An ornately worked, chased and engraved jug with dancing Burmese figures in repoussé. The handle in the form of an ogre. The spout might be a later addition, it is only silver plated. Base engraved "Moung Oung Myal 1875". No mark, silver tested. Condition: the ogre of the handle with a small loss, otherwise fine. Dimension: 11 cm high, weight: 382 g.

Chinese Ming dynasty (1368-1644) ritual dragon bell covered overall with a fine celadon glaze that extends down and stops neatly at the unglazed scalloped edge. The unglazed tips are burnt orange-brown from firing. Fine incised details are visible in the body behind the glaze. A double-dragon handle is at the top. The interior is fully glazed. There are no crackles evident in the glaze. Circa 14th/15th century. 4 1/8” high x 3 ¼” diameter at the base...

Set of three ceremonial lidded jars from the Islamic Maranao people of Mindanao in Southern Philippines. They are made of silvered copper alloy with geometric decoration in applied wire. Condition: few dents and bumps. Dimension: 23.5 cm and 29 cm high.

The second of two Chinese Qing scrolled paintings on silk after Ding Yunpeng (active 1584-1638). 19th century or earlier. The size, including mounting, is 91”V x 23 1/4”H (painting: 86”V x 21 1/8”H). Good overall condition. The top wood bar is missing and a section of the top silk mounting is tattered. The painting has some typical buckling, creasing, soiling, and wear. Sold together with item #1331943. From an old Tucson, Arizona collection...

Two panels from a multipart Chinese ink and color on silk painting after Ding Yunpeng (active 1584-1638). The first Signed “Nanyu Ding Yunpeng” and with two red seals. Measures 94.5”V (85.5”V excluding mounting) x just under 23”H. 19th century or earlier. Very good overall condition. There is some soiling to the mount and the painting has some typical buckling, soiling, and wear. See item #1331946 for a description and images of the second panel...

Chinese late Ming dynasty Dehua (blanc de chine) porcelain bombe form censer with flaring rim covered overall with a white glaze of warm pinkish tone with areas of darker pink pooling. The base and bottom of the flat foot are both unglazed. 5 5/8” diameter x 3 7/8” high. 17th century. From a Scottsdale, Arizona collection. The current owners purchased the censer in Oregon in 1978 from the collection of an American missionary to China prior to the Japanese occupation...

Japanese Meiji period (1868-1912) Satsuma earthenware compressed bombe form tripod koro (incense burner) or vessel with wide, inward curling cobalt mouth, decorated with two opposing figural panels, one featuring samurai and the second with women and children of the nobility engaged in leisure activities. The panels are set against a cobalt blue background with dense gilt geometric and floral motifs. 6 1/2” diameter, 4 1/4” high. Late 19th to early 20th century...

A beautiful quadratic prism shaped translucent brown jade with two ring carved on each end. The jade is strung with three old Chinese beads. Age; Song or earlier Size: 3.4 x 2.1cm. Condition: No chips.

An antique, splendid hand painted 3-1/4" high lidded dresser or vanity jar, possibly for powder or storage. This Japanese Royal Nippon item features lush gold trim with jewelling and it depicts finely hand painted red and pink roses with foliage. It is signed with a Japanese seal signature on the bottom. It is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than a bit of light gold wear and a couple of small paint misses on the lid...

Chinese Qing dynasty painting on paper of a Confucian worthy seated on a chair in a black robe covered with dragons and animals. He holds a green tablet containing his achievements. A calligraphic inscription describing his accomplishments is at the upper left. Newly framed with Plexiglas to facilitate shipping...

Chinese Qing dynasty Kangxi marked monochrome beehive form waterpot (taibo zun) subtly incised with three kui dragon roundels on the domed body. The sky blue glaze thins to white at the rim. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. 5 ¼” diameter by 3 ¼” high. Guangxu period (late 19th century). From a Scottsdale, Arizona collection. The current owners purchased the wa...

Chinese Neolithic Qijia Culture Cord-Impressed Pottery Jar

This jar was made some 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes. This particular example is made from a coarse gritty clay and has a wide flaring mouth. There is a ridge around the shoulder below which the main surface of the body is decorated with cord impre...

Chinese Qing dynasty Guangxu period famille rose porcelain seated Budai holding a string of pearls in his right hand and his bag in his left hand. Nicely carved custom wood stand in the form of a settee. 5” high (6” high including the stand). Circa 1900. Very good overall condition with no chips, cracks, or repairs. There is a minor imperfection to the stand. From an old Scottsdale, Arizona collection.

A striking design rises up the pin-holed surface of this set of Tokkuri with genuine gold repairs about the rim dating from the late 18th to 19th century and enclosed in a period wooden box. They are 2 inches (5 cm) diameter, 6-1/2 inches (16.5 cm) tall.

An exquisite Japanese koro incense burner carved from a piece of plum blossom colored agate and enclosed in a period wooden box. It is 3-1/2 x 5 x 4-1/2 inches (9 x 12.5 x 11.5 cm) and is in excellent condition, dating from the early 20th century.

Pines in the Rimpa style grow on the folded surface of this fan painted by Kamisaka Sekka and enclosed in the original signed wooden box, retaining the original paper binding on the fan itself. It is 12 inches (30 cm) long folded, and in excellent condition.
Kamisaka Sekka (1866-1942) is the godfather of 20th century Japanese design and the Rimpa revival. He was born in Kyoto in 1866, one of six siblings. From 1882 he began his artistic career, however did not take-off until visiting t...

A Fine bronze by the modern master of the Japanese bronze tradition, world renowned Hasuda Shugoro, enclosed in the original signed wooden box. The modern form is belted in geometric patterns with a mottled olive and red patination, signed on the base Shu. It is 6 x 7 x 9-1/2 inches (17 x 15.5 x 23.5 cm) and weighs approximately 5.5 kg (12 lbs) in excellent condition.
Hasuda Shugoro was born in Kanazawa City in 1915. After graduating the Ishikawa Prefectural Industrial School he moved ...

The character “Hiraku” Open (or to Open) in bold scratchy strokes by the infamous nun Murase Myodo. Open you mind, open the path to enlightenment, the path is open to all, but like this calligraphy work is not easy, it is dry and thorny and the gate must be passed. Ink on paper in a silk border with wood rollers. It is 24-1/2 x 48-1/2 inches (62 x 123.5 cm) and is in excellent condition.
Born in 1924 in Aichi, one of 9 children, a chance encounter with a nun in her village led her ...