AUCTIONS (3)
 | Antique NYOI scepter (ruyi); natural rekishi shape. Late Edo |
 | Chinese Album Leaf Scholar Painting, Dated 1860 |
Celadon Art Gallery
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A rare antique Yixing - I Hsing jar decorated with enamel floral. The bottom of the teapot signed with the seal mark.
PERIOD : late 19th Cenuryt MEASUREMENTS: 14 cm wide, 12.5 cm height. CONDITION: Perfect, no chips, cracks, hairlines and free from restorations.
Celadon Art Gallery
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Large antique Yixing - I Hsing teapot decorated with enamel floral. The bottom of the teapot signed with the seal mark.
PERIOD : late 19th Cenuryt MEASUREMENTS: 20 cm wide, 14 cm height. CONDITION: Perfect, no chips, cracks, hairlines and free from restorations.
Celadon Art Gallery
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Kendi, decorated with sancai colours with twin dragons. The base is glazed. PERIOD :Ming Dynasty (17th Century) MEASUREMENTS: 18 cm wide, 23 cm height. CONDITION: crack to the body and mouting by metal.
Hu's Collection
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Description:
An original Yinqing set of cup and cupstand was in decent look.
They were produced from the famous Hutien kiln of Song Dynasty(960-1279) by top quality craftsmanship.
By hard, thin and eggshell-like wall, the cup was stand by flat bottom which was unglazed and was revealed with chalk-like body clay when characteristic firing tint was yielded within...
An original Yinqing set of cup and cupstand was in decent look.
They were produced from the famous Hutien kiln of Song Dynasty(960-1279) by top quality craftsmanship.
By hard, thin and eggshell-like wall, the cup was stand by flat bottom which was unglazed and was revealed with chalk-like body clay when characteristic firing tint was yielded within...
Intandane ltd
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A European shape porcelain spoon tray finely decorated with Famille Rose enamels. This item was made in China for export during the reign of the Qianlong emperor (1736-1795). Condition - very good - no damages and no restoration...
Hu's Collection
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Description:
A Yueyao covered box was in decent form.
Decorated on the cover with floral motifs, the basin was stand by steep foot ring.
Uniquely found, the cover was fired with the basin altogether. 'Cause the darken padding marks were observed on the inner side of the cover and the basin alike.
It was well preserved in fine glaze condition...
A Yueyao covered box was in decent form.
Decorated on the cover with floral motifs, the basin was stand by steep foot ring.
Uniquely found, the cover was fired with the basin altogether. 'Cause the darken padding marks were observed on the inner side of the cover and the basin alike.
It was well preserved in fine glaze condition...
Galerie Hafner
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A chambu lota, bulbous vessel for sacred Ganges water used by pilgrims. Made of brass and copper, with exceptional floral design. This type of metalware is known as ganga-jumna referring to the two great rivers of North India. Condition: the mouth is slightly deformed, few small quite invisible dents, the foot with a small breakage. Dimension: 16.4 cm high, weight: 1140 g.
Hu's Collection
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Description:
A soapstone carving was depicted as a sitting Lohan.
Amusingly, the Lohan was seated with one bare foot and holding with the shoe.
By unique purplish red tint, the soapstone figure was preserved nicely with only minute defects on portions of the bottom's rim.
There were jewels and beads decorated on the robe, now were missing and left only with fastening holes.
Some similar pieces were in the big auction of Hong Kong...
A soapstone carving was depicted as a sitting Lohan.
Amusingly, the Lohan was seated with one bare foot and holding with the shoe.
By unique purplish red tint, the soapstone figure was preserved nicely with only minute defects on portions of the bottom's rim.
There were jewels and beads decorated on the robe, now were missing and left only with fastening holes.
Some similar pieces were in the big auction of Hong Kong...
Hu's Collection
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Description:
A Houtien jade pendant was in open work of motifs of parrot perching on bamboo branches.
By fine excavation condition, the item was preserved very good except with one short hair line not penetrating to another side.
It was caused in burial not from human mistakes.
Qing Dynasty, 18th century.
Dimensions: 5.8cm x 5.2cm x 0.6cm.
A SILK BOX IS INCLUDED.
