Large Chinese ink and acrylic on crumpled paper painting of a mountainous landscape scene with trees in the foreground by Zhu Yixiong (Ju I-Hsiung). Titled, dated 1978 in cycle years, and signed in black ink with two red artist seals below the signature. Mounted on a wood backing and framed in a nice quality wood moulding with no glass. Framed size: 25 1/2” x 47 1/2." Very good overall condition...

Double gourd silk pouch with seed stitched calligraphy. China, c 1900. Height "6 ¼ / 15.5 cm. The inside with a paper label saying No 9 Peking China. Condition: to one side some residue from another label.

Japanese ukiyo-e style ink and color on silk scrolled painting of a standing bijin (beauty) by Ohara Donshu (1792-1857), aka Ohara Tonshu and Ohara Kon. Signed in black ink “Donshu” and with two red artist’s seals “Donshu” and “Hara kon no in.” Ohara Donshu was a follower of Shijo-style painter Shibata Gito, who was in turn a follower of Matsumura Goshun. Although best known for his Maruyama-Shijo style landscape paintings, Donshu also produced fine figure paintings...

Chinese Republic period white molded biscuit porcelain seven-piece scholar's desk set decorated in relief with bird and flower motifs...

A carved wooden box with removable lid revealing a container for matches and tobacco slotted in the side to carry a Kiseru pipe. Exquisitely crafted by a man who both understood design and wood grains, it is likely from the arts and crafts era. It is 5-1/2 x 3-1/2 x 5 inches (14 x 9 x 13 cm) and is in overall fine condition, with wear to the base attesting to age.

A fine 18th century Chinese molded celadon-glazed porcelain dish, finely decorated around the center with stylized archaistic dragons encircling a central roundel of a lotus flower, a band of key-fret pattern around the foliated rim, covered overall in green glazed. DATE : Qianlong (1736 - 1795). SIZE : D = 24 cm. CONDITION : perfect condition, no chips, no cracks, no hairlines and no repairs.

This is a very rare and highly desirable Changsha kiln 9th century Tang Dynasty bird water dropper. Usually these are characterized by such components such as under-glazed yelow-brownish and green motifs with molded design in relief, appliqué designs or impressed designs in relief and also incised or carved designs. The unique feature of the water dropper is the olive/brown glaze that is more like yue ware, but the paste and glaze is actually one of the rarest Changsha kiln products that exist...

An exquisite vase decorated with crashing waves and plovers in blue by Seifu Yohei dating from the Taisho era. It is 12 inches (31 cm) tall and in excellent condition. Quite large for a work by Seifu, it is marked on the base with an incised signature...

Chinese late Qing dynasty (19th century) front-opening Han style lady's jacket embroidered on the front and back in silk polychrome thread with clusters of flowering plants and butterflies on a dark cobalt blue silk satin ground. Much of the embroidery is executed with the “forbidden stitch.” The sleeve bands are similarly embroidered with flowers and Buddhist swastikas on a white silk ground. Three round floral metal buttons secure the front opening and silk closures secure the neck...

H. 21 cm. excl. stand, 25 cm incl. stand. Ca. 3rd century AD. Ex private collection The Hague, The Netherlands. Ex. Coll. Ostracon, Switzerland.

Afghanistan, ca. 3rd century AD. H. 23,5 cm. Ex. private collection The Hague, The Netherlands.

An old ghurra showing a seating protector beating the drum , such design evokes the shamanic influence. The shaman is surmounted by a ram. Super black soot patina, Obvious signs a important use. H 25 cm , the protector is 13 cm height.

This is a great archetype of ghurra, showing an interlace of ropes which local name is netti, so in some areas "Netti" becomes the generic name for Ghurras. This ghurra demonstrates a great carving achievement with incredible signs of use. H25 cm wide 8 cm , thickness 5.5 cm An iron metal stand can be offered More information on request Please double click on pictures to get the highest enlargments

This appears to be an incarnation of Shindara Daisho of the 12 guardian deities (Juni Shinsho). He has glass eyes and stands on the original Daiza.. The Deity is 21 inches (53.5 cm) tall, total height with stand is 33 inches (83 cm). Later Edo period (18th-19th century). The left hand has been replaced.

A nicely shaped large Yuan Dynasty incenser in light green celadon glaze with ribbing design to exterior. Small visible imperfections and small chips to glaze on rim and a small one to underside of one foot. Also, a faint hairline is visible on side of incenser. Diameter: 5 inches; height 2.50 inches. High resolution images may be emailed to you on request.

Fine Yuan Dynasty celadon glaze charger with incised floral pattern in center. Nice symmetrical shape and balance. No chips or cracks. Diameter: 9+ inches; height 1.75 inches. High resolution images may be sent to you on request.

Early 20th century Southeast Asian dancing Nat or nature spirit statue. Hand carved and polychromed wood, this item most likely came from a Buddhist temple. Measure about 27 inches high. More information and photos coming.....

Sizable Japanese Edo period Buddhist traveling shrine (zushi) with black lacquered wood case and copper metalwork. Two hinged doors open to reveal a central standing carved wood Kannon figure on a pedestal base set against a gilt ground. A round metal halo is behind his head and he wears a metal crown and neck ornament. The interior doors are painted in polychrome with Bodhisattva figures. The case measures 12” high. 19th century. The zushi is remarkably intact and stable for its age...