A scarcer type of Western Mesopotamian seal with animals of a sort of rounded gable form or a semi-circular form of the seal itself, unlike the Anatolian forms. The seal dates to the Ubaid period of the 4th...
Finely carved stone stamp seal in a dark greenish stone, Western Mesopotamian / Eastern Anatolia border type, Late Ubaid-Uruk period, c. 4th.-3rd. mill. BC.
Typical design of the period wuth a round seal, with the cruciform engraving around a central globe.
Size: 21 mm...
A very rare and interesting stamp seal of the 2nd. mill. BC, carved in dark green stone in Anatolia during the Hittite period of dominance.
As typical for the Anatolian culture and glyphtic art, the seal depicting a hunting scene, but in this case a very unusual one. We see a winged Centaur with horse body and the forepart of a human, attacked by numerous spears and arrows, one is burried in his chest...
Interesting stone stamp seal of pyramidal shape, Western Mesopotamia, probably Late Halaf or early Ubaid period, c. 6th.- 5th. mill. BC.
The shape of the seal has been recorded many times in buriel finds of the 6th. mill. in Western Mesopotamia and the base is carved with a typical halaf grit-pattern. So we will date it a bit earlier than than the collector, Mr. Oberlánder did. Interesting seal.
Size: 17 mm...
A lacquered writing box in the shape of a kimono sleeve (sode) covered in soaring silver and gold geese among autumn reeds and Togidashi clouds with a secondary (inner) sleeve shape covered in Karakusa vine tendrils on black enclosed in an age darkened kiri wood box. The inside is covered entirely in nashiji gold powder, and contains a grinding stone, and a water dropper of copper inset into the tray...
NON-MAGNETIC WATCH Co.
Geneva and America
1887-1905
The Non-Magnet Watch Co. sold and imported watches from the Swiss as well as contracted watch made in America. Geneva Non-Magnetic marked watches appear to be the oldest type of movement. This company sold a full line of watches high grade to low grade, as well as repeaters and ladies watches. An advertisement appeared in the monthly journal of “Locomotive Engineers” in 1887...
Antique Chinese 8 panel coromandel screen with a carved lacquer palace scene of noble figures on one side, pine trees and animals on the other. An inscription states that the screen was carved in the eleventh month of the thirty-second year of Kangxi. There is a poem that talks about the proud and powerful pine tree reaching for the sky and an approaching storm. The inscription also mentions a congratulations to Guo Zanzhang, a candidate for the the title of Dengshilang...
18th century Indian bronze candle holder in a shape of a beast with a single horn on its head, could be a lion with mane (and possible vehicle of Durga) or some sort of other mythical creature. Beautiful casting and detailing - see its expressive face with tongue sticking out, tufts of fur on its feet and foliage supporting candle receptacle. Excellent red patina, wonderful feel of age. Height 3.5 inches.
19th century Indian bronze votive sculpture of standing Garuda holding his hands in front of him in praying attitude (anjali mudra indicating total devotion). Cast in the state of Karnataka. Garuda, being the mount of Vishnu, is regarded as representing essential qualities of the deity in animal form, and was worshipped as deity itself. He is present in both Hindu and Buddhist tradition, and usually has a body of a human, with a beak of a crow and wings...
17th / early 18th century small votive Indian bronze sculpture of Vishnu sitting on high base with one foot pendant and holding Lakshmi on his left knee, protected by Naga (cobra) with spread hood over his head. Usual name for this grouping is Lakshmi-Narayana. His hand is in abhaya (no fear) mudra, while Lakshmi is holding lotus flower in her hand. Beautiful casting and detailing, great patina with subtle green encrustation on the surface, wonderfully worn attesting to its great age...
18th century small votive Indian bronze sculpture depicting the mother goddess Durga riding a lion - her vehicle. Durga is the most powerful female deity in the Hindu pantheon. Great bronze with powerful casting and detailing, beautiful patina and wear, strong feel of age, old loss to an object in her right upper hand, crevices with accumulation of sandalwood paste used during worship. Height 2.69 inches.