A Houtien jade pendant was in open work of motifs of parrot perching on bamboo branches.
By fine excavation condition, the item was preserved very good except with one short hair line not penetrating to another side.
It was caused in burial not from human mistakes.
Qing Dynasty, 18th century.
Dimensions: 5.8cm x 5.2cm x 0.6cm.
A SILK BOX IS INCLUDED.
Hu's Collection
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Description:
An ancient paper weight and also a lucky charm for the nomadic people was from the fossil of an antelope's patella.
By a long history, GaHaLa, the patella of animals like rams, tigers or antelopes were revered as tokens of good luck.
Different materials like jade, ivory, turquoise all have been carved into the shape of this animal's bone and were used as lucky charms for wearing.
The unique item here, it was a real bone fossil from an antelope's patella...
An ancient paper weight and also a lucky charm for the nomadic people was from the fossil of an antelope's patella.
By a long history, GaHaLa, the patella of animals like rams, tigers or antelopes were revered as tokens of good luck.
Different materials like jade, ivory, turquoise all have been carved into the shape of this animal's bone and were used as lucky charms for wearing.
The unique item here, it was a real bone fossil from an antelope's patella...
Hu's Collection
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Description:
A bronze weight was solid cast by shape of two nestling dears.
By warm and intimate mood, the bronze weight was well cast and finely carved to render this harmonious scene.
Charming, darken and greasy patina was yielded on the surface, and we may notice that a later date cleaning work would have been done to this bronze piece.
It was made by top quality metal material...
A bronze weight was solid cast by shape of two nestling dears.
By warm and intimate mood, the bronze weight was well cast and finely carved to render this harmonious scene.
Charming, darken and greasy patina was yielded on the surface, and we may notice that a later date cleaning work would have been done to this bronze piece.
It was made by top quality metal material...
Hu's Collection
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Description: An excavated bronze mirror was cast in beautiful flowers and weeds motifs.
Uniquely found, there're ancient Liao/Jing characters being inscribed on the side.
Undecipherable the words are now, but can still be an evidence that the piece was probably from official manufacturing.
Date: Liao/Jing periods, 11th/12th century.
Width: 12.8cm Depth:0.4cm, Weight; 190 gram
A FITTED SILK BOX IS INCLUDED.
Uniquely found, there're ancient Liao/Jing characters being inscribed on the side.
Undecipherable the words are now, but can still be an evidence that the piece was probably from official manufacturing.
Date: Liao/Jing periods, 11th/12th century.
Width: 12.8cm Depth:0.4cm, Weight; 190 gram
A FITTED SILK BOX IS INCLUDED.
Hu's Collection
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Description:
A celadon Longquan long-neck bottle was survived from excavation in a nice condition.
By characteristics of the well mold body, the slightly inverted foot ring, the darken firing effects happened to the body clay and the pale gray tint of the revealed body clay, the lovely bottle was verified as from Southern Song Dynasty or at least from early Yuan periods.
The bottle was being excavated from the kiln site by some evidences...
A celadon Longquan long-neck bottle was survived from excavation in a nice condition.
By characteristics of the well mold body, the slightly inverted foot ring, the darken firing effects happened to the body clay and the pale gray tint of the revealed body clay, the lovely bottle was verified as from Southern Song Dynasty or at least from early Yuan periods.
The bottle was being excavated from the kiln site by some evidences...
Hu's Collection
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Description:
A Temmoko shard from excavation was found as hard proof for the famous Jiangyang bowl.
Several important characteristics can be noted as follow:
1, White-glazed Jiangyang bowl have long been a mist to serious collectors. Sometimes it was a legend rather than a real product that can be easily found in the markets...
A Temmoko shard from excavation was found as hard proof for the famous Jiangyang bowl.
Several important characteristics can be noted as follow:
1, White-glazed Jiangyang bowl have long been a mist to serious collectors. Sometimes it was a legend rather than a real product that can be easily found in the markets...
Hu's Collection
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Description:
A wood scholar rock was in ragged face but then became a Zen-spirited item.
In straight shape and somehow penetrated and knarled holes, this wood scholar item was kept in very good condition with firm surface and greasy-feel quality.
It was firmly stand when in good weight despite the dehydrated look.
Date: mid 20th century.
