An ornate and richly decorated Chinese cloisonne enamel vase c1900 in the Persian taste. This 16" decorative vase features a blue ground with colourful flowers, leaves, flower buds and branches in pink, white, brown, red, pink, orange, blue and green. The decoration is allover in a chintz style and unusually this vase has a tab style collar standing proud from the body. It also has a pair of gilded animal head handles...

A nicely carved natural amber pendant with one bat and leaf design. The bat represent longevity and happiness. The bat and happiness sound is in the Chinese language is similar - both pronounced Fu. Size: L. 2.5cm. Condition: No repairs, cracks or chips.

A Japanese blue and white koro with all over cartographic decoration of the Japanese Islands, with provinces labeled, and other bodies including seas and land masses with countries labled. The name used for Korea uses the name Joseon which dynasty (established in 1392) ended by varying accounts between 1897 and 1910. The censer could be later still. The cover with Shishi lion pierced finial over the compressed spherical tripod censer with stylized handles...

Chinese red glass bead necklace. These types of beads were originally used by the palace officials. Size: 33cm X 2.

Gazing at the back of the traditional Maiko apprentice, pins and combs hold her coiffure perfect, our eyes travel down to the neck revealed as it joins the white painted shoulders, the luxurious kimono with its signature high and draping sash: She has the two of hearts! A very unusual painting reflecting the oddities of western influence at the opening of the 20th century by Matsumoto Ichiyo (1893-1952)...

A rare unusual bronze mirror with two mythical animals that might be tigers. Age: Western Jin Dynasty - 265 - 316 AD. Size: Diameter - 9cm. Condition: No repairs. Natural aging with nice patina.

Persian Senneh kilim with a concentric lozenge medallion and herati pattern on a red ground. Woven in slit tapestry, warp in cotton and weft in wool. Beautiful colors. Condition: clean, fine, lower end minimally reduced. Dimension: 191 cm x 124 cm.

Rectangular composite panel of antique embroideries from the Ottoman Empire. The basic fabrics are different plain weaves, embroidered with silk and few metal wrapped threads, composed and sewn together in the Ottoman city of Salonika or Kavala. For similar example please refer to "Textiles of the Islamic World" by John Gillow: page 31 with illustration. Condition: allover good, occasionally little losses to embroidery. Dimension: 113 cm x 118 cm.

The circular dish made of fine milky white porcelain decorated in overglaze enamels as iron-red, blue, green, yellow, black and gold. The well painted with a prunus tree, coiled dragon and ho-o bird. The reverse with scrolls. Condition: fine, the green enamel with partial spalling. Dimension: diameter: 20.9 cm.

Straits Chinese silver hallmarked adjustable mesh belt with a three-part buckle decorated in low relief with a fish among flowers. The back of the buckle contains two hallmarks with Chinese characters (see enlargement 4). 19th century. High grade silver weighing about 8 oz. Measures 34" long from end to end. The three-part buckle is about 4 3/4" x 1 3/4." Very good overall condition with minor wear and a few tiny snags at the edge of the mesh...

A Mandalay Buddhist votive domed covered alms bowl with glass inlays. Age: Early 20th century. Size: H. 48cm. W. 20cm. Condition: No repairs.

Lacquer covers the natural curves of this wood tray for use in the service of Sencha leaf Green Tea. It is 10 x 14-1/2 x 1 inches (25.5 x 37 x 2.5 cm). The bottom shows wear typical of use.
The importance of Sencha in the late Edo and Meiji periods cannot be overlooked, and has been studied in depth in the book Tea of the Sages, the Art of Sencha by Patricia Jane Graham.

Description:
A fine and nice tripod censer was applied on the surface with black glaze.
It was in decent look by well proportioned body with three supporting feet.
The feet was shaped with well-executed skill by apparently a bamboo cutter or some hard tools.
'Cause obvious scraping scars were left at the feet trunks.
The scars were also approved by a documented piece.(See last picture.)
Some similar pieces are in the documentations...

Chinese early Republic period porcelain bowl decorated in famille rose enamels against a turquoise ground with a magpie bird perched on a limb surrounded by wisteria, peony flowers, and scrolling vines. To the left of the bird is a red “Dayazhai” (Abode of Great Refinement) hallmark. To the left of this mark is a small red oval panel holding two dragons and the script “Tian di yi jia chun” (“Heaven and earth are united as one family in spring”)...

An Antique Pre Columbian Mayan sub culture pottery bowl c. A.D. 800-1000 Macaracas style central America. A round shaped bowl with lobed rim painted with images of birds on a museum stand. Measuring approx. 6 inches in diameter.

An Ancient Greek Pottery Ewer Mycenaean era polychrome designs of mythological lions c. 1000 BC.-1030 Measures approx. 7.5 inches tall in good antique condition.

A Japanese Bronze Water dropper Suiteki in the form of a Turtle, Meiji period c. 1900 measuring 3 1/4 in. L x 2.5 in. W x 1 in. H. in excellent condition nice patina signed.

A Japanese Bronze Water dropper Suiteki in the form of a Samurai Helmet. Meiji period c. 1900 measuring 3 1/4 L x 3 W x 2.5 H. in excellent condition nice patina.

Decorated with Fo dogs, typical for the Jiajing period (1522-1566). H. 17 cm. The lid also dates from the Ming Dynasty but was matched with the jar. Condition: the jar is in very good condition, the lid has a chip.

A superb Sajigawa stone of deep olive patina, completely natural, on a carved rosewood base and enclosed in a fine old straight grain wood box. Notice the entirely natural arch growing between the two spires. This is incredibly rare and a fine prize. This would be considered a house shaped stone, reminiscent of a farm-house and its adjoining out-building, a covered passage between. Saji stones come from the Saji river in Tottori prefecture...