19th century Indian bronze votive sculpture of standing Garuda holding his hands in front of him with palms up. Cast in the state of Karnataka. Garuda, being the mount of Vishnu, is regarded as representing essential qualities of the deity in animal form, and was worshipped as deity itself. He is present in both Hindu and Buddhist tradition, and usually has a body of a human, with a beak of a crow and wings. Very nice casting, his left wing was originally cast bent towards the front, does not ta...
Unusual 17th / early 18th century small votive Indian bronze sculpture of a standing female attendant of a deity, her hands in front of her, and must have contained an object (missing). Beautiful casting and detailing, great patina with subtle green encrustation on the surface, wonderfully worn attesting to its great age. Height 2.3 inches.
17th / early 18th century votive Indian bronze sculpture depicting Sri Devi - a form of Lakshmi, the consort of Lord Vishnu. Very elegant casting, great patina with subtle green encrustation on the surface, wonderfully worn attesting to its great age. Height 2.3 inches.
18th century Indian bronze votive sculpture of Shiva shrine with lingam, Naga (cobra) with protectively open hood, Nandi bull (the vehicle of Shiva, or sometimes considered to be a form of Shiva himself), pile of offerings and couple of plates. Very nice casting, beautiful patina and wear, very good devotional object. Length 3.14 inches.
19th century Indian bronze cast in the state of Orissa. Depicts Lakshmi wearing loincloth and jewelry standing on a lotus base and holding an oil receptacle (was cast separately and now not present) in front of her, and a handle at the back. Good casting, pleasant patina, nice feel of age to the piece. Height 6 5/8 inches.
Polychrome ivory okimono depicting the study of a peeled banana, finely carved in real and natural details.
Period: Meiji – Taisho, early 20th century.
Dimensions: 10 x 3.5 x 2 cm.
Conservation status: Excellent condition
Vase in metal and cloisonné enamel with a yellow monochrome background, decorated with three flying butterflies with the Ando Company brand.
Period: Taisho 1920 ca.
Dimensions: 21 x 10 cm.
Conservation status: Excellent condition
Bright Byobu 屏風, folding screen, with six wooden panels covered with hand-painted paper with gold dust applications.
The decoration is made with gold dust applied to create a nuanced effect creating a diffused brightness that captures the essence of natural light.
The panels are framed with a red lacquer frame.
Period: Meiji end of 19th century.
Dimensions: 174.5 x 365 x 2 cm.
Conservation status: Excellent condition. There are slight defects on the lacquer frame and stains an...
Two-panel screen depicting a scene capturing a tiger under a Japanese Matsu pine with gold leaf frame. On one of the panels, a tiger is depicted with a concentrated expression.
Above the tiger stands a Japanese Matsu pine plant, symbolizing longevity, stability and resilience. F
signed Hanae 華江 with Naonobu seal なおのぶ.
Period: Edo late 18th early 19th century.
Dimensions: 172 x 186 x 2 cm.
Conservation status: Excellent condition. There is slight wear to the paper betwe...
Rare Burmese wood carving panel with a set of Buddhas.
Age: Burma, Shan Period, 16th Century
Size of panel only: Height 83.3 C.M. / Width 43 C.M. / Depth 11 C.M.
Height including stand: 92 C.M.
Condition: Some expected degradation due to its age including old wears. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Japanese Edo period woodblock print by Toyohara Kunichika (1835-1900) depicting a street scene in the Yoshiwara at dawn with two cats playing at the lower right. The print is the right panel of a triptych titled "That Romantic Figure (referring to Prince Genji) in the Licensed Quarter at Dawn" (aka "A Related Dawn at the Pleasure Quarter") published by Hiranoya Shinzo in 1863. The print is signed at the lower right "Itto Kunichika ga" and bears the Hori Ota Tashichi carver's seal. Included is...