Height: 39cm.
A wood scholar rock was in ragged face but then became a Zen-spirited item.
In straight shape and somehow penetrated and knarled holes, this wood scholar item was kept in very good condition with firm surface and greasy-feel quality.
It was firmly stand when in good weight despite the dehydrated look.
Date: mid 20th century.
Height: 39cm.
Hu's Collection
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Description:
A burwood washer was intriguingly made.
By enduring old patina, the wood washer was in handful size that can be easily hold for caressing or treasuring.
The esthetics of ancient Chinese scholar items were usually originated from the Mother Nature- an ideology of Daoism - Imitates the Nature.
It is a good example, here...
A burwood washer was intriguingly made.
By enduring old patina, the wood washer was in handful size that can be easily hold for caressing or treasuring.
The esthetics of ancient Chinese scholar items were usually originated from the Mother Nature- an ideology of Daoism - Imitates the Nature.
It is a good example, here...
Hu's Collection
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Description:
A scholar wristrest was intriguingly made from a piece natural burlwood.
Obtained from the bark of the alleged agalloch-the precious incense wood and followed the original shape, the wristrest was curved in the center to leave the space for the spreading scroll underneath.
It was what a wristrest used for.
On a reverse side, this wood piece was sit like a supporting vessel for putting brush-pen or ready for wet inkcakes...
A scholar wristrest was intriguingly made from a piece natural burlwood.
Obtained from the bark of the alleged agalloch-the precious incense wood and followed the original shape, the wristrest was curved in the center to leave the space for the spreading scroll underneath.
It was what a wristrest used for.
On a reverse side, this wood piece was sit like a supporting vessel for putting brush-pen or ready for wet inkcakes...
Hu's Collection
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Description:
A Tin caddy was intriguingly made within a knarled wood trunk.
In nice form and casual mood, this tea caddy owned the very taste of Chinese scholars'.
Old patina was preserved well on the surface of the wood and the metal alike.
Date: Qing Dynasty, 19th century.
Height: 15cm.
A Tin caddy was intriguingly made within a knarled wood trunk.
In nice form and casual mood, this tea caddy owned the very taste of Chinese scholars'.
Old patina was preserved well on the surface of the wood and the metal alike.
Date: Qing Dynasty, 19th century.
Height: 15cm.
Hu's Collection
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Description:
A fine Guanyin piece was well carved.
By well maneuvered carving skill, the holy deity was clad with flouring robe and was featured with benign facial expression.
Nice patina was preserved while some whitish abrasions were observed.
A wooden cork was filled in at the bottom.
Date: Early Qing periods, 17th century.
Height: 10.5cm.
Condition: Very good, except some old cracks were found on the back(at the base).
Material: Ox horn.
A fine Guanyin piece was well carved.
By well maneuvered carving skill, the holy deity was clad with flouring robe and was featured with benign facial expression.
Nice patina was preserved while some whitish abrasions were observed.
A wooden cork was filled in at the bottom.
Date: Early Qing periods, 17th century.
Height: 10.5cm.
Condition: Very good, except some old cracks were found on the back(at the base).
Material: Ox horn.
A good quality embroidered rank badge. The bird and the sun applied separately on the background. China, 2nd half 19th century. Condition: a few tears along the borders and in the rock under the bird. Size: 29x28 cm.
Hu's Collection
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Description:
A Longquan water dropper was in lovely melon shape.
By cute little spout, the small ewer was mold with a handle which intended to imitate the twisted vines.
It was most likely a salvage from the sea according the immensely spread foggy incursions on the surface.
Some padding grits were left at the bottom.
Despite the natural condition, this celadon ewer was well mold in nice shape, and was easy to hold in hand for caressing and fondling.
It can be easily ...
A Longquan water dropper was in lovely melon shape.
By cute little spout, the small ewer was mold with a handle which intended to imitate the twisted vines.
It was most likely a salvage from the sea according the immensely spread foggy incursions on the surface.
Some padding grits were left at the bottom.
Despite the natural condition, this celadon ewer was well mold in nice shape, and was easy to hold in hand for caressing and fondling.
It can be easily ...
