Another pair of Japanese polychrome Imari porcelain bowls with subtly shaped rims. Alternating dragon and floral reserves on a patterned red ground centering three friends of Winter (pine, bamboo, prunus) medallion. The verso with karakusa around a raised foot ring surrounding a broad, unglazed band around a small, glazed center. Good condition. Each about 5 3/4 inches diameter (14.6cm) and about 2 inches high (5.1cm)...

A set of five Japanese polychrome Imari porcelain bowls with subtly shaped rims. Alternating dragon and floral reserves on a patterned red ground centering 'three friends of Winter' (pine, bamboo, prunus) medallion. The verso with karakusa around a raised foot ring surrounding a broad, unglazed band around a small, glazed center. Porcelain service sets traditionally came in five (four being bad luck and larger sets of odd numbers sometimes encountered.) Good condition...

A beautiful pair of high heeled shoes for a Manchu lady. The heel is made of white painted wood, the sole is worked in fabric. The uppers are made of silk with appliqued tendrils in black. Condition: traces of usage. Dimension: 22.5 cm long, heel height: 7.5 cm, weight: 450 g.

A nice small qingpai funerary powder box in the shape of the lotus flower in three small pod. The flowers petals has dropped off showing the base of the flowers.

In good condition with the exception of some expected abrasion and manufacturing faults as shown in the photographs. Some rough edges and minute sand grits on the cover. No damage, crack, chip or any restoration.

The height is about 4.3cm and the width is about 10.2cm

Description:
A Li-Typed incense burner was well applied on the surface with the unique glassy glaze.
Also uniquely was the crackled condition in the glaze was immensely spread.
It was a charming characteristic that was believed being made intentionally to imitate the Guan ware of Song dynasty.
The body clay revealed amid the frettings was grayish and was in old greasy feel...

Description:

A decent brush pot was carved from one block of box wood.
By natural root wood form, the wood box was stylized and beautiful when nice and warm patina was obtained on the surface.
It was in good size and was preserved perfectly.
Some protection layers had been done to the bottom by ex-collecter.

It was quite hefty in weight.

Date: Qing Dynasty, 19th century.

Width: 19.5cm x 14cm, Height:16.3cm.

Hanakago (Ikebana flower basket). Irregular plaiting technique using bamboo and rattan...

Description:

A stylized Ruyi was rarely found by cast bronze quality.
In unique and beautiful plum flowers and branches form, the bronze Ruyi was put firmly on a stand as a treasured item or on a desk as a nice brush-rest.
It was in quite good size which was rarely found too.
The darken patina was yielded due to age when the overall condition is perfect.

Date: Qing Dynasty, 18th/19th century.

Length: 32.6cm...

A large and impressive Chinese paktong tea urn of hexagonal section comprised of handled and covered teapot over firebox. The conforming cover with decorative hexagonal, paneled finial. The teapot with tea filter insert, hinged handles of divided hexagonal section and form, a raised and engraved decorative reserve on each of six sides, a shaped spout also of hexagonal section and decorative flow-key with marks (a Chinese character and the pi symbol)...

A soapstone sculpture of the Chinese bearded sage Lao Tzu with staff and scrolls (one partially unfurled from the dragon form staff-head and one tied to his belt.) Engraved cloud decoration on the robe and on the hood over curly locks on the figure's high forehead. Three rather tame looking qilin rest at the figure's feet, looking to the sage - two with a heavenly cloud wisp issuing from their mouths indicating they are not of this world and emphasizing the suggestion of longevity...

Sino-Japanese War triptych of a naval battle scene at Wei-hai-wei featuring an embattled Chinese ship at the center surrounded by the Japanese fleet. Several final blasts sink the ship and send the Chinese soldiers into the ocean. The black ink signature of the artist is barely visible at the lower right and is possibly Kobayashi Ikuhide (active 1885-1898). The specific date is not filled in on the cartouche, but is 1894-1895. The assembled size is about 27 7/8"H x 14 1/4"V...

Description:

A Changsha bowl was painted in the cavetto with motif of bird and water weeds.
Maneuvered by deft brush strokes, the picture was vividly rendered with simple lines.
The bowl was heavily potted and was revealed with rough-feel body clay underside.
The characteristic disk-like foot ring was well shaped.
It was applied with white lining paint before dipping into to the brownish pigment and commencing the picture...

