A powerful work of Shino pottery by one of the veterans of Mino ceramics. Vibrant lines of white feldspar contrast sharply with the iron rich clay and glaze to bring out this abstract depiction of field grasses swaying in the breeze. The technique used to produce this work is over 400 years old and was nearly lost to the ages before being revived by several well-known artists in the mid-20th century...

A stylish chawan covered in fissured green celadon by Wakao Makoto enclosed in the original signed wooden box and exhibited at the 63rd Nihon Dento Kogeten in 2016. A major exhibition that traveled all over Japan: catalog included. Profound, like an empty blue sky, the form floats over the dark clay of the perfectly formed kodai base...

Tarnished silver glows dully inside this raw clay bowl by female pottery pioneer Ogawa Machiko enclosed in the original signed wooden box titled simply Wan. It is 14 cm (5-1/2 inches) diameter, 7 cm (3 inches) tall and in excellent condition.
Ogawa Machiko was born in Sapporo on the Northern Island of Hokkaido in 1946...

Form and void are everything with Wada Akira, and this piece is a fine example of that idea. Akira uses no decoration, no overt gestures to get our attention, but relies on simplicity and elegant shapes covered in his pure white glazes. This comes in the original signed wooden box titled Chawan Dai No Dai and date to 2020.
Size, D 12.2cm H 10.9cm
Condition, Excellent
Wada Akira b.1978,has become certainly one of the most well known names for his mastery in Hakuji glaze...

Five for silver… Six for gold… Seven for the secret….Suzuki Goro is counting crows surrounding the epitaph in the center of this Kuro-Shino Kataguchi bowl enclosed in the original signed wooden box. In the center we hear the words of Noguchi Ujo’s 1921 hit song “Karasu naze naku no? Karasu ha yama ni kawai nanatsu no ko ga aru kara yo…” (Why does the crow call? It calls for seven lovely children in the mountains…)...

Ash fills the embedded patterns on this Kiln-altered Tsutsu-gata bowl by Living National Treasure Shimaoka Tatsuzo enclosed in the original signed wooden box titled Yohen Zogan Jomon Wan. Crisp black charring and the various depths of ash are a bit of a departure for this artist whose work is often sedate, relying on the texture and patterns of the Jomon rope design over dependence on colorful glazes. It is 11 cm (4-1/2 inches) diameter, 10 cm (4 inches) tall and in excellent condition...

Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imported from China. One of the most common implements that first made its way to Japanese shores was the tenmoku style tea bowl that has been adopted and carried on through countless generations of Japanese artisans. Here we have an excellent example of this style of tea bowl—in perfect condition and featuring a custom fit silk pouch...

Thick white glaze and lavender clouds on the surface of this cool and elegant White Hagi chawan by important artist Kaneta Masanao enclosed in the original signed wooden box titled Hagi Kurinuki Chawan. Up from the base drive three fingers , the blanks left by the artists fingers when he dipped the bowl in glaze. The style is Kurinuki, not formed on a wheel but cut and worked from a block of clay, an approach the artist is famous for...

Stunning Oribe tea bowl by Yamaguchi Makoto enclosed in the original signed wooden box titled Oribe Fudomyoo-Zu Chawan,(Fudomyoo,is Japanese Buddhist God of Wrath and Immovable Faith).
Size, D 13.2cm H 11.3cm
Condition, Excellent
A rising star in the pottery world, Yamaguchi Makoto was born in Seto, Aichi prefecture in 1978. In 2000 he was apprenticed to Hiroshige Kato (Kasen Toen)...

Kato Takahiko 加藤隆彦 (b...

A beautiful tea bowl in dark and murky ash gray covered in soft ivory white glaze enclosed in the original signed wooden box titled Zoge-ji Chawan. Up from the base drive five fingers , the blanks left by the artists fingers when he dipped the bowl in glaze. This adds a strong sense of connection between the artist and user.
Size, D 14.1 cm H 9.6 cm
Condition, Excellent
Wakao Kei was born in Gifu in 1967 ,the first son of the legendary artist Wakao Toshisada ...

Iron infuses the draperies of crystallized Shino glaze covering this superb Oni Shino Chawan by legendary artist Tsukigata Nahiko wrapped in a pouch and enclosed in the original signed double wooden boxs haring the same title. Taking away the sense of creation and putting it firmly in the natural world where nothing is perfect (except perhaps the scent of a plum blossom!) A seminal chawan by this important artist whose work will remain influential long past the coming generations...

White drops splashes over the darkness on the side of this exquisite tea bowl by master to that genre Suzuki Goro enclosed in the original signed wooden box titled Raku Chawan...

With a design reminiscent of mineral deposits on Martian rock, this bold and visually captivating tea bowl is the creation of one of Japan's more controversial and revolutionary-minded potters. 

