DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE...

A rare and fantastic Swiss Bells in Sight music box made of inlaid mahogany having 10 airs. The sound is beautifully nostalgic. It has 9 bells which chime with flower and bird strikers. The box is wound by a brass crank concealed on the left in a well. There are levers for starting, stopping; and enabling the chimes. The blind dovetail construction speaks to its quality construction. The box is in good to very good condition, the main defect being a horizontal crack part way across the lid...

Fantastic 18th Century Edo Period Saga Ningyo of a young boy holding a bird. His head bobs while his tongue goes in and out. Carved entirely of wood, his gorgeous robes are built up with pigments in a technique called 'moriage'. He has an outer robe decorated with a foliate scroll with other beautiful designs and geometric patterns raised in relief. This rarest of all Ningyo forms almost never comes up for sale and are almost never seen except in museums or important private collections...

mysterious piece h 5.5 w 8 d 4

Chinese Qing Dynasty Massive Floral Decoration Vase signed Chien Lung ….circa 1780-1810 32 inches high by 16 inches wide with a circular wooden top

Japonesque sterling silver and mixed metal water pitcher. Made by Tiffany & Co. in New York, ca 1885. Globular body, straight neck, and c-scroll handle. Allover honeycomb hand hammering. Applied flowers, leafing tendrils, and butterflies. A restrained design with graceful plant and insect motifs. Fully marked including pattern no. 3077 and phrase “Sterling silver and other metals”. Very good condition.

Dimensions: H 7 3/8 x W 8 x D 5 1/2 in. Weight: 25 troy ounces. #BM963

DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE...

15th Century Japanese Gilt Wood Amida Nyorai Buddha. His hands are held in the vitarka mudra, the gesture of discussion and transmission of Buddhist teaching. Amida is captured here in his welcoming descent from Heaven to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise...

Ginbari and Musen enamelled silver vase Fish decor. Japan Meiji late 19th century.The lower part enamelled in celestial blue, decorated with fish in ginbari (incisions on the base metal) and musen (enameling without wires of much more complex realization). A dragon wraps around the collar. In the middle a finely damascened gold ring. Artist's mark below, signed with 2 characters incised in a gold cartridge...

Ni-Mai do complete armour, (tosei gussoku), the helmet (kabuto) of the hoshi suji bachi type (visible rivets) with 62 lames. Signed inside the bowl but illegible. Tehen in gilded and chiseled copper. Maedate with demon head (oni) and gilt lacquered wakidate. The mabizashi and the 5-lame shikoro are made of black lacquered iron. The menpo in brown lacquered iron and mustache is of the ressei type. The teeth are silver lacquered. The gorget (yodarekake) of 4-lame...

A very rare Giant Size Dry Lacquer Buddha Head on a custom made base (can be removed), Shan State, Burma, 19th Century. Very nice smooth Patina, some inconsequential wear, especially to individual hair curls, but excellent overall condition as shown. The Ushnisha or Flame on the top of the head is removable and most likely from a later date as is typical of such venerated Buddha images. Guaranteed 19th Century. Size: H. 76 cm. x W. 61 cm. x D. 41 cm. (30" x 24" x 16" inches)...

An antique Satsuma figural group of a prone bull with a guardian. The bull with crackled cream ground, gilt noseguard and retaining rope and with polychrome painted and gilt backcover. The young man in a gilt and multicolor painted traditional Japanese garment resting on the animal while holding a book in his hand. 11.5" long, 6" high. An exceptional piece.

Condition: Flawless, ex-Christie's

Pair of Spectacular Masterpiece Japanese Paintings of an Imperial Couple. 59h x 24w inches, 150 x 61 cm. Signed: Nakayama Sanji. Original frames. Male figure wears robes with the Tokugawa crest. The female wears a gold phoenix crown with a gorgeous royal kimono. This one-of-a-kind pair of portraits was possibly inspired by the American painter, John Singer Sargent (1856–1925), considered the leading portrait painter of his generation. His portraits have a elongated format, similar to this p...

Pair of 6-panel screens; ink, colors, gofun (crushed calcified crustacean shell) and gold on paper framed by a double silk brocade border. The screen on the right represents numerous geese (14), some flying down in front of a black moon, others in search of food or resting among the grass at the edge of a body of water with a background of a mountain. The left screen depicts egrets (7), three of which are perched on the trunk of a majestic weeping willow, covered in a white pigment represent...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

Market-fresh Japonesque mixed metal and sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1879. Gently curved bowl and inset undulating rim with wide lip spout and integral scroll handle with tendril mounts that wraparound mouth rim. Handle has lily pad “cap” with crouching figure of frog. Applied leaves with copper-inlaid veins with one overlapping bold and scrolling interlaced acid-etched monogram on neck. A solitary beetle meanders along near the bottom. Dense allover s...

Fabulous Chrysanthemum sterling silver coffee and tea set. Made by Tiffany & Co. in New York. This set comprises 5 pieces: coffeepot, teapot, creamer, sugar, and waste bowl.

In the celebrated pattern that is an American interpretation of a Japanese motif. To Baroque forms are applied a profusion of climbing, wrapping, and bunching flower heads. Chrysanthemum was introduced in 1880 and this set dates from the first quarter century of its production.

All pieces fully marked including maker’...

Porcelain ewer from the Kyushu Arita oven second part of the 17th century. We only know a few identical models, one, with its lid, is kept in the British museum, another is housed in Tokyo at the Idemitsu Museum and happens to be one of the major pieces of the collection, finally a last one, damaged and without a lid, was sold by Sothebys London on June 1, 1981. To our knowledge there are no others. Curiously the porcelain of these ewers is atypical and could be confused with soft porcelain but ...