A rare and very 18th century large scholar's standing screen. The front of the screen is painted red with a gilded mountain scene. The back is painted black with the remains of a good luck symbol. Size: H. 91cm. W. 78cm. Condition: Normal ageing. No repairs. In it's natural state, could use some professional cleaning.

A large exquisite vessel by Miura Chikusen III enclosed in the original signed wooden box titled Hakuji Chokoku Unryu-e Kabin (White Porcelain Vase Carved with Clouds and Dragons), the box signed by both Chikusen and the woodworker (Sashimono-shi) Hosai. It retains the original rosewood stand, presumably made by Hosai. The vase is 37 cm (14-1/2 inches) tall and in excellent condition. It dates from between 1921 and 1931...

Large Chinese Early Tang Dynasty Painted Pottery Groom

This tall and impressive pottery figure was made during the early Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a fairly high-fired pale greyish-brown pottery. It has been "cold-painted" in a base coat of creamy-white pigment with details picked out on top in red and black pigments, especially to the head and face.

This figure represents a foreign groom...

A delicate white flower blossoms on the pink surface of this exquisite vessel by Kiyomizu Rokubei V which comes wrapped in the original stamped cloth sack and enclosed in the original signed wooden box titled Taireiji Kabin. The vase is 22.5 cm (9 inches) tall and in excellent condition. Taireiji was the most important development by this innovative artist, and pieces are exceedingly rare...

Early figure with a weathered look. H. 51 cm. Ca. early 20th century. Ex Lode van Rijn (1910-1977), Galerie Khepri. Ex De Zwaan, Amsterdam, 2017. Ex Srdjan Sremac, The Hague.

The benign figure of Monju Bosatsu bearing the sword of knowledge and a sutra astride a fierce Shishi lion exquisitely painted by Takagi Shunrin in 1920. The compassionate being appears in royal regalia and white robes seated on a lotus shaped saddle upon the fierce creatures back. Pigment on silk in the original silk mounting with large ivory rollers enclosed in the original signed wooden box dated Spring of Taisho 9 (1920). The Rollers will be changed if exporting...

A Carved and Gilded Buddhist Reliquary containing a polished pink stone exhibited at the Shimane Prefectural Musuem Arakawa Kisai exhibition in 1974 enclosed in a custom-made wooden box and retaining the loan papers from the museum as well as the original pamphlet. The wood body has been carved in tempestuous waves, lacquered black and gilded, with a polished pink orb inside a flame shaped finial. It is 7 inches (18 cm) tall and in excellent condition...

Of flat oval shape. Taotie masks with moveable rings on the sides. The lid now stuck to the vessel. H. 30 cm. W. 28,5 cm. Very good patina and traces of original repairs that were executed after the casting. This is often seen on Han bronzes. Provenance: Dutch private collection, Japanese private collection. Han Dynasty ( 206 BC - 220 AD )

Two Sometsuke tea containers decorated with scholarly scenes and lengthy calligraphic prose by Seifu Yohei I enclosed in a double wood box (ni-ju-bako) annotated by the fourth generation Seifu. They are 6.5 cm square, 13 cm tall. One has a some damage to the inner rim, a chip in the lid and a nick in the glaze of the bottom corner. Repairs can be performed at cost if desired
Seifu Yohei I (1803-1861) founded the Seifu dynasty in Kyoto...

An exquisite vase decorated with crashing waves and plovers in blue by Seifu Yohei dating from the Taisho era. It is 12 inches (31 cm) tall and in excellent condition. Quite large for a work by Seifu, it is marked on the base with an incised signature...

A Te-bako lacquered box decorated with pigeons in colored lacquer on pale white with mother of pearl inlay by one of the most important 20th century lacquer artists Banura Shogo enclosed in the original signed wooden box dating circa 1935. Sharp corners, the cream-colored box raised on a dark colored foot, the rim edged with two beads of solid silver, all typical of the design aesthetic of the 1930s. It is 30.5 x 21.5 x 12 cm (12 x 8-1/2 x 5 inches) and is in excellent condition...

A brush, ink stick letter knife and ink stone are set into a compartment inside this flattened bamboo shape carved from Zitan wood with a poem engraved into the lid signed on the back side Hokkyo Sessai and enclosed in a wooden box. Lifting out the lid by means of the strap, one finds the knife tucked into the handle, the brush, stone, and ink laid out and ready to use. It is 34 cm (13-1/2 inches) long...

A fabulous 17th century Koro (Momoyama to early Edo period) covered in black lacquer inlayed with minute mother of pearl shippo designs around circular windows featuring floral motifs. The lid is solid silver, pierced with overlapping floral designs. The windows feature grape, plum, bamboo and other seasonal imagery important in Asian cultures. It is 11 cm diameter and in overall excellent condition considering the age.

