the essence of the object. Wonderful sense of volume, very pleasant to hold. Length 2.34 inches.

Late 19th century wooden netsuke of an awabi - an abalone shell with edible mollusk in it forming the bottom. Skillfully carved out of chosen matsu (Korean pine wood) inmodified ittobori (one cut) style characteristic of Hida school of netsuke carvers with clever use of wood grain as element of design. Wonderful piece in Japanese taste (both aesthetic and culinary), superb quality carving of hard shell and soft animal tissue, beautiful patina. Length 1.44 inches.

A wonderful modelled Kuro Raku tea bowl covered with a beautiful black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932) in the style of the 8th TOKUNYU, Kichizaemon Raku. The seal of the potter is stamped on the bottom. The original wooden box with his sign and signature is also included.

childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master...

Japanese Meiji period bronze censer or pot decorated in high relief with two opposing panels, one featuring Chinese scholars in a pine grove and a second with an old man and child under cherry trees. Lion head relief handles at the two sides. Circa 1900. 7" high x 7 1/4" diameter. Weighs 5 lbs. Very good overall condition with a nice patina.

Fine Tall Chinese Tang Dynasty Painted Pottery Horse & Rider

This fine and elegant pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in various coloured pigments. The horse stands alert with its head turned a little to its left. The riders sits leaning slightly forward with arms outstretched.

This is quite large example with a height of 39 cm (15.25 inches)...

Fine Tall Chinese Tang Dynasty Painted Pottery Horse & Rider with Oxford TL Test

This fine and elegant pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in various coloured pigments. The horse stands alert with its head turned a little to its left. The riders sits upright with his arms outstretched.

This is quite large example with a height of 38.5 cm (15 inches)...

Fine Tall Chinese Tang Dynasty Painted Pottery Horse & Rider

This fine and elegant pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in various coloured pigments. The horse stands alert with its head turned a little to its left. The riders sits with is body turned to his left with arms outstretched.

This is quite large example with a height of 38 cm (15 inches)...

Fine Tall Chinese Tang Dynasty Painted Pottery Horse & Rider

This fine and elegant pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in various coloured pigments. The horse stands alert with its head turned a little to its left. The riders sits upright with his arms outstretched.

This is quite large example with a height of 39 cm (15.25 inches)...

Fine Chinese Ming Dynasty Painted Pottery Mandarin Tile

This attractive and very detailed pottery tile depicting a mandarin (Chinese official) was made during the Ming Dynasty (1368 - 1644). It is made from a dense grey pottery. The mandarin wears a flowing robe, belted across his waist, with his badge of rank in the centre of his chest. In his right hand is what appears to be a hu (audience tablet) and in his left hand an object upon which is a small animal...

Fine Chinese Ming Dynasty Painted Pottery Mandarin Tile

This attractive and very detailed pottery tile depicting a mandarin (Chinese official) was made during the Ming Dynasty (1368 - 1644). It is made from a dense grey pottery...

Fine Chinese Tang Dynasty Painted Pottery Horse & Rider

This fine pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that is relatively highly-fired. It is finely-modelled with the horse standing alert, its head turned to its left. The rider sits, leaning back slightly, with his arms held out as though holding the reins of the horse; note his clothing and head gear. The body of the horse has been "cold-painted" in a bas...

Very Rare Chinese Northern Dynasties Painted Pottery Camel (AD 386 - 581)

This extremely rare pottery model of a camel was made during the Northern Dynasties period (AD 386 - 581). It is rather naively modelled from a dense grey pottery that is fairly high-fired. On its back is a blanket on which has been painted a geometric pattern in black and white pigments although some of this is obscured by white "calcified" deposits. The body has been cold-painted in yellow-ochre and pale reddish-brow...

Very Rare Chinese Northern Dynasties Painted Pottery Horse with Oxford TL Test

This extremely rare pottery model of a saddled horse was made during the Northern Dynasties period (AD 386 - 581). It is rather naively modelled from a dense grey pottery that is fairly high-fired. The body has been cold-painted in reddish-brown, black and white pigments whilst the upper surface of the base is painted white.

Height 28 cm, length 26 cm. It is in very good condition and any possible repairs hav...

Cast bronze incense burner, supported by three feet, on the sides, two Buddhist lions form the handles. The object was not cast in one go, indeed the handles and the feet were cast separately and welded, which for the feet is unusual. This seems to announce a lack of technique due to modest provincial craftsmen working in isolated regions. The bronze has casting defects, holes and burrs and the finishes are sketchy. However, despite its rusticity, the object is interesting, this is due to the po...