A fine Chinese hardwood stand. The top of irregular form (likely originally intended to hold a very specific object - perhaps a scholar's stone) upon a receded waist on rounded, foliate skirt and six similarly shaped cabriole legs terminating gracefully with scrolled leaf feet and resting on an undulating stretcher all raised on shaped feet. The top being hand planed, subtle rippling is noticed when inspected closely...

Boat-shaped silver ingot with stamped Chinese character meaning double happiness. Condition: fine. Dimension: 3.3 cm long, weight: 37 g.

In good keeping with the Koransha tradition, this vase demonstrates the imagination and creativity of the Fukagawa ceramists and is reminiscent of their design books. First thinking it might be a gourd form, it becomes apparent it must be a melon form - more consistent with the suggestion of Spring with the blue and white prunus and cracked ice background to the polychrome mountainous landscape with black pine and secluded retreats in green, yellow, aubergine, orange and gold enamel. The neck su...

A finely brushed image of a pheasant in the blossoming boughs of a cherry tree bearing a circular Rimpa School seal in the lower right. Pigment on paper with bokashi daubing of water on the tree trunk. Shadows dragged through the back appear to intimate bamboo. It is bordered in beige silk with a black lacquered wooden frame. The screen measures 71.5 x 68.5 inches (181 x 174 cm) and is in fine condition, dating from the early 20th century.

Russo-Japanese War triptych illustrating the surprise attack on Russia’s Far Eastern Fleet at Port Arthur that initiated the war. A large torpedo-boat is at the center. Two Russian ships at the upper left have been hit and are sinking. Three Japanese battleships are at the upper right. The title cartouche at the upper right describes the scene in both Japanese and English as “On the night of the 8th of February 1904, our brave fleet of torpedo-boats fired at the Russian squadron at Port ...

Chinese late Ming (16th/17th century) Zhangzhou (Swatow) porcelain deep charger decorated in iron-red, green, and black overglaze enamels on a cream-colored crackle glaze ground with a central roundel holding flowering peonies. A band containing four floral panels against a crossed line ground extends around the circumference of the rim. 13" diameter x 2 3/4" high. There is significant wear to the enamels and several very old rim chips (see enlargements 6 and 7). There is a fine quality restorat...

Japanese Yokohama woodblock print triptych illustrating the interior of an American steamship by Utagawa Yoshikazu (flourished 1850-1870) published by Maruya Jinpachi in 1861. In this design, the artist utilizes the traditional Japanese convention of “roofless architecture” which allows the contents of the ship to be visible. Inside, westerners are seated at a long table having a dinner party. The assembled size is 14 5/8"V x 29 1/4"H (each panel is about 14 5/8"V x 10"H). Good overall c...

A saintly recluse dozes restfully, his pole dipping to the waves below the rocky outcrop upon which he sits; a fine bronze figure dating to the Meiji period and signed on the reverse. The figure with the rock is 32 x 22 x 30.5 cm (11 x 9 x 12 inches) and is in fine condition.

A beautiful Meiji period basin of light weight metal gilded with genuine gold leaf with each individual petal rising to form the fluted rim. Much worn from handling, the bowl measures 25 cm (10 inches) diameter and is 12 cm (5 inches) tall.

Beautiful purse embroidered on both sides in counted stitch with bats in gold thread among blue clouds. Yellow colored drawstring,tassels and silk lining. Condition: fine. Little patina, yellow silk faded, the blue silk lining with stained area, one end of drawstring is loose. Dimension: 10.8 cm x 6.3 cm x 2 cm, weight: 42 g.

Japanese Limited edition etching with aquatint of a traditional Japanese farmhouse covered in snow titled “Tamba” by Brian Williams (b. 1950). The print is pencil-signed, titled, numbered 170/180, and dated ‘93 along the bottom margin. Paper size: 10 1/4"V x 14"H (image about 5”V x 8 ¼”H). Excellent condition. There are two pieces of archival tape at the top edge verso. Born in Peru, Brian Williams has been living and working in Japan since 1972. A Japanese frame with archival mat ...