Chinese Qing dynasty ornately carved rootwood fly-whisk handle. Fly-whisks were carried by Buddhist priests to wave away flies which, according to Buddhist tenets, they could not kill. The fly-whisk is also a symbol of leadership. 19th century. 10 3/8" long. Very good overall condition with a nice patina. There are a few thin cracks visible in the enlargements. This piece is from the private collection of American expatriates who lived in Hong Kong in the 1970s and 1980s...

A very rare painting of a skull and scattered bones lost to autumns dead grasses by important 20th century Zen priest Takeda Mokurai. Ink on paper bordered in brown cloth with gray extensions; dark wood rollers. The scroll is 16 by 68 cm (40.5 x 172.5 cm) in fine condition.
Mokurai began his journey down the Buddhist path at the age of 7 under the priest Ryodo...

Description:
A wood carving of Guanyin was nicely rendered.
She was well preserved in warm patina and was in nice condition.

Date: Qing Dynasty, 19th Century.

Height: 16.3cm,

An old wood stand is included. That makes the height to 19cm.

The detacheable central Tirthankara surrounded by other Tirthankaras, two elephants holding his princely parasol, his throne supported by two lions. On the back there is a lengthy inscription, holding the date 1674 in Samvat, which is 1617 in the Western calendar. The shrine is inlaid all over with silver. H. 28 cm, W. 19 cm. Condition: some old damage and an old repair to the thinly cast back of the stand. Otherwise in wonderful original condition.

Large and heavy piece, 500 grams of silver, finely cast and in good condition. Diameter 12,5 cm outside and 7 cm inside. H. 10,5 cm. Made in the first half of the 20th century. Marked on the inside with an "M".

This Mughal piece was made of a zinc alloy inlaid with flower patterns of silver and brass. A similar huqqa base in the book "Bidri Ware, inlaid metalwork from India" by Susan Stronge is dated in the first half of the 18th century. H. 18 cm. Diameter 16 cm. Very good condition with the inlay intact.

Egg shaped vase with a black-red patina. Signed on the bottom. H. 18 cm. Showa period (1926-1989). Good condition, original tomobako. Master casting artist Kazan Yokokura continued to enter contests, mainly centered on Nitten Exhibition. 1915 Born in Yamagata Prefecture, northern Japan 1951 Won for the first time a prize at the Nitten Exhibition (and won many prizes at later exhibitions). 1959 Won special commendation "Hokuto Prize" at the Nitten Exhibition. 1966 Joined the jury of th...

Indo Portuguese work, made in the 18th to early 19th century. Very well carved, note the eleborate dress. Remains of gilding. H. 22,5 cm. Condition: A part of the stand has been professionally restored (see picture) as well as the pinky fingers of the Virgin.

Kraak porcelain export dish from the Wanli period (1573-1619). Diameter 14,8 cm. , H. 4,5 cm. Condition: very minor flea bites to the rim, a 6 mm rough spot in the glaze on the rim, probably a firing flaw. No cracks or repairs. Some oven sand attached to the foot rim.

Porcelain bowl, the exterior decorated with the "100 antiques" motif in the doucai palette. The interior with bats around an auspicious character in overglaze red and some gold. The base with a six character Guangxu mark in underglaze blue. Condition: fine, except a tiny rim chip (see last picture) and a minuscule bubble burst. Dimension: diameter: 16 cm, 6.8 cm high.

A beautifully decorated lacquer box dating from the 1930s or 1940s enclosed in a signed wooden box. Inside silver flake on shiny black, outside what appears almost a matt finish, of dark soft orange-peel texture with brilliant designs in raised gold and silver maki-e wrapping around the edges. The artists signature can be discerned in the nashiji beneath. The storage box originally bore the title and signature in ink, which was later covered over with silver Maki-e (the original ink signature ...

A large Gohon pottery Sweets bowl by Kiyomizu Rokubei V with expertly rendered Sparrows ascending into the sky painted by Imao Keinen enclosed in the original wooden box signed by both artists. It is 8-1/2 inches (21 cm) diameter, 4 inches (10 cm) tall and in excellent condition.
Kiyomizu Rokubei V (1875-1959) began by studying painting from the age of 12 under the 19th century master Kono Bairei. Upon graduation from the Kyoto Municipal School of painting, he apprenticed under his fathe...

An Art-Deco Revival vase by Nakajima Yasumi II enclosed in the original signed wooden box titled Jundo Homan Kabin dated 1959. It is 8-1/2 inches (22 cm) tall and in fine condition.
The name of Nakajima first came to notice in 1908, when the first generation Yasumi (1877-1951) was awarded at the Senkatsu Kinen Exhibition. He was a consistent exhibitor with the Teiten-Nitten national exhibitions and was also quite active abroad, being prized at the 1931 Belgian Exposition and serving as j...

A silver inlayed bronze incense burner by Inami Keishu enclosed in the original signed wooden box. It is 5-1/2 inches (14 cm) tall and in fine condition. Inami Keishu worked in metal for more than 60 years. He has been often exhibited and prized with the Nihon Kogei Kai (National Crafts Association) among many other National Events.

Feeling frisky that day, perhaps a wry self portrait by this most famous of Nuns, Otagaki Rengetsu with a poem brushed above in her unique script.
Hito hakaru The trickster
Sagano no harano In the Fields of Sagano
Yufumagure At Twilight
Onoka obana ya Tail in the Pampas grass
Sode to misuran Will it seem a sleeve
There is something very human about this depiction, perhaps the nose…The Hakuzosu (Fox spirit)...

Well carved antler netsuke; of a Hotei carrying a bag on his back, early 19th century period. Size; Height of this carving is 1 3/4 inches. Condition Report; Good condition, age wear.