Garniture containing brooch and long earrings made of gold with rubies, pearls and details of enamel.
Marvelous assembly with a great deal of movement. Possibly Russian, circa 1800 (there are no visible seals or markings) and is in its original box.
Dimensions:
Brooch: 8 cm. length X 5 cm. width.
Earrings: 6.3 cm. length X 2.3 cm. width.

Art Nouveau bronze and enamel clock displaying a handpainted outdoor scene of two young women and sheep in tones of blue, paint on ivory. Clock and chime are functioning. Late 1800 or early 1900. Measures: 3" high, 3" wide.

Belgium combined Barometer and Altimeter (compensated), made by Pertuis & Fils Const.
A. Fisch Rep I. Bruxelles, with leather box, original condition.
Dimensions: diameter 2.75", 1.25" in height.

Glass container with silver 925 applique. The base contains a seal. Possibly Mexican.
It measures 4.25" height and 2.5" wide at its widest point.

Handmade of colonial silver, this "mate" cup is of Uruguayan origin from the 1850-1870 period.
"Mate" is a special cup for drinking "yerba mate" a popular tea brewed from the leaves of a native holly (Ilex Paraguariensis). The perforated silver straw used for drinking the "mate" contains leaves carving.
Dimensions: 7.25" height (mate), diameter aprox. 3.25".
Length of the silver straw (bombilla)8.75".

From the 1900 period, we are offering this ornate statue of the Virgin Mary holding Baby Jesus.
The figures and crown are made of silver with parts gilded in gold. The Virgin Mary is standing on top of a column, which is supported by an alabaster marble base.Circa 1900.
Dimensions: 8,25" height with base.
This item is in good condition with the exception of a hole on the center of the column as shown in the picture.

Beautiful bronze and ivory sculptured figure depicting a young woman wearing a period dress with hat. One of her arms supports a parasol. The angled stance makes for a dynamic sculpture. Possibly Romanian.
The piece rests on an oval onyx pedestal.
Signature: POLOSHKA-LUNARD. on the bronze referenced in the Benezit list of authors
Dimensions: Height: aprox. 8.25" with base.

Splendid vase made in France in the last quarter of the 19th Century. Cobalt-blue porcelain slender ovoid body finely painted with angelical theme (signed). Marble base, molded bronze cloisonne on the shoulder, neck and foot. Excellent condition. Height 9", diameter 2.25" aprox.

Antique French medallion with Virgin Mary realized in silver vermeille with enamel and vitreaux. Ivory frame. Signed A. Gascon. Circa 1850-1880. Excellent Condition with original casing. 2.5" diameter, 3.75" tall with hanging loop.

This ancient textile fragment is composed of a cotton border in pattern weave with design of stylized birds within diagonal lines of interlocking frets in brown and cream, having areas of staining and missing parts and some unraveling throughout, unframed, 26 1/2 X & inches

This is a Pre Columbian fragment of cotton cloth brocaded with anthropomorphic figure design in browns and creams,unframed and shrink wrapped; Condition-Good coloration having areas of staining and missing pieces throughout, some unraveling; Sheen in photo due to lighting. Measures 26 1/2 X 19 3/4 inches approx.

This Chinese calligraphy couplet was written by late 19th century Chinese scholar and government official XU SHICHANG. Both scrolls are 16 inches wide and 64 inches long and in good condition. The calligraphy measures 12 ½ inches wide and 52 inches long. Mr. Xu was born 1854 in Tianjing City and died 1939. During the late Qing Dynasty, he was appointed by the Qing Emperor as Viceroy of Manchuria and an official scholar of Ti-Ren Ge (royal chamber or cabinet)...

This late 19th or early 20th century Chinese jade carving is 6 inches tall, 3 ¼ inches wide and 2 ¼ inches in depth. One side depicts a seated goddess of mercy (Guan Yin) in a cave. Pine trees are growing above the cave. A pagoda covered with clouds appears on a far away mountain. On the other side, we find two old pine trees growing on a mountain. Two sages appear to be chatting; one is in the pagoda, one standing outside. The gated style building sits atop a mountain...

This early 20th century carved ivory Buddha statue (Japanese called Hotai) is 6 ¼ inches tall, 3 ¾ inches wide and 3 ¼ inches in depth. The whole statue was carved from one solid ivory tusk. The left hand of the Buddha is holding a small fan; his right hand is resting on his knee. He wears a twisted necklace and earrings and has a big smile on his face. This is not like a traditional Buddha image; it is more of an off center imagination from the artist...