Japanese limited edition sosaku hanga woodblock print by Tadashi Nakayama (b. 1927) titled “Rainbow Butterflies” featuring Nakayama’s daughter’s face in profile with butterflies in flight around her. This image is pencil-signed “T. Nakayama,” numbered 34/95, and dated 1983 in the bottom margin. The bottom margin edge also contains the. The red Nakayama seal is verso. A color illustration of this image can be found on plate 205 of “T. Nakayama” published in 1989. According to this...

Ogee shaped, thinly potted porcelain beautifully painted in Famille rose enamels and gold. Depicting inscriptions and historical figures. Both pieces with iron red Xianfeng base mark in seal script painted in a single square. Ref.: "The great fortune: The Georg Weishaupt Collection", ISBN 3-00-010306-6, pages 160 - 183. Condition: wear to gilt rims, rim of cup with tiny rim frit, saucer with a short hairline. Dimension diameter: saucer: 12.8 cm, bowl: 9.8 cm, weight: 162 g. Without wooden stand....

Historically important Japanese woodblock print triptych depicting the landing of foreigners of the “Five Treaty Nations” in Yokohama by Utagawa Yoshikazu (flourished 1850-1870). The print features soldiers and civilians from America, England, France, Russia, and The Netherlands grouped together with their respective flag and label. Two Chinese compradores, who facilitated trade, are in the foreground and western ships line the harbor in the background. The print is signed “Issen Yoshik...

Japanese Ivory Netsuke of a turtle finely carved artist signed in excellent condition. Measuring approx 2.5 inches long 6 centimeters. a fine addition to any collection.

Description:

A crouching Bixie was carved from a pebble of black steatite.
Depicted with protruding eyes, back thrown ears and the broom-like tail, the fairy beast was treated by affluent and sleek carving lines.
An animated form was then vividly rendered. All these were the characteristics for the carvings from Yuan dynasty or earlier periods.
It was kept with very nice patina when some old defects were found. They were caused from the enduring age.

...

Porcelain decorated with galloping horse on the body, glazed base. PERIOD : late Ming (1566-1643 AD) MEASUREMENTS: 8 cm wide and 8 cm tall. CONDITION: no chips, cracks, hairlines and free from restorations.

A finely blue & white dish with Phoenix on the center, and decorated with Emblems and continuous floral spray on the interior and exterior. PERIOD : Late Ming (1573-1619 AD) MEASUREMENTS: 19.5 cm CONDITION: very good, no chips or hairlines and free from restorations. Good sound when tapping with finger tips.

Porcelain covered with ge type celadon glaze to the foot, unglazed base. PERIOD : Song Dynasty (960–1279 AD) MEASUREMENTS: 12 cm wide. CONDITION: Excellent, no chips, cracks, hairlines and free from restorations

Porcelain decorated with fish among water weeds on the center, glazed base. PERIOD : Early Ming (1400-1487 AD) MEASUREMENTS: 18 cm wide. CONDITION: long hairline, two small chips to the \ rim; free from restoration.

Heavy pigment forms a spectral scene of a dark stone lantern viewed through the spring laden branches of maples, a dove taking flight in the fore. Anyone who has visited Japan will know the haunting sense these monoliths produce. The painting is performed in thick pigment on applied silver-leaf, signed Taisho (Okada Taisho, b. 1888). The screen is signed in the lower right corner, and measures150 x 151 cm (59 inches by 5 feet). It is in fine condition, with only minor abrasions from handling...

Celadon glaze covering foot rim. Unglazed base. MEASUREMENT : Diameter = 22 cm PERIOD : 12 th-14 th Century Longquan Kilns, Zhejiang CONDITION : crackle glaze, no cracks, chips, hairlines and free from restoration.

Blue and white bowl, rounded side with flared rim and unglazed foot ring, bowl decorate with under glaze blue turtle back pattern at the outer wall. PERIOD : Late Ming (1573-1619 AD) MEASUREMENTS: 14.5 cm CONDITION: very good, no chips, cracks or hairlines and free from restorations. Good sound when tapping with finger tips.

Kendi, decorated with floral motif. The base is glazed. PERIOD :Ming Dynasty (17th Century) MEASUREMENTS: 16.5 cm wide, 15 cm height. CONDITION: Broken, no missing part.

