Japanese Yokohama woodblock print triptych illustrating the interior of an American steamship by Utagawa Yoshikazu (flourished 1850-1870) published by Maruya Jinpachi in 1861. In this design, the artist utilizes the traditional Japanese convention of “roofless architecture” which allows the contents of the ship to be visible. Inside, westerners are seated at a long table having a dinner party. The assembled size is 14 5/8"V x 29 1/4"H (each panel is about 14 5/8"V x 10"H)...

A wily fox stands, head cocked to one side wrapped in the robes of a nun, something to be wary of this ceramic Okimono by Takahashi Dohachi enclosed in the original wooden box titled outside Dohachi Zo Hakuzoso, and signed within Kachutei Dohachi Zo followed by the artists stamp. It is 8 inches (21 cm) tall and in fine condition...

Korean iron box with silver inlay, on brass or bronze feet, with sliding top and brass and bronze handle and lock. Measures 4" wide, and 2 1/2" deep and high. Button on one end releases lock so that lid may side open...

Large Japanese Meiji period rounded square form black lacquered wood deep tray decorated in gold and polychrome accents with three birds among flowers and bamboo above a stream at the bottom. The rim is gold. 14 3/4" square with a lip nearly 2 1/4" high. Late 19th to early 20th century. Very good overall condition with only a few fine scratches on the back and a few tiny dings on the top edge. From the collection of a Japanese woman in Tucson, Arizona.

19th Century Japanese Gilt Bronze Ivory Kagamibuta

The kagamibuta is 0.5 inch thick, and 1.6 inches in diameter.

It is in good condition with no repairs, chips, nor cracks, except the fastener attached at the back (as seen in the photo).

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Set on a domed floriform base with bulbous mid section incised with flowerheads, the flaring cup cast with bands of petals with beaded rims. H. 13,5 cm.

A lucky jade carved in the form of a lock. The front carved with a large peony and the back carved with the words for prosperity, good luck etc. Should be worn as a good luck pendent. Size: W. 5.8cm. H. 4cm. Condition. Perfect

Description:

An elegant Zitan tray was railed in open work on the sides.
By beautiful design and well-maneuvered carvings, this scholar tray was presented in a decent look.
It was in firm and sound structure. Minute and old crack was at the bottom board.

Date: Qing Dynasty, late 19th century.

Dimensions: 15.7cm x 15.7cm x 7.7cm.

Japanese Bizen figure of a standing Shishi, Foo Lion or Dog, well sculpted, with very fine details depicting his fur, teeth, claws, and other white glaze spots outlining his tail and facial fur, his large eyes with dark shiny glaze...

Matching pair of Japanese Imari porcelain jars of inverted pear form covered with a high domed lid topped with a round chrysanthemum bud form finial. The vertically ribbed body is decorated in underglaze cobalt blue and overglaze rust-red enamel and gilt highlights. A large panel on the front features two shishi on opposing sides of a prominent floral pattern while the back holds a smaller cartouche with a bird and flower motif...

Rare Edo period Japanese namazu-e (earthquake fish picture) woodblock print featuring a giant human-like catfish playing a samisen beside an oni (demon) who is seated casually reading a book. In Japanese mythology, it was believed that giant catfish living underground caused earthquakes with their thrashing movements. A series of namazu-e were published anonymously in Japan shortly after the Ansei earthquake hit Edo (now Tokyo) in 1855...

In good keeping with the Koransha tradition, this vase demonstrates the imagination and creativity of the Fukagawa ceramists and is reminiscent of their design books. First thinking it might be a gourd form, it becomes apparent it must be a melon form - more consistent with the suggestion of Spring with the blue and white prunus and cracked ice background to the polychrome mountainous landscape with black pine and secluded retreats in green, yellow, aubergine, orange and gold enamel...

Large Qing dynasty slightly tapered cylindrical form white porcelain brush pot (bitong) with a central cobalt blue band holding bats flying among clouds. The white porcelain has a faint blue-green-gray tint. 19th century. 6 1/2” high x 8” diameter. Very good overall condition with a few old browned hairlines on the base which appear to have resulted when a drain hole was added...

A pair of gold screens with bold shishi on genuine gold leaf. It is signed Miyauchi Gohogan Shinsai Fujiwara Morimichi sei and stamped Hogan Morimitsu no In. Each panel is 37-1/4 x 68-1/2 inches (94.5 x 174 cm). The screens have been restored, with some old repairs visible. These appear to be remounted from what is likely a different composition, possibly a set of fusuma doors...

An alloy metal Buddha sitting under a bodhi tree.This is where Buddha gained his great Enlightenment by sitting in concentrated meditation beneath the bodhi tree at Bodh Gaya in Bihar,India. Can be made into an amulet. Size: H. 6.3cm. W. 3.3cm. Condition: No repairs.

Finely engraved small bronze altar of Vishnu with his consorts Shridevi and Bhudevi, cast in five parts. The three gods standing under an arch with a kirthi-mukha at the apex, the base of each figure slotting into the frame. Karnataka / Maharashtra 19th century. From a Swiss lady's private collection. Condition: fine. Dimension: 20.8 cm high x 17 cm long x 6.5 cm deep, weight: 1980 g.

Antique late 19th century red lacquered wood Hsun-Ok offering vessel from Burma. Size: 27 inches ht. x 15 inches diameter. Probably from Pagan region, with two registers of laid-on decoration below the spire and a series of hand-turned balusters on the pedestal. Minor damage to cover.

A Mingei style sculpture of a sake-sprite (Shojo) making off with a barrel of rice wine on his shoulder dating from the 19th century. This architectural work was likely originally part of a gate, and would have been a welcome sign to thirsty fellows after a day of work. Carved from a single piece of hard Keyaki wood, It is in excellent condition. 28 x 12 x 5 inches (71 x 13 x 13 cm). Keyaki as a wood is known for its hardness, beautiful grain and pest resistance.