This rare middle or late 19th century ¡°tea dust¡± porcelain snuff bottle is 3 inches tall and 1½ inches on the widest part. The color and the shape of the body are superb. It is in excellent condition.

This middle or late 19th century Meiping shape snuff bottle has a white background and fine copper red crackles around the entire body. It is 3 ½ inches tall and 1½ inches on the widest part. The cap and spoon are later replacements. It is in excellent condition.

The Chinese white jade (nephrite) dragon belt buckle is a late 19th century product. It measures 3 ¼ inches long and half inch wide. The color of the jade and workmanship are great. It is in excellent condition.

This late 19th century Japanese small cloisonn¨¦ vase is 3 ½ inches tall and 2 1/8 inches wide. It carries a chrysanthemum and butterfly design on a black and goldstone background. It is in good condition.

This late 19th century Japanese hexagon cloisonn¨¦ vase is 7 ½ inches tall and 3 ¾ inches wide. It has various phoenix cartouches on a dark blue background. There is a small chip close to the bottom quarter.

The Chinese Tang Dynasty iron stele is 7 ½ inches tall and 5 ½ inches wide. A Buddhist design is on one side; calligraphy is on reverse. Most of the calligraphy has worn off, but some characters are still legible. It looks like it was made to honor one family¡¯s ancestor. There is a date to indicate it was made during second year of ¡°Zhi De¡±(757 A.D.) of the Tang Dynasty. The old coin style base (stand) is cast iron and was made to fit the stele later. It is in excellent condition...

This early 20th century Japanese ivory netsuke is 1 7/8 inches tall and 1 3/8 inches wide. It depicts an old sage holding a wine cup. A frog and a gourd are beside him. It is signed ¡°Gyokushi¡± and is in great condition.

This early 20th century ivory mask is 1 ¾ inches long and 1 ¼ inches wide. It is signed ¡°Ichimoto¡± and is in good condition.

This early 19th century lacquered wood depicts a boy performing a Shi Shi dance. It is 2 inches tall. It is signed ¡°Nisai.¡± Some color is worn off; but it is in good condition.

This early 19th century persimmon wood is carved as an old man carrying a child on his back. It is 2 inches tall. It is not signed, slightly stained and worn, but in good condition.

This 18th century wood Iwabe shells netsuke is 2 inches long and 1 ¾ inches wide. It is not signed, slightly worn but in great condition.

This pair of enameled glass brush holders carries a wild geese and grass design. They are 5 ¼ inches tall and 3 inches in diameter. They came in blue brocade fitted boxes. Both have a ¡°Qian Long¡± (1736~1795) mark on the bottom. Near the date mark there is a red wax seal which indicates they were exported from mainland China. The color and the design are great. Both are in perfect condition.

This Chinese Ming Dynasty (1368~1615) bronze temple guardian is 14 ½ inches tall. The four characters on chest read ¡°pass to the heavenly gate¡±. The weapon he carried is missing. It is in good condition.

This Chinese Ming Dynasty (1368~1615) bronze temple guardian is 13 ½ inches tall. The halo is a replacement and part of the mirror in his hand has been repaired. The weapon he carried is gone. Over all, it is in pretty good condition.

This early 20th century pale green porcelain Guan Yin is 9 inches tall. The image of Guan Yin holding a baby boy is a fertility symbol in Chinese custom. It is in good condition.

Early 20th century Chinese fine famille-rose vase is 8 ½ inches tall and 4 ¾ inches on the widest part. It depicts five children playing. It has a Qian Long mark on the bottom. However, we assume the mark is fictitious. It is beautifully painted and in good condition except for a tiny flaw on the rim.

Chinese Guang Xu period (1875~1908) Wucai vase is 9 inches tall. The vase came from the Warren Cox collection, New York. It depicts two flower vessels which are separated by calligraphy. Studio mark Cha Yi Xing on the bottom. It is in great condition.

Late 19th or early 20th century Japanese satsuma bowl is 2 ½ inches tall and 7 inches in diameter. It has a magnificent insect and floral design on both the interior and exterior. It has an old repair on the rim and a small hairline crack. Signed.

20th century Japanese satsuma vase is 12 inches tall and 6 inches wide. It depicts several geishas walking on a path near a lake during spring. There are mountains in the background, flowering trees in the foreground and houses surrounded by trees. It is signed ¡°koshida.¡± It carries a gilt circular rim with multicolor flowers below and around the bottom. It is in great condition.