Japanese Meiji period Yokohama woodblock print depicting Okiyo, the daughter of a gardener in Mukojima, meeting with a foreigner who desired her to be his concubine. This print is illustration no. 661 from the newspaper series “Yubin Hochi Shimbun” (Postal News) by Tsukioka Yoshitoshi (1839-1892) published by Kinshôdô (Kumagai) the 4th month of 1875. 14 1/2"V x 9 3/4"H. Excellent color and very good overall condition with margins evident. The print has been stored away from sunlight and...

19th century Japanese Yokohama woodblock print depicting the famous Italian painter and printmaker Titian showing a bust portrait to a patron. This image is from a series of anonymous educational prints published in the early Meiji period that related to important Westerners. The print is unsigned and undated. 13 1/2"V x 9 7/8"H. Very good overall condition with margins evident. The print is not backed and has been stored away from sunlight. As the picture of the back shows, this image is ...

Suspended from its original black silk knotted cord this antique Chinese toggle has a tiny bell dangling from each side. There is a small coral bead and a large turquoise bead dangling from the center. The silver colored metal is assumed to be low grade. the assembledge measures 3 inches from the first bead to the bottom bell drop. the cord and knot add another 3 inches.

Suspended from its original green silk knotted cord, an agate bead leads to this intricate silver metal Chinese toggle. Tiny bells are suspended from either side. Hanging from the center is a small coral bead and a large turquoise bead. The metal is silver color but is assumed to be low grade. measures 3.5 from the 1st bead below the cord knot to the lowest bell. The cord and knot add another 3.5 inches of length

Rare Japanese Meiji period woodblock print triptych of the Tokyo-Ueno/Yamashita Train and Ueno Station from the series “Famous Places in Tokyo” by Utagawa Kunitoshi (flourished 1847-1899) dated 1st month of Meiji 22 (1889). The triptych is bound in the original folder and has not been exposed to sunlight. "Enlightenment" prints of the 1880's - 1890's promoted modernization and illustrated the westernization of Japan. The Japanese built their first railroad in 1872. It became a symbol of ...

Description:

A yellow-glazed censer was in archaic Ding shape.
Being applied on the surface with drum-nails and archaic ram masks for decoration, the pottery censer was stand by three squeezed lion's feet.
The tint of the glaze was in beige yellow when the body clay revealed inside the censer was in beige grayish.
It was in perfect condition with minute frets and crackles which also verified it's old age.

Date: Yuan Dynasty, 13th century.

Height: 13.5cm, Width...

Description:

A Cizhou covered bowl was applied on the surface with ivory-white glaze.
Characteristically, against the white surface, abundant floral motifs were painted on with darken brownish slip.
The bowl was excavated rarely with the original cover, all in perfect condition.
By keeping the intact condition from excavation, the bowl owned all the characteristics to verify it's authentication.

Date: Jin Dynasty, 12th/13th century.

Width: 13cm, Height: 10.1c...

A whimsical Yixing pottery figural group depicting a mature and a young rat in hollowed, half log with a cache of three peanuts. Marked with two impressed seals. Out of our comfort zone with this category (perhaps another's gain) and assuming it likely is a later 20th century item. About 4 1/2" (11.43cm) high, 6" (15.24cm) long, and about 3" (7.62) wide at the base. Condition is excellent.

Porcelain decorated with deer on the body, glazed base. PERIOD : late Ming (1566-1643 AD) MEASUREMENTS: 6 cm wide and 5 cm tall. CONDITION: frits to the rim, no chips, cracks, hairlines and free from restorations.

An unusual 17th to early 18th century Screen featuring a koto harp and candle stand behind a screen under blossoming prunus, a spry group of pine in front and rushing water beyond. Incredible veining in the gold. Like much of Japanese art, the viewer is asked to interpret the scene as they see fit. Perhaps the remnants of a night of poetry and music under the plum blossoms. Perhaps the lonely Michizane playing to the moon, alone in exile with thoughts longing for Kyoto. All performed with h...

This Imari covered bowl, though matching our listings 1065543, 1065548 and 1065550 for form and decoration, is a little larger in size. In excellent condition, it is just out of a diplomatic estate. The bowl is about 4 7/8" (12.38cm) diameter and 2 5/8" (6.67cm) high. The cover is about 4 1/2" (11.43cm) diameter.

