AUCTIONS (2)
 | Antique Tibetan painted wood image of Green Tara Bodhisattva |
 | Fine quality Ohi Ware Macha bowl by Yoshio Iwamura |
This attractively-shaped bowl was made during the 13th - 14th Century. Very similar in form and style of Chinese celadons of this period, this example is Vietnamese. The outer wall has a carved or moulded lotus petal pattern with the tips of the petals finished with incised decoration. The bowl is coated in quite a thick crackled olive-green glaze...
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A Longquan jarlet was mold with two looped handles nearing to the short neck.
By retrospective celadon tint, the jarlet was yielded on the surface with enduring old crackles in the glaze.
Characteristic firing red was rendered at the body clay underneath.
Being added with a wooden plug, the ancient jarlet can be a fine tea caddy for a practical use.
Date:Yuan Dynasty,13th century.
Height: 7.0cm
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$750.00
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Characteristically the body clay revealed was in dense and greasy feel quality.
It was kept in perfect condition when some incursion was found on the surface.
Date: Song Dynasty, 12th century.
Height: 6 cm,
A Custom-Made cotton box is included.
This large and impressive pottery jar was made around the 13th / 14th century, during the Song Dynasty (AD 960 - 1279) or the Yuan Dynasty (AD 1279 - 1368). Until recent years, this type of jar was almost unknown in the west with some people initially attributing them to the Liao Dynasty (same general period but in the north of China)...
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A pair of Jizhou jars was intriguingly molded in imitation of two woven bamboo boxes.
By typical characteristics of sticking-rice-like body clay which revealed at the lower portion of the boxes and the flat foot rings, the ware’s glaze was kept in very good condition.
On the surface, clear and crispy patterns were beautifully defined. Hand-crafted knobs were skillfully added on the top of the caps.
Some adhesives were preserved on the surface for authentication...
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A Jiangyang Temmoko bowl was decorated with radiating russet splashes on the surface.
It was a rare type of this kind in Jiangyang wares.
Enduring old crackles were yielded naturally in the glaze when retrospective sheen was reflected on the surface.
It was used to be coated on the mouth rim with silver band. The silver band had long gone and only left with the residues around.
The bowl was kept in perfect condition without any restorations...
This bowl was made in the 12th Century during the Song Dynasty (AD 960 - 1279), a product of one of the kilns in Fujian province, probably the Tongan or Anqi kilns. It is fairly "heavily-potted" and coated in a yellowish-green qingbai type of glaze, save for the foot that remains unglazed showing the pale porcelaneous body...
Rarely offered for sale, this large early "blue & white" jar was made during the Yuan Dynasty (AD 1279 - 1368). It has a wide body as well as a wide mouth. Around the shoulder, painted in underglaze cobalt blue, are three stylised Dogs of Fo and beribboned spiralling objects. Below this the body is decorated with scrolling floral and leaf patterns with a band of large lotus leaves toward the base...
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A crouching Bixie was carved from a pebble of black steatite.
Depicted with protruding eyes, back thrown ears and the broom-like tail, the fairy beast was treated by affluent and sleek carving lines.
An animated form was then vividly rendered. All these were the characteristics for the carvings from Yuan dynasty or earlier periods.
It was kept with very nice patina when some old defects were found. They were caused from the enduring age...
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A black-glazed water pot was in strong Zen spirit.
By an elegant elm bowl’s shape, the pot was applied on the surface with black slip when bluish white splashes were decorated intriguingly on top across the mouth rim.
Unglazed at the bottom, the foot ring was flat and was revealed with the body clay which was in dark brown tint.
Date: Tang Dynasty(AD618-907),
Width: 21.5cm.
A CUSTOM-MADE SILK BOX IS INCLUDED.
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A Jizhou tea bowl was applied with dark brown nearing black glaze on the surface.
Uniquely and characteristically, a leaf motif was decorated on the surface...
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A black-glazed Cizhou tea bowl was uniquely decorated on the surface with vertical creamy-white ribs.
By a striking image, the tea bowl was mold in a flatten shape which was elegant and was full of the mood of Zen spirits.
The typical dark-brownish almost black glaze and the light gray-tinted body clay at the base are typical of this type of ware. Stardust-like incursions are evident throughout the glaze.
The bowl has a “foggy” surface condition that com...
This small and attractive pottery model of a horse was made during the Yuan Dynasty (AD 1279 - 1368). It is quite "heavily-potted" and made from a black pottery with a smooth burnished surface. Note the detail to its mane. Pottery horses from the Yuan dynasty are much rarer than those from other periods.
Height 17 cm, length 20 cm. It is in good presentable condition, although there is restoration to the tail and ears, also a minor repair to ...
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This impressive dish was made during the mid 15th century. It is "heavily-potted" and attractively decorated in underglaze cobalt of deep blue, the upper surface decorated with a central blossom surrounded by floral patterns, whilst the outer wall is decorated with lotus leaf patterns. The clear glaze is finely-crackled in places. The recessed flat base is coated in a thin chocolate-brown wash.
This dish is much larger ...
This attractively-shaped round box was made during the 15th century and has been recovered from a shipwreck. It is quite "heavily-potted" and decorated with a pattern featuring lotus leaf panels filled with floral or wave patterns. The underglaze blue has fired to a very dark blue.
The cover is fused to the box, either from its glaze during firing or from the effects of "calcified" sea deposits from it...
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Being applied with characteristic celadon glaze, the ewer was exquisitely mold in a typical shape of a handled ewer pot.
The ewer stands by a well shaped foot ring which the revealed body clay was in pale gray tint when the charming firing-red was obviously developed.
The celadon glaze is beautiful and milky condition were obvious too.
In a lovely size and great glaze condition, incursions were nevertheless happened to the spout...
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A bronze sitting Buddha was well cast by well rendered carving craftsmanship.
In very good metal material, the ancient bronze figure was coated with darken patina and reflected with retrospective sheen.
He was preserved in perfect condition only with some casting holes on the back.
He was well depicted in details and showed a grandeur look despite the small size.
An old collection wood box is accompanied.
Date: Tang Dynasty, 8th/9th century.
H...
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This fine pair of tall and impressive porcelain jars was made in the Song Dynasty (AD 960 - 1279), more specifically around the 11th - 12th century. This type of tall qingbai-glazed porcelain jar was made throughout the 11th to 14th centuries, although the later versions tend to be more "coarse", more thinly-potted and made from multiple moulded sections luted together. These examples are quite "heavily-potted" and ma...
This extremely rare (unique?) porcelain wine cup was made during the 12th - 14th Century (Song - Yuan Dynasty). The inner surface is coated in a finely-crackled pale olive-green celadon or qingbai type of glaze. But its most interesting feature is the unglazed textured outer wall, decorated with cord or fabric impressions. There is a firing bubble to the inner surface.
Height 3.8 cm. It is in fine conditi...
This attractively-shaped monochrome glazed porcelain bowl with flared rim was made during the 13th / 14th Century (Late Song - Yuan Dynasty). It is coated in a glossy finely-crackled transparent pale greenish-blue qingbai glaze save for the inner surface of the small foot that remains unglazed.
Diameter 13.5 cm (5.25 inches). It is in fine condition and is free from any restoration or repair.
From a group of Song to Ming...
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A black-glazed Cizhou tea bowl was in decent conical shape.
It was decorated inside the bowl with striking radiating partridge-feather mottles and was stand by a well-shaped foot ring which revealed with off-white body clay.
On portions of the glaze, there