Chinese late Tang dynasty to Five Dynasties period stoneware ewer with high shoulder tapering down to a slightly flared foot and flat base, the short neck ending in a slightly wider rolled mouth. A double-strand handle connects to the neck and shoulder, and a short straight spout is opposite the handle. The ewer is covered overall in a thin, splotchy golden glaze with olive green touches that drips down and ends well above the unglazed base. 7 1/8" high. The form is consistent with ewers dat...
Boxwood netsuke depicting the smiling Okame mask.
Shuzan signature engraved on the bridge on the back.
Period: Edo 19th century
Dimensions: 6.5 x 4.5 x 2.5 cm.
Conservation status: Excellent condition. There is a small chip on the right eye.
Ivory netsuke depicting Chokaro clinging to the pumpkin from which the head of a horse emerges. The subject represents the miniature horse of Chōkarō 張果老.
It refers to the legend of Chōkarō Sennin, an immortal being who owns a horse that he can summon as if by magic from a pumpkin if necessary. In Japanese there is a saying “hyōtan kara koma”, “horse appearing from a pumpkin”. This expression reminds us that something completely unexpected and unforeseen can happen in life....
Boxwood netsuke with three opposing Noh theater masks, including Okame, Usofuchi and an Oni.
Period: Edo 19th century
Dimensions: 3.7 x 3.7 x 2.4 cm.
Conservation status: Excellent condition
Boxwood okimono with a light patina depicting two walking Oni, represented with notable artistic mastery. The taller of the two oni holds a jar and a large sack.
The younger of the two holds a wooden bucket on his shoulder, connected to a sack, while exchanging an envelope, presumably containing money, with his companion.
His eyes are dark horn.
Period: Meiji 19th century
Dimensions: 11.3 x 7.7 x 6.8 cm.
Conservation status: Excellent condition. There are professional restorations...
Ivory okimono depicting a farmer sitting on a bamboo stick, captured in a moment of pause and serenity.
The sculpture shows the farmer holding a bento box and chopsticks, ready to enjoy a meal that includes rice, edamame and bamboo. The farmer stops for a moment to look at a butterfly that has landed on a pumpkin to the bottom right of him.
Signed.
Period: Meiji end of 19th century.
Dimensions: 31 x 24 x 16 cm.
Ivory dimensions: 22 x 24 x 15 cm.
Conservation status: Excellent c...
Satsuma ceramic vase finely painted and glazed with great attention to detail. The surface of the vase is divided into two main reserves, each of which features elaborate scenes and decorations.
The upper preserve is adorned with intricate floral patterns and birds in flight, painted with a polychrome palette that captures the beauty of nature.
In the lower reserve, the vase depicts geishas dressed to the nines, with detailed kimonos displaying rich pattern and color. In the background, cher...
Ivory netsuke, depicting three wise men of good fortune, Hotei, Jurojin and Fukurokuju, on the boat of fortune, the Takarabune. The Takarabune, whose bow is shaped like a Ryu dragon, sails on the waves of the sea.
The waves are carved under the base next to the himotoshi.
Period: Meiji end of 19th century.
Dimensions: 3.3 x 5 x 2 cm.
Conservation status: Excellent condition.
Ivory netsuke depicting a carako intent on playing with a gigantic snowball. The child is portrayed with a hand over his mouth and is leaning with his elbow on the giant snowball.
Himotoshi under the base.
Period: Meiji end of 19th century.
Dimensions: 2.5 x 4 x 2.7 cm.
Conservation status: Excellent condition.
Ivory netsuke depicting a koi carp with a half-open mouth and dark horn eyes.
The variations in color and patina on the surface of the ivory give the work a feeling of antiquity and authenticity.
The texture of the scales is rendered realistically, adding realism to the sculpture.
Period: Meiji end of 19th century.
Dimensions: 2.2 x 6.2 x 1.7 cm.