Pair of Imari covered bowls. Condition for both is very good (one with minute enamel loss inside the bowl and one the other with an almost imperceptible minute craze inside the foot.) Part of a group just out of a diplomatic estate. With slight variation, the bowls are between approximately 4 1/4" (10.8cm) to 4 3/8" (11.1cm) diameter and 2 5/16" (5.9cm) height. The covers are about 4" (10.2cm) diameter. Matches our listings 1065548 and 1065543 for form, size and decoration and matches 1065552 fo...

Three Imari covered bowls. Each bowl with a tight hairline from the rim - one of these issuing from a small chip (see enlarged views.) One cover with craze lines inside the foot - one line showing through the other side. Part of a group just out of a diplomatic estate. The bowls are between approximately 4 1/4" (10.8cm) to 4 3/8" (11.1cm) diameter and 2 5/16" (5.9cm) height. The covers are about 4" (10.2cm) diameter. Matches our listings 1065543 and 1065550 for form, size and decoration and matc...

A set of five Imari covered bowls. Condition for all is excellent. Part of a group just out of a diplomatic estate. Japanese porcelain sets traditionaly came in groups of five. Four was considered bad luck and larger sets were generally odd numbers. With slight variation, the bowls are between approximately 4 1/4" (10.8cm) to 4 3/8" (11.1cm) diameter and 2 5/16" (5.9cm) height. The covers are about 4" (10.2cm) diameter. Matches our listings 1065548 and 1065550 for form, size and decoration and m...

Covered with green celadon to the footring , unglazed base. Diameter = 9 cm, Height = 7 cm. Period : sawankhalok, 15th century. Condition : no chips, cracks, hairlines and free from restorations.

ar with two lugs covered with green glaze; unglazed concave base. PERIOD : Yuan Dynasty (1279-1368 AD) MEASUREMENTS: 8 cm wide, 7 cm tall. CONDITION: no chips, cracks or hairlines and free from restoration.

 

A shallow dish, heavily potted, covered in a beautiful celadon glaze producing the crackles of the Geyao type glaze. The recessed base is glazed while the foot rim is dressed with an iron brown wash. Periode : Qianlong (1736-1795) Century Diameter : 11 cm. Condition : Perfect, no chips, cracks, hairlines or restorations.

A small dish, heavily potted, covered in a beautiful celadon glaze producing the crackles of the Geyao type glaze. The recessed base is glazed while the foot rim is dressed with an iron brown wash. Periode : Qianlong (1736-1795) Century Diameter : 12 cm. Condition : Perfect, no chips, cracks, hairlines or restorations.

A shallow dish, heavily potted, covered in a beautiful celadon glaze producing the crackles of the Geyao type glaze. The recessed base is glazed while the foot rim is dressed with an iron brown wash. Periode : Qianlong (1736-1795) Century Diameter : 11 cm. Condition : Perfect, no chips, cracks, hairlines or restorations.

A stunning Suzuri bako covered in gold lacquer and minutely detailed with scenes of the 53 stations of the Tokaido. Mountains and ocean views, famous temples and castles are all populated by travelers in various shades and degrees of gold. It is decorated inside entirely with fronds over gold nashiji. A superb work of art that would have taken months or perhaps even years to complete. The box measures 33 x 25 x 14 cm (13 x 10 x 6 inches) and is in overall fine condition. There is a small rep...

Porcelain covered with celadon glaze, glazed base. PERIOD : late Ming (1566-1643 AD) MEASUREMENTS: 23 cm wide. CONDITION: excellent, no chips, cracks, hairlines and free from restorations.

A long bamboo incense case with dark wood lid carved exquisitely with blossoming lotus and calligraphy. The deteriorating leaves rise from the bottom, blossoms spreading their petals to the sun. Above three lines of calligraphy descend to meet like the squirreling rays of late summer light. The piece is 20-1/2 inches (51.5 cm) long and in perfect condition, enclosed in a cloth sack and kiri-wood box. It is signed (Japanese reading) Fusui(lotus water)Sanjin Koku (carved by Fusui, man of the m...

Charger covered with green glaze; Firing ring burnt red on the bas. PERIOD : Yuan Dynasty (1279-1368 AD) MEASUREMENTS: 29 cm wide. CONDITION: a chip to the rim, spot of firing fault, no cracks, hairlines and free from restoratioan. Good sound when tapping by finger.