An incredible carved bamboo vase of warriors making their way through forested crags whipped by roiling mist cut from a single piece of bamboo and signed on the base Omikuni Sakata Shiori Yamaguchi Moritsugu Saku :Made by Yamaguchi Moritsugu of Shiori, Sakata, Omi Province (Modern day Maibara Shiga Prefecture on the North-Eastern shore of Lake Biwa). It is 35.5 cm (14 inches) tall and in overall excellent condition, enclosed in an old wooden box...

A very unusual and rare Ming pair of lacquered scholar's partition screens on huanghuali stands.

Against a black lacquer background, each screen features scholar's objects in brown lacquer and mother-of-pearl with accents of gold. They are bordered with a band of leaf patterns done in gold and inlaid mother of pearl...

Fine Large Chinese Han Dynasty Glazed Hu Jar with Hunting Scene

This fine and attractive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a very finely-crackled glaze of unusual colour varying in places from green to a yellowish-brown...

Pre Columbian Olmec Jade hardstone figure of a seated man. Mesoamerica Circa: 1200 BC to 500 BC. The material is a variegated pale green nephrite with oxidation to the matrix of the stone due to interaction of soil minerals over several centuries. The dimensions are 8"H x 5"W x 4"D.

A sheer cascade of silver mist drops into the darkness beyond a golden outcrop harboring an ancient pine laden with blossoming wisteria vines. Togidashi, taka-maki-e and kirigane, this is a breathtaking box dating from the 19th to opening of the 20th century. Inside is elegantly decorated with drifting clouds of golden mist. Overall in excellent condition, enclosed in a period wooden box. It is 23 x 21.5 x 4.3 cm (9 x 8-1/2 x 1-3/4 inches).

The mastery of expression accomplished by Suwa Sozan I is evident in this pair of porcelain children enclosed in the original signed wooden box titled Gosai Doshi Okimono (Five Colored Figure of Children). This piece is published in the definitive book “Suwa Sozan Sakuhin Shu” (1971). In the book the photo title is more specific “Gosai Mimiakatori Karako Okimono” (Five Color Figure of Chinese Children Cleaning Ears) and the work is dated to 1913. The fellow doing the cleaning is absor...

Rare celadon charger with 3 level floral decoration. Flower spray on the center, and floral scroll on the inner side and cavetto. D = 32 cm. Yuan Dynasty. Perfect condition : fine glazed, no chips, hairlines, cracks or restorations.

Very Rare LARGE Chinese Qin Dynasty Military Listening Pottery Jar with Seal and Oxford TL Test

This oversized vessel, in the form of a "cocoon jar" was made during the Qin Dynasty (221 - 206 BC) or possibly a little earlier during the Warring States period (475 - 221 BC), but even then by the Qin state. It is made from a fairly high-fired fine-grained grey pottery. The whole of the outer surface of the body is decorated with repeated cord or woven impressions, particularly crisp in places, ...

A very well executed Ming stone weight depicting a strange youth guiding a mythical beast.The stone itself is unusual in that is very hard and veined with two colors. A very unique piece and a true work of art. It is my understanding that these weights were used for pressing paper. Size: Base. 28.3 x 28.3cm. H. 14.5cm. Condition: No repairs. Some minor old chips around the edges and the horn on the animal might have been filed a little long ago.

A most exciting find, a scroll by five of the greatest scholar-painters of the Meiji period, Tanomura Chokunyu, Suzuki Hyakunen, Tomioka Tessai, Nyoi Sanjin and Yamanaka Shinten-o; all of whom resided in Kyoto during the Meiji period. Ink on paper in a brown cloth border befitting the Daoist figures. It comes in an annotated by by Tessai from 1911. The scroll is 29-1/4 x 75-1/2 inches (74 x 192 cm) and is in excellent condition.
Nyoi Sanjin (Tani Tetsuomi, 1822-1905) was born the son o...

A very rare Chinese Nanmu scholar's table chest. Nanmu wood has been used in China since the Han dynasty and is very prized by collectors as it is difficult to find. I feel that it is rarer than huanghuali. I have only come across one Nanmu scholar's chest in all the years that I have been collecting. Size: L.34cm. W.17cm. H.6cm. Age: Mid Qing or earlier. Condition: No repairs

A pair large Chinese silk kesi tapestries, once mounted as hanging scrolls with silk brocade border and backed with paper. Showing immortals and gods of the Daoist Pantheon in a landscape setting. Made of a two colour silk tapestry with painted areas. Dating to the late Qing dynasty. Condition: please look at the photos carefully - they make part of the condition report - the brtittle mounting is damaged and only partially preserved, the wooden bars of the top and one of the bottom are lost. Kes...