Conservation status: Excellent condition. There are stains.
A set of five lacquer lined covered bowls made from natural gourds enclosed in an age darkened wooden box titled Hyo Suimono Wan indicating they are for serving thin soup to cleanse the palate between courses. In Japanese cuisine, presentation is everything. Texture and color may in fact be more important than flavor. The dishes used as well, should be a feast for the eyes, and you will find every aspect of the traditional meal is presented in its own unique setting. These bowls are 7 to 8....
A late 19th to early 20th century bottle, properly titled, I would say, Inbe Ito-me Heso Tokkuri or Bizen Thread textured Dimpled Bottle. A seal impressed into the base is partly illegible, but the characters Bizen-Inbe are clearly visible on the right, with the character tokoro (Place) bottom center and a name ending in Ro on the left. The vessel is 27 cm tall and in excellent condition. That size would make an excellent vase.
Also known as Ningyo Tokkuri, this type of bottle is usually...
Sino Tibetan impressed painted votive plaque with very fine detail and polychrome painted circa early 20th century, but the original mold could be much older. The central figure is a lama flanked by two other lamas with two wrathful deities below. Above are two Buddhas right and left and center Buddha in sitting a chair. H: 8.8cm x W: 6.6cm. Some missing painted areas- examine enlargements.
Origin: Egypt
Material: faience
Dimension: 2,2 cm.
Origin: Egypt
Material: white steatite stone
Dimension: 1,1 cm.
Henuttawy A – Hnwt-tAwy A Overseer 2
Duat Hathor and Mistress of the Two Lands (Queen)
Deir el-Bahri - Cache I - Royal Cache DB320
Also known as Henouttawy, Honittaoui
It is assumed that Henuttawy is a daughter of Ramses XI, the last king of the 20th dynasty. She becomes Pinedjem I’s first wife, has many titles and plays an important role at court. Originally she has her own tomb in an unknown location, and before she is interred in the secret ...
19th Century Chinese Export Minton Majolica Chinoiserie Style Famille Rose Turquoise Ground Vase with Lotus Flowers on Wood Stand
It is 11.7 inches (29.8 cm) tall by 8.26 inches (21 cm) wide. It is 5.1 Lb.
It has dark spots, skip glazes, chips and traces of glue at the bottom's rim of the vase, traces of earthquake putty at the inside, and surface wears and scratches. The stand has peeling, traces of earthquake putty, and surface wears and scratches (as seen in the photos).
...
Meiji (1868-1912) Japanese Satsuma Bowl by Hiramatsu Genzan 平松元山 with Temple Heaven Scene of Gods & Figures
It is 2.4 inches (6.2 cm) tall by 6 inches (15.2 cm) wide. It is 0.7 lb.
It has rubbing of gold, stains at the bottom, and surface wears and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refu...
Ancient Egyptian carnelian cartouche for Ramesses II attached to a modern/antique ring.
The cartouche is incised with the king’s nomen, the last name in his titulary, reading
“Ramesses Beloved of Amun.”
It is a white stripe in the carnelian and no crack.
Date: Egypt, New Kingdom,19th Dynasty, Reign of Ramesses II, ca. 1279 - 1213 B.C.
Material: carnelian
Size: cartouche: ca. 1,8 cm; ring size 54/55
Condition: intact
Provenance: GB estate...
Set of 4 Indian miniature paintings.
Rajasthani bazaar style. Each 16x14 cm.
Undated, estimated to be late 19th century.
Can be viewed in central London and shipped worldwide.
Pair of late Qing dynasty Guangxu period circular form lidded seal paste boxes, each decorated in two underglaze blue relief dragons chasing a flaming pearl on a white porcelain ground. An undulating wave pattern extends around the bottom. An apocryphal four-character Qianlong mark is on the base. 3 3/4” dia. x 2 1/4” high. Circa 1900. Very good overall condition. The interior edge of one box has a pinhead-sized frit (see image). From the estate of Gerhard Lohmeier, a diplomat at the ...