This is a japanese antique boro patched of dark brown hemp Mosquito net fabric. It is an old mosquito net textile from the meiji era (1868-1911). The beautiful color of the persimmon tannin dye is slightly soft to the touch. The brown color of persimmon dyeing has changed beautifully over time. Size::Length::161cm (63.3inch) Width:: 35cm ( 13.7inch)

Wonderful Late Qing, Early Republic era Peking glass pink snowstorm snuff bottle with a layer of black, then white, hand carved so that both colors can be seen clearly. The subject matter being fishing with a man and 2 boys, sea life, a boat, trees, birds and of course a big flopping fish. Still has its original stopper, a jet-black polished stone that really sets it off. Perfect condition H 3-1/4" x W 1-1/4" x D 1-1/8"

16th Century Chinese White Jade Carved Plaque with Dragon Table Screen

It is 7.3 inches (18.5 cm) tall by 6 inches (15.2 cm) wide measured with stand. The plaque is 2.5 inches (6.3 cm) in length by 3.1 inches (8 cm) wide. It is 203.8 gram including stand.

It has flea bite chips, inclusions and surface wears and scratches. It has missing piece at the wood stand (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase ...

1930's Chinese Mahjong Mah Jong Jongg Game Set with Lacquer Wood Carved Box

The box is 7.5 inches (19 cm) tall by 7.8 inches (19.8 cm) long and 7.87 inches (20 cm) wide. Each tile is 0.43 inch thick (1.1 cm) by 1.1 inches (2.8 cm) in length and 0.78 inch (1.95 cm) wide. It is 7.1 Lb.

The box has chips, peeling lacquer, rubbing off paint, surface wears and scratches and can't close tightly. some tiles have mild chips at the corner, rubbing off paint, surface wears and scratches (as seen...

1900's Japanese Iron Mixed Metal Vase with Grape

It is 9.5 inches (24.2 cm) long by 3.5 inches (8.9 cm) wide. It is 3.6 Lb.

It has loss of gold, oxidation, missing mixed metal inlays, rust, tarnished metals, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All ...

19th Century Chinese Gilt Cloisonne Charger with Peony Flower

It is 2.3 inches (5.8 cm) tall by 18.8 inches (47.7 cm) wide. It is 10.4 Lb.

It is tarnished and has rubbing of gilding, missing enamel, enamel cracks, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A lovely massive seal engraved with an archaic looking animal. Brown-green stone, Eastern-most Anatolia, c. 4th. mill. BC.

Size: 32 mm. wide and 28 mm. broad, 15 mm. tall.

Condition: Choice VF intact, with finely encrusted and patinated surfaces.



Added to the Oberländer collection in 2001. Comes with original ID card from the Oberländer collection and imprint!

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and i...

A lovely small stamp seal with high loop handle and carved in a black and white stone, Urartu Kingdom, c. 9th.-7th. cent. BC.

The seal base engraved with an animal. A rare stone seal from this culture and period.

Size: 15 mm. tall.

Condition: Good Very fine, choice and intact with uncleaned patina.

Added to the Oberländer collection in 1992. Comes with original ID card from the Oberländer collection and imprint!

Provenance: Gustav Oberlä...

A fine very large gable seal carved in white stone with smaller and larger animal, Western Mesopotamia, 4th. mill. BC.

Size: 37 mm long and 27 mm wide, 11 mm thick.

Condition: VF, basically intact with minor wear to the edges.

Added to the Oberländer collection in 1995. Comes with original ID card from the Oberländer collection and imprint!

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection of seals ...

A fine and impressive large stamp seal with wide loop handle on the back and deeply carved with a cruciform pattern in drill style. Mesopotamia, Uruk period, 3300-2900 BC

Size: 33 mm. in diameter.

Condition: Very fine, sharp seal with minor ancient loss to the rim. With ancient patina and deposits.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection of seals between 1985 - 2000s, bought at reputable dealers and fro...

Masterpiece large bronze kannon bodhisattva buddhist deity. Standing 27" tall by 9" wide. This Ca.1925 bronze deity has a wonderful tranquil, calming expression. Holding the heart sutra scroll. Great condition. Ask for shipping quote rom CA warehouse.

Important embossed high content (+800) silver bowl, superbly decorated with detailed legendary/religious characters in niches all around the body, surrounded and surmounted by foliage design and resting on a stylised lotus decor. Height: 9.8 cm, diameter 10.4 cm, weight: 259 gr. Burma, late 19th century. Excellent condition. Provenance: acquired from a Bangkok (Thailand) antique dealer in 1978.

Fine Chinese Han Dynasty Burnished Pottery Cup

This fine & rare pottery cup was made some 2,000 years ago during the Han Dynasty (206 BC - AD 220), or possibly a little earlier. It is made from a fine-grained grey pottery. This inner mouth and outer surface have a smooth burnished surface making it a real pleasure not only to view, but also to handle. The surface colour of the pottery varies a little in places, a result of uneven conditions in the kiln during firing.

Height 7.5 cm. The...

Netsuke - Nice model of the Shichifukujin Takarabune (The famous boat loaded with treasures of the 7 gods of happiness) in carved boxwood. Nice carving details of the whole composition. The 7 deities are all identifiable, the boat itself is ornate, the waves and a small Minogame turtle sculpted on the base. The cartridge signature has disappeared over time. Very nice natural patina. Height: 3.5cm. Japan Edo (1603-1868) 19th century.

