As rare-as-can-be not just for its signature but also for the black opal baguettes it showcases, this vintage Mexican silver architectural ring was created by Carmen Beckmann. Beckmann is reported in the literature to have worked primarily in the 1950s and 1960s in San Miguel de Allende and her jewelry can vary from inspired to simply good. When she was at her most creative though, she made pieces that are to die for! This ring is, in my opinion, one of those moments of hers...

Featured in Spratling's 1942 Christmas catalogue this silver I.D. bracelet was hand crafted at the Spratling Taller in Taxco, Mexico. The design features a slide-in tongue closure. Weighing 57 grams it is 1/2" wide and will fit up to a 7 1/2" wrist. The bracelet was never monogramed. The condition and patina are excellent. Fully hallmarked on the reverse.

We have offered today a very early Antonio Pineda repousse brooch signed with his earliest hallmark of AP. The Quetzalcoatl is beautifully done and with no damage. The dimensions are 3in. long and 2 3/8th's tall at highest points. This size is perfect for holding a shawl together on a chilly night. The weight is 26 grams of thick silver. A very special treasure.

This is my favorite bracelet made by Erika Hult in the Mexican Silver Renaissance. Properly hallmarked as shown and is 6 7/8th inches long. Curves brilliantly around the wrist and has a weight of 100 grams of quality. The design has a big presence with 1.25in. of height. She studied at the Parsons School of Design in Paris as did Hubert Harmon. She signed her work with the name of RIC.

Sterling overlay and three-dimensional stone frogs turn this Carmen Beckmann necklace into a small sculpture gallery around the neck! One of the few known to us female contributors to Mexico's 20th c. Silver Renaissance albeit active a little later than the beginnings of the big Mexico City and Taxco workshops, she was based in San Miguel de Allende in the 1950s and 1960s and that is where she created most of her jewelry...

One of the most inspired Taxco modernists, Enrique Ledesma is not widely known as an enamelist yet he did create jewelry combining sterling with bright colored enamels. It seems that those pieces are rare and difficult to find but if one is lucky enough to come upon an example, the search is justified and the seeker duly rewarded! The necklace at hand, distinctly "machine age" in its constituting elements, breaks free of its functionalist constraints with the use of brilliant blue enamel...

One of Salvador Teran’s signature designs, the Archer makes for a dramatic, show-stopping bracelet. Mod minimalism, shadowbox construction and beautifully aged heavy gauge silver combine in the example at hand. Having a 6 1/2″ inner circumference (clasped; perfect for smaller to medium wrists) the bracelet varies in width between 1 1/2″ and 5/16″ and weighs 39.8 grams. It is signed with maker’s signature in script as shown as well as “STERLING MEXICO” and des...

A very difficult design to find, Margot de Taxco's no 5384 is sheer geometry and a celebration of dark, rich oxidation. It is understandable then that I feel fortunate to have come upon the extra-wide hinged bracelet from the parure. Raised sterling bands around the perimeter of the cut-out design lend three-dimensional appeal which is further accentuated by the black surfaces they define...

In the 1940's Spratling designed this sculptural piece to hold a pack of cigarettes. Today it could be used as a decorative business card or pen holder on a desk or side table. Measuring 3" high and 2 1/4" across the piece is in beautiful condition. Pictured in WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE and on spratlingsilver.com.

Circa 1950's, this Salvador Teran modernist piece can be worn either as a pendant or pin.

Measuring 2 5/8" x 2", it's a rare and spectacular piece. The stones are chrysocolla, lapis, and onyx.

Weight is 37.1 grams.

Signed and hallmarked "Salvador Sterling Mexico", with the design # 124.

In excellent vintage condition.

Spratling uses one single rod of thick sterling silver to form this elegant "safety pin". Worked by hand, the detailed swan's head is formed, continuing down to the double looped turn, ending with the sleek, tapered point. Measuring 3 3/4 inches long and 1/2" wide the piece is in beautiful condition. The ingenious design allows for excellent tension in opening and closing the pin point. The thickness of the rod is most suitable for looser weaved fabric...

Signed with the old linear mark for design # 365 Los Castillo. This large 3.5in. x 3.5in, thick, silver dragon is iconic for it's detail and quality workmanship to Los Castillo collectors. The heavy open backed repousse shows a very early work. The 4th row of the hallmark says MADE IN MEXICO as you can see in the hands clearly. The patina is a natural, very dark color adding beauty to the carving on the top side of this brooch...

Sometimes when hunting for great old Mexican Silver you run into a lesser known artist's treasure like this one I am listing today. The red poured glass bordered with beading is striking. The ball and beads above the red tear drops dress up each station. This has a Spratling feel with the hand carved lines in the chain as well as the tops of each drop. The length is 23.5 inches. Each tear drop dangle is 2 inches long...

This pre 1950 vintage Mexican Silver Bracelet was created by, J.P., a lesser known artist. An alluring design and ravishing green stones makes this bracelet an ideal stocking stuffer. The bracelet fits like a large bangle while weighing 85 grams. Dimensions entail: A 2.5 inch inside diameter and a height of 1.5 inches. Everything about this bracelet screams quality and style.

One of the Los Castillo workshop earlier creations as is indicated by its low design number the “koi fish” bracelet dates from the years when Margot de Taxco was still married to Antonio Castillo and under the spell of Japanese aesthetics. The bracelet I am presenting here has all the distinctive elements of the motif – the fish swim in and out of undulating waves with air bubbles surrounding them and their tiny scales are carefully rendered en repoussage...

A very rare design to find in the form of a bracelet the "crouching man" was originally designed by Taxco's foremost modernist, Salvador Teran, and in my opinion, it is one of the most successful re-interpetations of an ancient motif within the design vernacular of the 1950s-60s. The fact that it's so difficult to find with Teran's signature drives prices high up and makes examples by different makers sought after as well...

Exquisite Los Ballesteros Mexican silver necklace with geometric links cut out of thick sterling sheet, this piece is adorned with eight faceted, gem quality amethysts...

Pedro Castillo was a maestro for William Spratling at Taller de Las Delicias. He also was a maestro for Hector Aguilar until he opened his own shop around 1940. His work is always quality and this bracelet with glyphs shows that. The turquoise stones have warmed with time on this treasure. The panels are solid silver and the raised glyph elements are applied giving depth as well as the niello background. Hallmarked 925 for silver content. 1 5/8th inches tall 6 5/8th inches long Weight ...