An Arita plate decorated in underglaze blue with yellow blue and green enamels gilding and iron red and black "dry" enamels. The centre painted with a large tripod censer containing Spring flowering Peonies on a low table flanked by a pair of flower vases, containing Autumn flowering Pinkes and Chrysanthemums with a pair of birds. The rim painted with a pair of Hoo birds with Chrysanthemums and Peonies. The reverse un-decorated and the base originally supported by four large spur marks, meato, i...
Rare Chinese Ming Dynasty Blue & White Hexagonal Porcelain Jar
This rare blue & white porcelain jar of hexagonal form was made during the 16th Century. It is quite "heavily-potted" and attractively decorated in underglaze blue of good colour. Each of the six sides features a chrysanthemum blossom (the emblem of friendship and representing a life of ease). Around the shoulder is what is possibly a cloud collar (representing long life). As can be seen, on the edges of the sides there is "frit...
Delicately carved head of Fuxi, wearing an elaborate cap, his beautifully detailed face showing a slight smile. Wood, with remnants of superimposed layers of colouring. Remains of animal hair under the nose and chin to represent mustache and beard. Votive box (closed) at the back. China, Ming Dynasty period, 17th century. Height: 30 cm. The head is nicely mounted on a custom stand. Very good condition despite some flaking of the colouring.
NOTE 1: Fuxi, also called Nuo Gong, with his wife Nüw...
Fine & Rare Chinese Ming Dynasty Blue & White Kraak Porcelain Dish
This fine "kraak" porcelain dish was made in the late 16th century, during the Wanli reign (1573 - 1620) of the Ming Dynasty, or possibly slightly later. The dish has a moulded lobed cavetto and is decorated in underglaze blue of good colour. The rare and unusual pattern features a singing bird sitting in a blossoming tree (no such dish with this pattern appears in the "bible" of kraak porcelain, "Kraak Porcelain" by Maura Ri...
Fine & Rare Chinese Ming Dynasty Blue & White Kraak Porcelain Dish
This fine "kraak" porcelain dish was made in the late 16th century, during the Wanli reign (1573 - 1620) of the Ming Dynasty, or possibly slightly later. The dish has a moulded lobed cavetto and is decorated in underglaze blue of good colour. The rare and unusual pattern features a singing bird sitting in a blossoming tree (no such dish with this pattern appears in the "bible" of kraak porcelain, "Kraak Porcelain" by Maura Ri...
Fine Chinese Ming Dynasty Blue & White Conical Covered Porcelain Box (Ex. Lammers Collection)
This attractive small round porcelain box of rare and unusual form was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. The underglaze blue decoration is of a particularly good colour. The decoration to the conical cover comprises two chilong dragons. The lower section is decoration with a floral pattern.
Diameter 5.5 cm. It is in fine condition with no repair or restoration, altho...
Chinese Ming Dynasty Blue & White Porcelain Brush Washer (Ex.Lammers Collection)
This attractive small porcelain jar, a brush washer, was made during the Hongzhi reign (1488 - 1505) of the Ming Dynasty. It is relatively heavily-potted and decorated in underglaze blue of good colour in a pattern featuring scrolling lotus blossoms. Both inner and outer surfaces are coated in a finely-crackled glaze. The foot and recessed flat base remain unglazed.
Diameter 6.75 cm. It is in very good condi...
Large Chinese Ming Dynasty Blue & White Porcelain Dragon Dish (Ex. Lammers Collection)
This attractive porcelain dish was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. This particular type of ware is referred to as "Zhangzhou" or "Swatow" ware and it was commonly exported around south-east Asia. The underglaze blue decoration is of very good colour. The pattern features a chilong (qilong) dragon in a landscape with three further dragons around the cavetto interspersed with p...