Netsuke – A lovely model of boxwood group of chestnuts, one of which reveals the passage of a small worm, in carved bone. The natural chestnut color and wear to the wood provides a very naturalistic depiction. Wide himotoshi at the back. Beautiful natural patina. Nice finesse of sculpture. Probably former Carlo Monzino collection, n°191 sold at Sothebys London in 1995. Dimensions: 5 cm Edo period late 18th century

Netsuke - A mask carver, by Masayuki. The carver is holding his lasted creation, a chisel resting in his other hand. Evidently satisfied with his work, the carver twists his face into the same expression of that of this subject- a kyogen mask of the "liar" (usofuki) type, one eye closed and the lips pursed into a sideways whistle. Japan, Asakusa, Edo (1603-1868) 19th century.

Small light brown patina bronze okimono of a mouse with head and tail erect, paws spread.
Bears the stamp « Masu » (ます) on its belly.

Japan – Meiji era (1868-1912)
Height: 2 ¾ in (7 cm) – width: 1 in (2.5 cm) – depth: 2 ½ in (6.2 cm)

Netsuke – Nice model representing a fox, in Japanese Kitsune, in carved wood, represented seated, wearing a long coat, disguised as a priest, leaning on a base on which rests an open book. Nice model with a beautiful natural patina. Himotoshi in the back. Dimensions: 4 x 3.7 cm. Japan Edo (1603-1868) late 18th century.

Netsuke – Good size model of a toad with a rather strong expression, crouched down, about to jump, its legs folded under its belly. His eyes are encrusted with brown horn. Nice natural patina of the wood. Japan Edo (1603-1868) 18th century.

Kobako box decorated with stylized foliage in black and gold hiramaki-e lacquer. The motif is karakusa, a growing plant extending in all directions. It symbols prosperity and longevity. Interior is lined with a floral fabric and topped with a pewter border.

Japan – Meiji era (1868-1912)
Height: 2.5 in / 6.5 cm – width: 3.5 in / 9 cm – depth: 3 in / 7.5 cm

Inro – A amusing and beautiful model of a black japanese urushi lacquer Inro, open by 4 cases and a lid, showing mice and a rat playing together on shells.  Brown, black, gold and silver lacquers of maki-e. H : 5,7 cm. Japan Edo (1603-1868) 18th century.

Sculpture - Inari. Symbolized by a pair of Japanese fox - Shinto kami. The foxes are represented seated on pedestals and take their place in a sort of painted wooden temple entrance door. Japan late Edo (1603-1868) 19th century. Dimensions of the wooden shelter: 24 cm x 25 cm. Dimensions of foxes: 14 cm x 6.5 cm. Inari is one of the main kami of Shintoism, mainly associated with agriculture, revered to protect the rice fields and provide an abundant harvest, a symbol of fertility. Japanese foxes...

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

Fine Large Chinese Jin Dynasty Carved Stone Tile - Bird (AD 1115 - 1234)

This extremely rare large stone tile dates to the Jin Dynasty (AD 1115 - 1234). The carving is of fine quality and features a bird standing with outstretched wings in a circle, itself within a square panel. It was undoubtedly once part of a series of similar stone panels (indeed we have another from the series, see also our item stock number MA282).

Height 53 cm (20.75 inches), width 48 cm (19 inches), weight 18.05 ...

A bronze plate with shaped rim, beautifully decorated, in gold lacquer with sparrows among bamboo and plants. Base signed "Kyoto Okuda sei". Dimension: diameter: c. 20.3 cm, c. 1.2 cm high. Condition: fine, only minor wear and lacquer loss.

A rare ring, elaborately decorated with two kinds of stupas linked together. Bronze, with nice age patina. Soil encrustations. Graeco-Buddhist Civilisation, Gandhara, ca. 3rd century. Inside diameter: 17 mm. Height: 43 mm. Very good condition.

A pair of small “utility” knives made by Iban people of Sarawak, East Malaysia. These were frequently carried in the sheaths of their larger brothers, the Dayak mandau. The blades are hand forged, possibly scavenged steel from the leaf springs form an old car. Circa last half of the 20th century. The longer thinner knife has carved deer horn at one end (repaired see enlargement) . See enlargements to see details of the carvings. Both blades are sharp and serviceable. Lengths: 53c...

Collection of four hardwood “tun tun” pig trap markers made by the Iban people of Sarawak, East Malaysia, circa last half of 20th century. All in good condition. The longest one is L: 59cm/23.2in

Circa 1870s Cantonese export carved ivory larger size calling card case. The front is saturated with open flowers, leaves, stems and buds in the type of work that appears like they are lifted in the air with skilled undercutting and back carving. The background is all perfectly hatched in the wan-fret design and there is a central area that is filled in with scenes of Chinese life, also in high relief. The edges are beautifully done with a continuous row of stemmed leaves and a fine rope de...