Celadon Art Gallery
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Blue and white porcelain docorated by flower on the basket and table, unglazed base. PERIOD : Kangxi (1662-1722 AD) MEASUREMENTS: 5.5 cm height. CONDITION: two tiny frits to the rim, no cracks or hairlines and free from restorations
Celadon Art Gallery
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Blue and white porcelain decorated by prunus to the body, glazed base. PERIOD : Kangxi (1662-1722 AD) MEASUREMENTS: 8 cm height. CONDITION: frits to the below of the rim, no cracks or hairlines and free from restorations
Celadon Art Gallery
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Porcelain covered by powder blue glaze, glazed base. Diameter = 9.5 cm Tall 5 cm. Periode : Qing 18th Century. Condition : very good, no chips, cracks, or hairlines and free from restoration.
Celadon Art Gallery
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Porcelain decorated with floral spray in the center. Iron brown wash covers base with petal lappets with hanging floral scroll on the exterior. Diameter = 17 cm. Periode : 15th- 16th Century Condition : two hairlines to the rim and small chips to the foot ring and free from restoration.
Celadon Art Gallery
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Crackle ware bowl, this is the famous "iron wire and golden thread" effect. Unglazed base. Qianlong Dynasty (1736-1795). Diameter 18.5 cm. Condition : restored to the chips on the rim and foot ring.
Celadon Art Gallery
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Porcelain covered with green glaze , unglazed concave base. PERIOD : Yuan Dynasty (1279-1368 AD) MEASUREMENTS:9 cm wide, 7 cm tall. CONDITION: no chips, cracks or hairlines and free from restoration.
Celadon Art Gallery
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Porcelain covered with green glaze to the foot decorated with incised dragon to the body, unglazed concave base. PERIOD : Yuan Dynasty (1279-1368 AD) MEASUREMENTS: 6.5 cm wide, 5.5 cm tall. CONDITION: crazying glaze, no chips, cracks or hairlines and free from restoration.
Celadon Art Gallery
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Porcelain covered with green glaze to the foot decorated with incised floral sprays to the body, unglazed concave base. PERIOD : Yuan Dynasty (1279-1368 AD) MEASUREMENTS: 8 cm wide, 7.5 cm tall. CONDITION: no chips, cracks or hairlines and free from restoration.
Celadon Art Gallery
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A good small vase in pear-shaped form, decorated incised to the body with floral sprays motif. Southern Song dynasty Jindezhen ware. Condition is good excepted no chips, cracks, hairlines and free from restoration. High: 10 cm.
Celadon Art Gallery
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Blue and white porcelain docorated by floral spray to the body, unglazed base. PERIOD : Kangxi (1662-1722 AD) MEASUREMENTS: 13 cm wide. CONDITION: a tiny fritting to the rim, no cracks or hairlines and free from restorations
Celadon Art Gallery
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Qingbai ewer with moulded phoenix decoration; bluish white glaze stopping above the base which is concave and unglazed. Yuan Dynasty 13th-14th Centuries. Height = 8 cm. Condition : handle and spout restored.
Celadon Art Gallery
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Qingbai ewer with stylized dragon handle; bluish white glaze stopping above the base which is concave and unglazed. Yuan Dynasty 13th-14th Centuries. Height = 10 cm, Width=12 cm. Condition : part of spout is missing and restored; no other damage
Celadon Art Gallery
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Qingbai ewer with stylized dragon handle; bluish white glaze stopping above the base which is concave and unglazed. Yuan Dynasty 13th-14th Centuries. Height = 10 cm, Width=12 cm. Condition : good, no chips, cracks, hairlines and free from restoration.
Celadon Art Gallery
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Porcelain covered by qingbai glaze, unglazed base. PERIOD : Yuan - Ming Dynasty (13th-16th century) MEASUREMENTS: 10.5 cm wide 8.5 Height. CONDITION: Restored to the cracks on the body.
Celadon Art Gallery
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Bowl decorated with chrysantemum spray on the center, chrysantemum scroll on the exterior, and classic scroll on the inside rim. Porcelain with painted underglaze and applied decoration.PERIOD : Yuan Dynasty (1279-1368 AD) MEASUREMENTS: 12 cm wide, 5.5 cm tall. CONDITION: restoration to the broken artefact.
