A celadon, crackle glaze inverted rim bowl. The unglazed rim suggesting this had a cover as some examples of this form (sometimes referred to as an alms bowl) did. The shoulder, below the inverted rim, with two double fine line bands flanking relief flower head bosses. Strait lotus leaf motif adorning the side tapering to the foot. The foot unglazed (both the foot rim and inside the foot rim.) Though an earlier form, the weathered pretty green glaze appears to be Qing dynasty...

Description:

A Yaozhou bird feeder was well glazed in yellowish-green tint.
Overly glazed on the surface except the bottom where the grayish-white body clay was revealed, the small vessel was in slender shape and was segregated in eight sections on the surface.
It was preserved in perfect condition when greasy-feel glaze sheen was reflected charmingly.

Date: Jin Dynasty, 11th/12th century.

Length: 7cm.

A CUSTOM-MADE SILK BOX IS INCLUDED.

The spare, clean design of this ring is composed of one strand of flattened sterling silver wire; the band is applied separately. The ring is unmarked, and is probably a studio piece from the 1970s. The top measures 1 5/8 inches wide by 1 ¾ inches long; it is a size 5 ¾. Weight: 8.1 grams

Connecticut landscape by Henry Hammond Ahl, signed lower right. Born in East Hartford, Connecticut, Henry Ahl was a portraitist, muralist and landscape painter whose work reflected his exposure to the Tonalist style of the Barbizon painters. He studied at the Royal Academy of Munich with Alexander Wagner and Franz Von Stuck, and in Paris with Jean Leon Gerome. He exhibited with the Munich Royal Academy. Image 25"L x 30"W. Displayed in original 24k Taos giltwood frame.

An Edo Period Kozuka (utility knife handle.) Kinko (mixed soft metals) decoration on shakudo alloy with nanako (fish roe textured) background. Depicted in a farmer with horse in water plowing in prepartion to plant rice. A willow or other weeping tree, to one side, not yet with blooms. Nicely detailed with featured highlighted with gold and silver overlay. The water nicely textures with an itame (wood grain) effect. Serviceable, fair to good condition...

Fine Thai Ban Chiang Incised Neolithic Pottery Jar (Ex. Christie's)

This pottery jar of rare form dates to the Ban Chiang period (c. 1500 BC - AD 300). It is heavily-potted with a rounded lower body and a wide flared mouth. The body has been decorated with incised geometric patterns. The surface colour of the pottery varies from a reddish-brown to black due to uneven conditions during firing.

Diameter at mouth 12.75 cm, height 9.5 cm...

Large late Qing dynasty Guangxu period lidded porcelain ginger jar decorated in underglaze blue against a faint bluish-white background with four “shuangxi” symbols (indicating double-happiness and wedded bliss) surrounded by a stylized pattern of pencil style scrolling sweet pea flowers and vines (symbolizing “many children”). A bud forms the finial. The interior and base are glazed but the foot rim and mouth are unglazed...

Here is a sweet little pendant or charm made by Jean-Baptiste-Emile Dropsy, one of the famous French medalists. The design was usually made out of a heavy gold plate, but this one is 18kt rosy gold. Signed by Dropsy on the front, as is usual with French medals, it measures 1/2” in diameter (with the jump ring, 7/8”), and weighs 1.5g. In excellent condition, showing a gentle patina, and circa 1900. The photos are part of the description; please examine them carefully. Thanks! We do lay-away...

An iron vase intentional rust and damascened silver of a Flat-fish on one side, the other au-natural by Sano Hiroshi exhibited at the 48th Kofukai Tenrankai Exhibition in 1962 and enclosed in the original signed wooden box titled Karai (flat-fish). It is 53.5 cm (21 inches) wide, 37 cm (14-1/2 inches) tall and in fine condition.
Sano Hiroshi was born in Jūshiyama, Aichi prefecture in 1930, and graduated the Nagoya Municipal School of Crafts in 1950...

Dehua cup with unglazed firing ring on the center. Widht = 7.5 - 6.5 cm Height = 3.5 - 3 cm Qing Dynasty Condition : 2 cups in excellent condition, smallest cup has 2 tiny chips.

Margot de Taxco vintage design 5337 is elegant with heavy repousse that also boasts it's simplicity. When you find one of these so many are very short. This one is 16.5 inches wearable and well worth the money spent to be comfortable while wearing. The drop is 3in. across and 2 inches tall from highest and lowest point. Wear this one with anything casual or that little black dress. A true treasure, just LOOK AT THAT NECKLACE!

The Los Castillo taller is renowned for their revival of several ancient Maya and Aztec silversmithing techniques and the breath of creative fresh air they brought into Taxco jewelry making. Their Mozaico Azteca line, in which they seamlessly combinedinlaid azur malachite with sterling silver is, in my opinion, one of their best moments...

 

A rare and stunning set of Kinrande sake cups by the elusive Nakamura Shuto I enclosed in the original compartmentalized signed wooden box dating from the late Meiji to Taisho period. Crisp designs of shishi lions frolicking among peonies in genuine gold are expertly applied to the brilliant red outside, while inside landscapes of plum, pine and bamboo blossom in minute detail in Sometsuke blue on white. The artists seal is deeply impressed inside the foot ring...

Early Deco Peruzzi Italian 800 silver and carnelian necklace, this is a regal piece, crisply cast and boasting a wonderful combination of motifs...

Exquisite Original Vintage Italian Oil painting Still Life with Table Setting signed lower right. Displayed in a fine antique Italian frame. Image 24"L x 40"W. overall size 31" L x 47" W.