A Chinese reticulated iron porcelain snuff bottle with a dragon and phoenix among clouds beneath key fret and ryui border, neck with a silver rim, jade stopper. The red color is the same as used when decorating porcelain, though in this case it is applied as a solid color. The desired effect is to imitate red cinnabar lacquer. Circa, probably from the Jiaqing period (1796 - 1820). Height 3".

Very rare sterling silver individual berry spoon in Whiting's 1891 "Louis XV" pattern. This is a rare form and the unusual broad shape of the bowl matches that shape of the large berry serving spoons. The bowl is lightly gilt. The back is stamped with Whiting's hallmark, the patent date (indicating an older piece) and the retailer's mark "Jacquemin & Co."

Origin: America, circa 1890s. Condition: excellent, sharp detail, no monogram. Size: 5" long.

Old Chinese ivory figure of Guanyin, the Goddess of Mercy, in a refined and elegant pose. The body is made out of one piece elephant ivory and finish in a term "cold painted ivory" meaning that the color is applied without any firing to fix and harden it. This method of coloring ivory dates back to the Ming times and was particularly popular in the 18th century. This is probably 19th century piece. Her wonderfully tranquil face and the excellent painting make this a desirable piece...

Ornate sterling silver meat serving fork featuring a heavily scrolled handle with matte-gilt, bright-cut tines. The back is marked "925 Sterling 1000". Many late 19th century silver makers did not otherwise mark their wares.

Origin: America, circa 1890s. Condition: excellent, sharp detail, no monogram. Size: 7-1/2" long.

This late 19th century Chinese ivory carving of a Smiling Buddha (Hotai) is 2 ¼ inches tall, 2 inches wide and 1½ inches deep. His eyes are inlaid horn. His head is raised up in a big smile. His left hand holds a sack; prayer beads are in the other hand. There are six children around him. A hand is missing on one of the children. Aside from that, the piece is in pretty good condition.

This late 19th century Chinese ivory statue of a bearded scholar is 5 ½ inches tall and 3 inches wide at the widest part. His eyes are half closed; he holds a scroll gently against his cheek. There are two characters read as ¡°Da Ming¡± on the bottom. The inscription means ¡°Great Ming Dynasty¡± which is quite common on ivory carvings or porcelain. There are a few hair line cracks due to the age of the piece. Over all, it is in great condition.

This superb ivory carving is 12 inches tall (including base) and 3 inches wide. The statue presents a legendary Chinese character who is a member of the eight immortals. According to legend, one day he told his follower that his spirit was going to travel far away. He asked the young follower to watch his body for seven days while he was away. If he did not come back after the seventh day, the young man must burn his body...

Chinese porcelain vase marked kangxi on the foot, but thought to be a late 19th century reproduction. There are domestic scenes painted in the over glaze enamels and repairs to the lip of the rim. At one time, the vase was used a lamp. Hence, the characters kangxi in the reign seal are restored and probably spurious. H: 24 inches, Diam: 8 inches

This late 19th century Chinese famille-rose water jar is 2 ¾ inches tall and 2 ¾ inches wide. It depicts five boys in a procession. The first two boys are holding banners and gongs. The third is holding a lantern. The forth child is dressed in red and is riding a Qilin (a Chinese legendary animal which has a dragon head and ox body). This boy carries a puppet. The last boy is holding a fancy umbrella. The workmanship is excellent and it is in great condition.

This early 20th century Chinese porcelain water jar is 2 ½ inches tall and 2 ¼ inches wide. It has hand painted butterflies and a floral design over a white background. The color is slightly worn and it is in good condition.

This late 19th century famille-rose water jar is 1 ¼ inches tall and 2 ¾ inches wide. It depicts a green and black bird standing on a tree branch with chrysanthemum blossoms on the side. The translation for the four Chinese characters is ¡°This style of drawing copies the Yuan Dynasty¡±. It is in great condition.

This famille-rose water jar is 2 ¼ inches tall and 2 ¾ inches wide. It is dated and signed to the Tong Zhi period (1862~1874). The four hand-painted pictures represent the four seasons. Hibiscus is the symbol of spring, willow for summer, peony for autumn and plum blossoms for winter. The color, especially the gold, is slightly worn. It is in great condition.

Fabulous and extremely rare hand-forged iron trade sign in the form of a pretzel. The sign retains an old gilt surface. There is a strong trace of red, yellow and blue paint on the back side and edges of the pretzel, no doubt the colors that were used on the wall or backboard to which the sign was attached through the 13 mounting holes. There also appears to be a red layer underneath the gold. This layer was probably intended to be an undercoating to give the gilding more depth...

