This stoneware ewer was made during the Eastern Jin Dynasty (AD 317 - 420) or possibly the Southern Dynasties period (AD 420 - 589). Its form, body and glaze characteristics suggest it was made at the workshops in Jiangxi province. It is "heavily-potted" with two sturdy loop handles on opposing sides of the shoulder, pouring spout in the form of a chicken's head, and a decorative chicken's tail...
This attractive pottery figure was made during the Sui Dynasty (AD 581 - 618). It is made from a relatively high-fired creamy-white pottery (often regarded as better quality and more desirable than red-pottery figures). It was originally coated in a translucent pale greenish-yellow finely-crackled glaze...
This superbly-shaped stoneware jar was made at the Sawankhalok kilns during the 14th - 15th century. This is a particularly large example of this form with a diameter of 19 cm and a height of 16 cm. It is "heavily-potted" and coated in a finely-crackled translucent celadon glaze that has a hint of blue in places...
This small pottery jar was made during the Western Han Dynasty (206 BC - AD 8). This type of jar is known as a "cocoon jar" due to the shape of its body. It is "heavily-potted" and decorated with eight bands of triple-incised lines vertically surrounding the body as well as raised horizontal bands around its neck. It has a smooth burnished surface...
This rare bottle vase was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. Similar wares were first unearthed in 1973 in Lufeng County, Yunnan Province although, surprisingly, such wares are still relatively unknown to western collectors...
This small and attractive pottery model of an ox, or bull, was made during the Tang Dynasty (AD 618 - 906). It is quite "heavily-potted" and made from a reddish pottery. It has been "cold painted" in a base coat of white pigment on top of which have been applied reddish-brown and red pigments. On the surface in places are white "calcified" deposits from its long burial. Length 14.5 cm, height 13 cm...
This rare jar was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. Similar wares were first unearthed in 1973 in Lufeng County, Yunnan Province although, surprisingly, such wares are still relatively unknown to western collectors...
This pottery model of a stove was made during the Eastern Han Dynasty (AD 25 - 220). It is made from a reddish pottery and coated in a thick and attractive amber glaze. It has been made from moulded sections that have been luted together. There are three integral cooking pots with moulded decoration including fish, geometric patterns and a kneeling female figure with a pot...
This very rare and attractive small covered jar was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. Similar wares were first unearthed in 1973 in Lufeng County, Yunnan Province although, surprisingly, such wares are still relatively unknown to western collectors...
This attractive porcelain dish was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. It has a foliate rim and has been very attractively decorated in underglaze blue of very good colour featuring a variation of the "two deer in a garden" pattern. Although this pattern is well-known, in addition, around the rim, are various leaf & foliage patterns as well as three birds, a rare feature on such dishes...
This very attractive porcelain bowl was made during the second half of the 16th century, c.1570 - 1590. The outer wall is very nicely decorated in underglaze blue, the pattern featuring a bird within a floral landscape...
This dish, or shallow bowl, was made during the Southern Song Dynasty (AD 1127 – 1279). It has a moulded decoration featuring, in its centre, two fish swimming amongst waves. The two fish are an emblem of harmony and a happy marriage. The bowl is coated in a greenish Qingbai type of glaze. The rim remains unglazed, allowing the bowl to be placed in a firing ring in the kiln as part of a stack of similar bowls. ...