Large Chinese Ming Dynasty Blue & White Kraak Porcelain Dish
This lovely example of "kraak" porcelain was made in the late 16th century, during the Wanli reign (1573 - 1620) of the Ming Dynasty. The dish is moulded with the decoration around the cavetto following the moulded form. The underglaze blue is of a good intense colour with the central pattern featuring birds in a landscape. Referring to the "bible" of kraak porcelain, "Kraak Porcelain" by Maura Rinaldi, the cavetto is decorated wit...
Chinese Ming Dynasty Blue & White Porcelain Covered Jar
This attractively-shaped porcelain jar was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. Both jar and cover are decorated in underglaze blue with scrolling floral and lotus patterns, and coated in a silky smooth glaze. The inner surface of the jar is also glazed whereas the underside of the cover and the recessed flat base of the jar remain unglazed revealing the pale porcelain body.
Diameter 11 cm, height 11 cm. C...
Chinese Ming Dynasty Blue & White Octagonal Porcelain Box
This blue & white porcelain box, complete with its original cover, of octagonal form was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. Each facet of both the box and cover are decorated with a bird, flower, precious object or auspicious symbol. Both inner and outer surfaces are coated in a finely-crackled glaze.
Diameter 9.25 cm. It is in very good condition with minor surface wear and no repair or restoration.
Chinese Ming Dynasty Blue & White Porcelain Bowl (mark)
This attractive and very interesting blue and white porcelain bowl was made in the 16th century. It is decorated in underglaze blue of very good colour. The centre is decorated with a male figure standing next to a deer. The decoration to the outer wall is quite elaborate and includes a varied landscape, two male figures and one female figure. To the base is a mark (not translated).
Diameter 12 cm. There is no repair or restoration...
Chinese Ming Dynasty Blue & White Porcelain Bowl - Birds
This blue and white porcelain bowl was made in the 16th century. It is decorated in underglaze blue of good colour, the design featuring birds perched upon blossoming branches. To the base is a seal mark (not translated).
Diameter 12 cm. It is in good condition. There is minor surface wear, some "fritting" of the glaze at the rim edge and a kiln scar at the top of the outer wall. It has a good ring when tapped and there is no repa...
Chinese Ming Dynasty Blue & White Porcelain Bowl - Birds
This attractive blue & white porcelain bowl was made during the latter part of the Ming Dynasty (1368 - 1644). The underglaze blue decoration around the outer wall depicts a varied landscape that includes a bird (stork) in flight, a bird sitting in a tree in blossom and a winged insect. The inside of the bowl is decorated with a blossoming flower.
Diameter 10.5 cm. Although there is no repair or restoration, there is a tiny chip...
Chinese Ming Dynasty Blue & White Porcelain Bowl - Deer
This blue & white porcelain bowl was made during the latter part of the Ming Dynasty (!368 - 1644). The underglaze blue decoration around the outer wall features a deer walking in a landscape. The inside of the bowl is decorated with a blossoming flower. The deer represents longevity as it is the only animal able to find the sacred fungus of long life and immortality.
Diameter 11 cm. It is in fine condition with no restoration or ...
Chinese Ming Dynasty / Transitional Blue & White Porcelain Bowl
This small blue & white porcelain bowl, or dish, was made during the early to mid 17th Century. Although it is attractively decorated in underglaze blue, we are unsure what the unusual central design represents; our best guess is that it is the conch (a symbol of prosperous travels) together with the Shou character (meaning longevity). the glaze is crackled in places.
Diameter 11 cm. It is in fine condition and has no repair...
Chinese Ming Dynasty / Transitional Blue & White Porcelain Bowl
This small blue & white porcelain bowl, or dish, was made during the early to mid 17th Century. Although it is attractively decorated in underglaze blue, we are unsure what the unusual central design represents; our best guess is that it is the conch (a symbol of prosperous travels) together with the Shou character (meaning longevity).
Diameter 10.5 cm. It is in fine condition and has no repair or restoration.
From a loc...
Antiques (37169)