The great Tang Poet Du Fu (712-770) affectionately coddles a goose chick in his left hand, his bamboo staff low and seemingly forgotten as he ponders the beloved creature in his palm. Exquisitely rendered, it is roughly 16 inches (40 cm) tall and signed on back with an engraved signature. Du Fu's poetry has made a profound impact on Japanese literature, especially on the literature from the Muromachi period and on scholars and poets in the Edo period, including Matsuo Basho, the very greatest ...

This is a very rare and highly desirable Changsha kiln 9th century Tang Dynasty bird water dropper. Usually these are characterized by such components such as under-glazed yelow-brownish and green motifs with molded design in relief, appliqué designs or impressed designs in relief and also incised or carved designs. The unique feature of the water dropper is the olive/brown glaze that is more like yue ware, but the paste and glaze is actually one of the rarest Changsha kiln products that exist....

A Pair of Very Rare Chinese Yuan / Ming Dynasty Longquan Celadon Vases (Published / Exhibited: Ex. Helen D. Ling Collection)

This extremely rare pair of vases was made during the 14th - 16th century at the Longquan kilns in Zhejiang province. They are "heavily-potted" with elaborate moulded decoration covering the entire outer surfaces. On one side of each vase the decoration centres around the Chinese "shou" character (meaning longevity), whilst on the other side, the Chinese "fu" character...

Description:

A sitting bronze figure was nicely cast.
Being depicted as a scholar with flouring robe and a official hat, the figure was in casual mood by resting his arm to the stool beside him.
It was perfectly preserved with nice darken patina.

Date: Qing Dynasty,

Height: 17cm.

A CUSTOM-MADE SILK BOX IS INCLUDED.

A huge stone head of Northern Song Dynasty was well presented.

Date:Northern Song Dynasty, 12th Century.

Height including stand:53cm.

Height without stand: 38cm.

A spectacular pair of vases by Ito Tozan I decorated with the imperial chrysanthemum in gold between soaring phoenix; symbols of the Japanese imperial family. Both come in the original (tired) silk pouch in a compartmentalized wooden box signed by the artist. Each is roughly 6 inches tall and in excellent condition, dating from the late 19th to early 20th century (later Meiji to Taisho period).
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Tog...

Namiamidabutsu sho (Praise to the name of Amiddha Buddha) is scrawled in faint verse down the upper right, while on the left is a warning, kono tori, minasama goyojin goyojin (all those on this path, be wary be wary…) The two scripts are separated by a grave marker at the base of which lies a skull and scattered bones among the unkempt dried grasses. A very unusual seal in the shape of a Buddhist ewer hugs the right edge. Early to mid Edo period in the style of Hakuin Eikaku (1686-1768). I...

Birds in white plumage decorate the shadowed raw clay of this vase by Miyagawa Kozan enclosed in the original signed wooden box. It is 21.5 cm (8-1/2 inches) tall, 19 cm (7-1/2 inches) diameter and in excellent condition.　
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyoto pottery family Miyagawa Chozo. The Kozan (Makuzu) kiln as we know it today was established...

This rare group dates from the early Tang Dynasty. It's made of grey pottery and it has traces of painting ( see the back of the cart ). The ox is very well proprtioned and was made with an eye for detail: notice the ring in the nose and the tail curved around its body. The cart consists of three parts; the weels come off. The three pieces have been mounted on a professional stand. Dimensions: the ox : height 18 cm, length 24 cm, the cart: height 31 cm, length 23 cm, width 17 cm. Condition: ve...

A rare wooden Buddha in a seated position on a lotus pedestal. The face is serenely contemplative and the robe is carved to show the gathered folds. Wooden Buddhas from this period are very difficult to find. This Buddha has a natural, calming presence.

Period: Yuan/Ming or earlier

Size: Height = 31 cm., Width at base = 18 cm.

Condition: The wood has shrinkage and cracks from age. The right ear and fingers of the left hand are missing. (see photos) A part of one of th...

A very unusual set of three scrolls depicting the women of Shimabara looking down with trepidation at a Fumi-e (a Christian symbol) before lotus enclosed in a wooden box titled Shizan Shimabara-me Sanpuku Tsui (Shizan, Women of Shimabara Three Scroll Set). The Fumi-e was a bronze or wood placard embellished with a Christian symbol upon which people were forced to step to prove that they were not Christians during the ban on Christianity throughout most of the Edo period. Any who refused to ste...