Original antique carved sandstone seated Buddha circa 1500-1700, carved in meditation with crossed legs and arms in the "Bhumisparsa Mudra", set in an arched recess, with two monkey bodhisattvas at his side. Presented displayed on modern wood stand. Dimensions 16.5" W x 22.75" H x 5.25" D - measurements including stand.

Veins of green Kai-yu meander over the body of this spectacular example of Edo period Tamba Pottery capping rich red clay rising from an abrupt base. A few bubbles in the clay reveal character about the torso, the lip powerfully rendered over the shoulder, which slumps to one side like some haggard but still proud old soldier. Four looping handles (mimi) would allow the lid to be tied down. Between two a drip from the roof of the kiln has adhered to the clay forming a point of interest...

A lacquer box decorated with a Rimpa style thatched house under blossoming tree by Kamisaka Sekka dating from the late Taisho period. It is 12.5 x 12.5 x 6 cm (5 x 5 x 2 inches) and is in excellent condition. An identical box which was part of the permanent collection of the Ruth and Sherman Lee Institute along with the original design sketch is visible on page 154 of the book Kamisaka Sekka: Rimpa Master - Pioneer of Modern Design published by the Kyoto National Museum of Modern Art in 2003...

Rare Large Chinese Han Dynasty Burnished Pottery Amphora (206 BC- AD 220)

A superbly conceived design; jars of this general type have been found in excavations dating as far back as the Spring and Autumn Period (770-475 BC)...

Very Rare Large Chinese Yuan Dynasty Blue & White Granary Jar & Cover (with Oxford TL Test)

This extremely rare jar, complete with original cover, was made during the Yuan Dynasty (AD 1279 - 1368). Although we have seen several jars of a generally similar form (usually attributed to the earlier Song Dynasty) we have never before seen a jar of this form with underglaze cobalt blue decoration...

Description:
It is a decent Qingbai ware with height of 10.9 cm and width of 10.4.
One similar piece is in the book of " Qingbai Ware-Chinese Porcelain of the Song and Yuan Dynasties " (2002),The Percival David Foundation of Chinese Art. P174, figure93.

A pair of large mixed metal birds on a custom black lacquered table by Iwase Seifu enclosed in the original signed wooden box titled So-Hato Okimono. Excellent detail, the birds are life sized, the strutting male figure signed on the posterior is roughly 9 inches long, 8 inches tall. Both are in good condition, with some wear to the silvering.

Large Chinese Yuan Dynasty Blue & White Jar with Cover - Oxford TL Test

This large and rare early underglazed jar, complete with cover, was made during the Yuan Dynasty (AD 1279 - 1368) at one of the kilns at Yuxi in Yunnan province. Although classed as "blue & white" ware, the colour of the underglaze cobalt blue does vary in places and the clear glaze is distinctly greenish in colour...

A haunting Gohon Chawan repaired with a spiderweb of silver and gold enclosed in a box titled Gohon chawan annotated by the later Edo period tea master Kawakami Ihaku II (1789-1857). It is 14 x 12.5 x 8 cm (5-1/2 x 5 x 3-1/2 inches).

A large and rare mid Edo period Tamba Funa-dokkuri Ship Bottle made with flaring mouth and wide flat bottom for use on Ships. Down the side is inscribed the date Kyoho Gannen (First year of Kyoho, 1716). The Akadobe clay is covered in rich green glaze cascading in rivulets all about, with a few scattered windows of raw clay exposed. The base is slightly concave, impressed with a fern leaf...

Fine Large Chinese Eastern Han Dynasty Sichuan Pottery Female Entertainer (with Oxford TL Test)

This pottery model of a kneeling lady was made during the Eastern Han Dynasty (AD 25 - 220) and excavated from Sichuan province. It is made from a reddish-coloured pottery. A variety of figures of this general type are known. They are often musicians and entertainers, and were made in a variety of sizes. This is a particularly well-detailed and rare example...

The dreamlike quality which gave Taisho period art its unique flavor is readily apparent in this sumptuous composition by Kido Soi featuring long tailed birds along a tumbling stream. Pigment on silk mounted on applied gold flake in a silk border with a red lacquer wooden frame consistent with the era. It is signed in gold, Shunyo, the name used by Kido Soi in his youth, placing the screen easily before 1930...

Large bowl of deep rounded form, raised on a narrow foot with flared rim. The exterior chiselled and engraved, the neck with a band of nasta'liq inscription. Below a frieze of floral motifs and trilobed arches. Condition: traces of usage, rubbing to tinning. Dimension: diameter: 29.6 cm, 13.6 cm high, weight: 1.4 kg.

White wisteria (fuji in Japanese) drape from the gilded rim of this Kutani vase signed from the pre-eminent Kaburaki (Kaburagi) studio dating from the opening of the 20th century. The imagery is exquisitely performed with over-glaze enamels on a pastel gray ground. The vase is large at 13 inches (33.5 cm) tall, 8-1/2 inches (22 cm) diameter and is in excellent condition, with some wear to the gold rim.

A very large natural wood and carved scroll pot that has used the natural contours of the wood with some carvings to finish it. Scroll pots are not as common as brush pots. Age: Early 19th century. Size: H.28.8cm. W.35.5cm. Condition: No repairs. Normal wear.

A pair of unorthodox Edo period guardian corbels in the shape of mythical lion-like creatures (Shishi) made to be notched into a corner under the eaves of Shinto and Buddhist temples to ward off evil spirits. Ordinarily just the heads are carved, these are unusual in that their fore-paws have also been depicted, granting a greater sense of movement than most. Carved Hinoki (cypress), they are 30 x 18 x 20 cm (12 x 7 x 8 inches) each and in overall fine condition.

Description: A wood manuscript cover was wonderfully carved by traditional craftsmanship.
By a unique design of rectangular panel in the center, the Shakyamuni Buddha seated on an Indian Pala-style throne with lion base and in earth-witness gesture...

A patinated bronze okimono of a young woman with a wonderful face, dating to the Meiji period. On her back and in her hand she is carrying iris flowers. Signed on the base. Dimension: 34 cm high, weight: 3.7 kg. Condition: few areas with wear to the patina.