Large sterling silver berry spoon in Blackinton's 1900 "Nautilus" pattern. The handle is elegantly decorated with scrolls and shells, and nicely complements the lobed bowl. The reverse is marked with Blackinton's hallmark.

Origin: America, circa 1900. Condition: excellent, no monogram. Size: 8-1/2" long.

Lovely sterling silver cream or sauce ladle in Towle's 1900 "Dubarry" pattern. The handle, decorated with a simple spray of roses at the tip, nicely complements the triangular gilt bowl. The reverse is marked with Towle's old mark and "925/1000".

Origin: America, circa 1900. Condition: excellent, no monogram. Size: 4-15/16" long.

Ornate sterling silver meat serving fork, the handle decorated with shells, scrolls, roses and beads, and the matte-gilded tines decorated with bright cut engraving. The reverse is marked "925Sterlin1000", a marking frequently seen on American sterling silver before silversmith's were required to identify their work.

Origin: America, circa 1895. Condition: excellent, period monogram "G". Size: 7-3/4" long.

Elegant sterling silver sauce ladle by Baker-Manchester Co. The lobed bowl has matte gilding and the rare feature of a pouring spout. The reverse is marked with the company's hallmark.

Origin: America, circa 1898. Condition: near mint, no monogram. Size: 5-1/4" long.

Sterling silver sauce ladle in Watson's 1911 "John Adams" pattern. The complete simplicity of the pattern is reminiscent of Colonial American silver, and it would look good mixed with any other pattern. Sauce ladles are a bit smaller than gravy ladles.

Origin: America, circa 1911. Condition: excellent, no monogram. Size: 5-3/4" long.

This mid 19th century famille-rose ink pan (box) is 2 inches tall and 3 inches in diameter. On the top of the cover depicts two roosters fighting in the flower garden. The side is decorated with a floral design. It is in excellent condition.

This late 19th century famille-rose bowl (cup) is 1½ inches tall and 2½ inches in diameter. It depicts one red bird standing on a tree branch and chrysanthemum blossoms on the side. The translation for the four Chinese characters is ¡°This style of drawing copies the Yuan Dynasty¡±. It is in excellent condition.

This mid 19th century famille-rose seal box is 1¾ inches tall and 3½ inches in diameter. It has Qian Long mark on the bottom. The mark is fictitious which is quite common. It is decorated with a floral design. Though the color is slightly worn and tiny chip appears inside the cover, it is in great condition.

This leaf shape famille-rose brush washer is 1 ½ inches tall, 4 ¼ inches long and 3 ½ inches wide. It is dated and signed to the Tong Zhi period (1862~1874). The dish part is divided in two and hand painted with different kinds of flowers. The base is decorated with a green wave design and three orange bats. There is an old chip on the base, but over all, it is in good condition.

Mid 19th century Chinese blue and white ink pan (or box) is 2 inches tall, 3 ¾ inches long and 2 ¾ inches wide. The entire body is hand painted with pattern style of clouds, branches and flowers. The box is evenly divided into two parts. From the remains of pigment, it seems the box was used as a red ink (cinnabar) dish. It is in great condition.

Mid 19th century Chinese blue and white brush holder is 4 ¾ inches tall and 3 inches in diameter. It depicts a scholar with a staff standing in front of a hut which is surrounded by mountains and trees. It is in great condition.

Sterling silver sugar spoon with very fine decoration of a peacock amidst trailing foliage. The bowl is parcel gilt and is decorated with bright-cut engraving. The reverse is marked "Sterling". Before 1916, many American silversmiths did not mark their name on flatware.

Origin: America, circa 1885. Condition: excellent, period monogram "B" on reverse side. Size: 5-5/8" long.

Sterling silver cream or sauce ladle with an Art Nouveau design of lilies. This form was used to ladle cream or other sauces for the desert course. They could also be used for main course sauces that did not require a full-sized gravy ladle. The reverse is marked "Sterling Pat. 1902". Before 1916, many American silversmiths did not mark their name on flatware. Unknown maker.

Origin: America, circa 1902. Condition: excellent, no monogram. Size: 4-3/4" long.

Lovely Victorian sterling silver bonbon spoon featuring a matte-gilt bowl with a scalloped edge. The asymetrical rococo design of the handle was popular in the 1890s. The back is marked "925 Sterling 1000". Before 1916, many American silversmiths did not mark their names on flatware. Unknown maker.

Origin: America, circa 1890. Condition: excellent, no monogram. Size: 5-1/8" long.