Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846...

This is a small Chinese Blanc de Chine libation cup, incised character mark at base, carved and molded with flowering prunus and animals; 2 _" high, 4" wide.

Unusually large Tibetan copper and silver or silverplate mihrab form reliquary, or portable shrine box, decorated in repousse on the cover with a pattern of abstract scrolls. The back, sides, and side handles are copper. Also called a “gau,” these prayer boxes were used to hold protective amulets, personal deities, and written prayers. A strap or belt could be attached to the side handles when traveling. Otherwise, they were usually placed on the home altar...

Chinese Qing dynasty painting on paper of a Confucian worthy seated on a chair in a black robe covered with dragons and animals. He holds a green tablet containing his achievements. A calligraphic inscription describing his accomplishments is at the upper left. Newly framed with Plexiglas to facilitate shipping. There is typical wear for a painting of this age with old restorations and damage evident. The painting is mounted to board so no creases or buckling are visible...

The front of this Tibetan wooden snuff bottle is covered with silver repousse ornamentation. The back is surface is also silver.

The bottle is 5 inches x 4 inches x 2.5 inches.

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting a kabuki actor portraying a samurai. His sword rests on the ground and his matchlock musket leans against the wall. Firearms were introduced to Japan by foreign traders in the 16th century. The maru-ni-chigai-Takanoha family mon is on his kimono. This crest, which consisted of two crossed hawk feathers, was used by two Edo period samurai families. This image was published by Maruya Seijiro in 1854...

A very unusual Katana held in a saya (scabbard) made to look like a gnarled branch cut into a poor man’s cane. When pulled a spring-loaded mechanism releases two iron flanges creating a very effective tsuba hand guard. The blade is unsigned, measuring Nishaku nissun nibu {26-1/2 inches (67.3 cm)}. The remnants of a piece of paper remain glued to the saya with the name Masaaki Noma (?) written in cursive Roman letters, followed by UZUMASA, an area in Kyoto city...

Villains and travelers, Goblins and Priests, Various tales play out in 3 dimensions around the trunk and among the leafy branches of a massive tree forming the core and backdrop of this amazing 19th century altar bell stand. The piece is 6 inches (15.5 cm) tall, the same diameter. It comes enclosed in an old wooden box. This matches the Maezukue Altar table previously listed. One of the most elaborate I have ever seen.

A rare Buddhist temple banner composed of a central ruyi shaped panel and three suspending streamers with pointed ends and tassels. Made of Chinese Late-Ming and Qing gold brocaded and tapestry silks showing dragons and floral decoration. The top panel is cardboard reinforced and having a seal on the backside. Printed cotton lining and top with leather loop, one tassel with a small bell...

A large and heavy Chinese cloisonne bowl with gilt rims and wire, enameled at least with nine different colors. Decorated with flower medallions and clouds, the interior with bats around a "shou" character. The outer rim with a ruyi head border. Base with maybe later turquoise contre-email and a Chinese character. Please compare with a similar bowl in the Royal Museum of Edinburgh. Dimension: diameter: 20.7 cm, 9.1 cm high. Condition: traces of usage...

Description:

A refined pottery Cheng-Ni inkstone was preserved in very good condition.
By elegant round shape and arched moon-shaped inkpool, the inksone was thick and was hefty in weight.
Old frets and scars were observed and also proved its old age.

Date: Qing Dynasty, (1644-1911) .

Width: 12.7cm, Depth:2.7cm, Weight: 775 grams.

An antique, splendid hand painted 3-1/4" high lidded dresser or vanity jar, possibly for powder or storage. This Japanese Royal Nippon item features lush gold trim with jewelling and it depicts finely hand painted red and pink roses with foliage. It is signed with a Japanese seal signature on the bottom. It is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than a bit of light gold wear and a couple of small paint misses on the lid...

Chinese Qing dynasty stem cup with everted rim decorated around the exterior of the cup with two faintly incised green five-clawed dragons chasing a flaming pearl set against an egg-yolk yellow background. A green phoenix is at the interior well. A six-character kaishu form underglaze blue Guangxu mark is at the bottom of the interior stem...

The fish is symbolically employed as the emblem of wealth or abundance on account of the similarity in the pronunciation of the words "yu", fish, and "yu", superfluity. Age: Song. Size:L. 6.5cm. W. 2cm. Condition: No repairs or chips.

A beautiful original 18th - 19th century Qing dynasty Chinese painting on silk measuring approx. 36 x 48 inches painted on silk mounted to board in antique condition some foxing and damage overall a beautiful painting would enhance any interior.

Late Qing Dynasty (19th century) Chinese lady’s front-opening summer gauze kesi surcoat decorated with eight polychrome roundels, featuring a central crane surrounded by butterflies and flowers, set against a dark cobalt blue ground. The crane motif indicates the robe would have been worn by the wife of a first-rank civil official. The sleeve ends are decorated with a water and wave motif. The bottom of the robe is decorated in the traditional pattern of waves, stylized mountains, and diago...

This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Diety. These statues were made only by the monks and considered to be a holy relic. This antique gau has a front piece of silv...

Large Chinese porcelain jardiniere or fish bowl with wide mouth and flattened rim decorated with gilt crabs and fish swimming among aquatic plants on a powder blue ground. Unglazed foot and base. Qing dynasty (late 19th century). 12 ¼”H x 14 ¼” diameter. Weighs about 18 lbs. Very good overall condition with no chips or cracks. Some soiling to the interior from use and typical wear to the gilt decoration. This piece was purchased from an Arizona collection.