Since Satsuma printed porcelain have got a great reputation at Expo 1867 in Paris, Satsuma brand has been very popular in Europe.The specialization on making body and printing has been going on in early Meiji period, the bodies was made in Satsuma area Kagoshima pref.and was printed in Yokohama or Kyoto and so on. This piece was printed at Chindo workshop in Yokohama. It has sophisticated patterns of mainly fishes. And there is a tiny chip repaired on the edge. SIZE: 21.4cm(D)/2.4cm(H)

An exceedingly rare beaded purse with multicolored glass beads on a leather base, and with beaded and wood toggle closures. This early purse might be unique because of its age and that the date is actually worked into the decoration as part of the phrase "Gift of a Friend 1632". The interior of the purse is of a very soft, fine leather, probably deerskin or lambskin.

Especially considering its age the purse is in excellent and exceptional condition, with all the beadwork present...

The blue and white porcelain made in ARITA erea Japan had been exported to Europe and much prized among the people, instead of Chinese porcelain. They are called as IMARI from the name of shipping port. We call the works produced in the EDO period as Ko-Imari meaning old Imari. This piece is supposed to be produced on the last EDO period. Extremely minute strokes in this piece are very excellent. No repairs or damages. Size: 18.8cm (D) 3.0cm(H)

In Tang dynasty many sansai figures were received in tomb rooms and likewise many painted unglazed pottery figure what had been making from ancient times were received too. This figure is very excellent and with good condition. Considering that this figure is greeting with Chinese style, this person is supposed as a Sogdian delegate. Size: 26.5cm High Accessory: wooden box custom made in Japan

This piece is produced in late Ming dynasty. Conch pattern has been liked as good luck charm. No repairs. SIZE: 13.4cm(D) 2.5cm(H)

In Changsha kiln, undergalze painted works are created Tang Dynasty 9th century world first.And also it is known that many of them are painted by iron and copper as coloring agent. So they are very variable, This ball was refloated from Chinese wrecked ship at Java offshore. The peeling off of glaze are recognized at several parts on the edge, and no repair or no re-burned. SIZE: 15.5cm(D) 5.5cm(H)

In Changsha kiln, undergalze painted works are created Tang Dynasty 9th century world first.And also it is known that many of them are painted by iron and copper as coloring agent. So they are very variable, This ball was refloated from Chinese wrecked ship at Java offshore. The peeling off of glaze are recognized at several parts on the edge, and no repair or no re-burned. SIZE: 15.1cm(D) 4.8cm(H)

In Changsha kiln, undergalze painted works are created Tang Dynasty 9th century world first.And also it is known that many of them are painted by iron and copper as coloring agent. So they are very variable, This ball was refloated from Chinese wrecked ship at Java offshore. The peeling off of glaze are recognized at several parts on the edge, and no repair or no re-burned. SIZE: 15.1cm(D) 5.1cm(H)

This large and expressive sculpture is made, as expected, from joined segments, each separately carved. This technique is a diagnostic "telltale" which helps to date the piece. The figure sits in a devotional posture, leaning slightly forward with hands joined in a gesture of worship. Extensive remains of gesso and pigment. The piece measures 14-1/2" in height and is free of re-carving or repair. Kindly examine the photographs, as they are part of the description...

Fragmentary relief representing two standing bearded men, with a column, or pilaster, between them. Grey schist. Gandhara Civilisation period, ca. 2nd century. Height: 15,8 cm. The relief is nicely mounted on a custom stand. Very good condition.

Antique Japanese kannon biraki isho tansu (chest on chest with hinged doors for storing clothing). Made with all keyaki (elm) wood on the front. Sugi (cryptomeria) wood on the sides and top. The top portion of the tansu has hinged doors which open to reveal two large drawers. The bottom section has two large exterior drawers and a safe box with a hinged door in the lower right hand side. Inside the safe box are three small drawers...

An Imari three colour export squat round teapot of small dimensions decorated in a rich Imari pattern of various shaped panels of lobed and comma form set against a dark blue brocade style ground with Chrysanthemum flowers and gilt vine arabesques. The reserves plain and iron red inset with Karahana, Tang flowers, and Irises...

A nice quality Arita porcelain bowl decorated with a design of four panels of Hosoge or Karahana, Tang Flowers, in contrasting Iron red and under-glaze blue. This design appears in a number of variations on Chinese export porcelain from the late Kangxi period onwards, whether this is the precedent or homage to the Chinese pattern is difficult to say, but the porcelain would appear to be at least contemporary with the in general poorer quality Chinese examples. It dates to the period 1710-40...

Antique Chinese bronze figure of a seated immortal. He sits with robes flowing out around him. He holds a ruyi scepter in his right hand and another round object in his left. Kindly expression and elongated earlobes.

17th Century: Ming Dynasty (1368 - 1644)

Dimensions: 3" high

Bronze statue of Bodhisattva Padmapani, standing, wearing diadem and dhoti. Right arm, left hand and feet missing. Fine patina. Gandhara Civilisation 1st to 3rd century. Height: 23,6 cm. The statue is nicely mounted on a custom stand.

The dish is in “Ko Sometsuke” style. It is decorated in underglaze blue with an Island Scene shrouded in auspicious ruyi form clouds which recedes into the background, three geese Kari occupy the mid ground (a seasonal motif associated with Autumn) and in the foreground Arumi rough waves crash over kaisou, water weeds, and Conches, horagai and Scallops, hotategai...

The dish is in “Ko Sometsuke” style. It is decorated entirely in underglaze blue with an Island Scene shrouded in auspicious ruyi form clouds which recedes into the background, three geese Kari occupy the mid ground (a seasonal motif associated with Autumn) and in the foreground Arumi rough waves crash over kaisou, water weeds, and Conches, horagai and Scallops, hotategai...