Small statue of Buddha, in monk's robes, sitting cross-legged on an elevated lotus throne, holding a bowl in his left hand, his right hand in protecting and blessing posture (abhaya mudra). The statue was cast in the style of the Liao dynasty Buddha images. Bronze, with fine age patina. Qing Dynasty, 18th century. Slight abrasion due to age, otherwise very good condition.

A late Halaf or Early Ubaid Period stamp seal, Late Neolithic / Chalcolithic period, Mesopotamia c. 5th. millenium BC.

Interesting type with handle and engraved with a criss-cross pattern and four perforated globes or pellets in each corner of the base.

Size: 33 mm. long and 24 mm. wide.

Condition: Nice Very fine and intact...

Interesting early scaraboid stamp seal, shaped as a stylized Egyptian Scarab, North-Eastern Anatolia / Western Mesopotamia, c. 3rd. mill. BC.

Size: 18 x 16 mm.

Condition: Nice very fine, lovely deep relief.

Comes with the original collection Id-card and imprint.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...

A rare type dated in newer research to the Neolithic period of Eastern Anatolia / Northern Mesopotamia, 7th.-6th. mill. BC.

Drop or leaf shaped amuletic seal with tiny gritt patterns and loop at the top.

Size: 24 mm. long and 11 mm...

Interesting North-Mesopotamian type and probably from the Halaf period, although the round shape is rare for this period, we date this 6th.-4th. millenium BC.

Size: 27 mm. in diameter - a substantial seal.

Condition: Very fine, with the top the handle lost to extensive use, othervise attractive...

A very nice rectangular gable seal engraved with stylized birds (?), Ubaid period of Mesopotamia, 4th. mill BC.

Size: 21 x 18 mm.

Condition: Attractive Very fine specimen, intact with even smooth wear.

Comes with the original collection Id-card and imprint.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...

Interesting cylinder seal, probably in faience, engraved with symethric patterns, Mesopotamia, Jemdet Nasr, 3300-2900 BC.

Size: 30 mm. tall and 10 mm. wide.

Condition: Very fine.

Comes with the original collection Id-card and imprint.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...

A choice and attractive stamp seal of the Ubaid period in blackstone, Mesopotamia, c. 5th.-4th. mill. BC.

Oval shape with low handle and a very complicated grit-pattern engraved in the base.

Size: 22 x 18 mm.

Comes with the original collection Id-card and imprint.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...

A seal that can be dated to mature stoneage, Mesopotamian, Pre-Halaf-early Halaf period, c. 6th. millenium BC.

Interesting early seal, rectangular with a fine grit-pattern in the base and a pierced handle or loop.

Size: 32 mm. long and 18 mm...

Á nice rectangular gable type of stone seal, engraved with a 4-legged animal, Anatolia, Pre-Hittite period, c. 3rd. mill. BC.

Size: 23 x 15 mm.

Condition: Good very fine, really nice.

Comes with the original collection Id-card and imprint.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...

Attractive rectangular seal, carved in a glossy red-brown stone with low handle and gritt-pattern in the base, Mesopotamia, Halaf / Early Ubaid period, c. 6th.-5th. mill...

Burmese wooden lotus Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base with gilded gold.

Age: Burma, Mandalay Period, 19th Century
Size: Height 13 C.M. / Width 8.6 C.M. / Depth 4.2 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Very fine, unusually small Tang image of a courtier, excellent condition with complete original pigments. Lovely face with calm and dignified expression. H: 17cm/6.8in

Rare antique classical period Kandyan standing Buddha, carved from Jackwood, circa 18thCE. H: 18cm/7in, please note in enlargements outstretched hand in the abhaya mudra and unisha are missing.

Antique Japanese pair of geese made of bronze. A mated pair, the gander stands with with beak open in conversation. The goose stands nearby. Soft details of feathers and feet. Dark patina.

Age: Meiji Period (1868-1912)

Dimensions: 15 1/2" high x 9" wide x 6" deep

Antique Japanese set of five lotus leaves and blossoms. Carved of wood and lacquered silver. Made for a Buddhist altar, these leaves and blossoms symbolize the stages of the path toward enlightenment. Every petal of the lotus flower is carved separately. Each blossom and leaf comes fitted with a custom metal stand so they can be rearranged at will.

Age: Taisho Period

Dimensions: approx 27 1/4"hight (tallest leaf)

An antique Japanese Tansu chest made of Kiri (Paulownia) wood. Original hand forged iron hardware with an age old replacement lock on the bottom drawer. Hirute style drawer handles. Constructed using straight dovetail joinery with hardened wooden nails. With two side Warabite carrying handles.

Used by a merchant to store valuable small items and money.

Age: Early Meiji Era (1870-1880)

Dimensions: 29" Wide by 13" High 12 1/4" Deep

Antique Japanese Shō, mouth organ (flute) used in Gagaku (classical performances traditionally for the imperial court). A musician blows through the silver lined protruding mouthpiece. The air travels through the bamboo tubes creating notes (said to sound like the Ho bird or phoenix). Skillful musicians are able to blow air in and out of the mouth pieces creating sustained, uninterrupted notes.
The arrangement of bamboo tubes are said to resemble the folded wings of the phoenix.