Nakamura Kimpei (b. 1935) was born in Kanazawa but later—after a period of residency abroad— made his way to Tokyo where he established a kiln. As a thinker and ceramic artist, Nakamura concerned himself with the concepts of civilization, society, historical eras, and the interplay be...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to asymmetrical clay bodies and light-colored windows are created using feldspar. These high-contrast areas then act as a canvases upon which abstract, minimalistic, and often naturalistic themes are painted.

Unmistakably modern, this unique water jug used for tea ceremony (mizusashi) pushes the bounds of traditional Oribe into new territory by...

Iron infuses the draperies of crystallized Shino glaze covering this superb Oni Shino Chawan by Tsukigata Nahiko enclose in the original signed wooden box sharing the same title. Taking away the sense of creation and putting it firmly in the natural world where nothing is perfect (except perhaps the scent of a plum blossom!).The Chawan was exhibition in July 1978 at Kintetsu (Matsushita) Department Store (Cooy included). This is a beautiful example by this important artist whose work will remai...

The Mino region of Japan has been renowned for centuries for producing high-quality Shino, Oribe, Seto-guro, along with the style shown here, ki-Seto, or “yellow” Seto. The creator, Hori Ichiro, is one of the most acclaimed among Mino potters, tirelessly producing splendid works while continuing to use traditional methods passed down from other great potters before him. The lush yellow glaze seen here is applied thickly, pooling beautifully around the unglazed foot of the bowl—proudly high...

A beautiful example of modern Bizen-ware—with a thick feldspar glaze partially covering the clay body allowing the natural ash glaze underneath to show through in areas. This piece along with others by the same artist tend to push the bounds of what you usually see in Bizen pottery.

The craftsman who made this piece, Takahiro Ishii, was born in Tokyo, and, after studying ceramics for a number of years, he moved to Bizen to become a ceramics teacher and later opened his own kiln. H...

A relatively new term, “Oni Tamba” is used to describe works of Tamba-ware fired using carbon trap and ash glazing techniques modeled after those pioneered by Tsukigata Nahiko in the 1950’s. This piece in particular displays a bold and innovative ceramic landscape that seems quite impressive for such a young artist as Onishi. One side of the bowl resembles charred igneous rock while the front shows a warm soft orangish glow—like an ember in a fireplace. An unglazed patch on the front of ...

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise are barely confined by this genre—as he often integrates non-traditional methods and materials. Born in the town of Tokonmae in 1938, from a young age he studied potting—a staple of the local economy—and later went on to do independent research, open his own kiln, travel widely participating in international conferences and workshops, and finally to become a...

Here is a masterpiece by Wakao Toshisada, one of the great artists of the post-war era who helped to revive the Shino tradition (now one of the most popular Japanese forms) from extinction. An early masterpiece by the artist showing his abilities from inception, this bowl was selected for the cover of the exhibition invitation card in 1973 (card included). It is 14 cm (5-1/2 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition.
Wakao Toshisada was born in Tajimi, Gifu ...

Strikingly bold patterns revealed through curtains of copper green play across the surface of this dramatic work by Fukami Fuminori enclosed in the original signed wooden box titled Narumi Manga Oribe Wari-kodai Chawan and date to 2021. It rests on a wari-kodai split foot, the dragon and tiger are two spiritual creatures in the Buddhism representing the spirit heaven and matter earth. The bowl was published on the Itoshino Tojiki(My beloved Pottery) magazine this month. A truly a superlative w...

A slightly more austere work completing this tea set by Kanzaki Shiho enclosed in the original signed wooden box titled Shigaraki Chawan and named inside the lid Amidha-Do (Hall of Amitabha). Here the artist has refrained from over-decoration, allowing the natural color and texture of the terracotta clay to dominate. It is 5-1/4 inches (13.3 cm) diameter, 3-1/2 inches (9 cm) tall and in excellent condition, dating circa 1990.
Kanzaki Shiho (1942-2018) preferred firing his kiln for ten d...

An ancient technique known as “haito” in Japanese was used to give this piece its distinctive look. Thought to have originated in neolithic times and commonly used during the T’ang and Song dynasties in China, an excess of fuel is added at the very end of firing which causes a thick layer of grey ash to adhere to the outside of the vessel. Below the ash glaze of this piece is a yellow amber reflective coating that shows through in areas giving it an almost imperceptible glittering effect ...

A black cloak is draped from the shoulders of this mysterious character lurking in the shadows of the tea room by legendary potter Kato Yasukage XIV enclosed in the original signed wooden box titled Seto-guro Chawan. The black Matte over much of the surface, trails off near the base, revealing a startlingly white clay. The contrast is both abrupt and challenging, creating a tension most welcome on an otherwise subtle work. It perfectly displays another aspect of his personality, a quieter side ...

An austere form calling to mind the strictness of form and years of practice required to master the way of tea by Ningen Kokuho Isezaki Jun enclosed in the original signed wooden box titled Bizen Chawan. A large circles beyond the burnt-straw remains gives the effect of the moon reflecting off water viewed through a rush of bamboo.
Size, D 12.1 cm H 8.9 cm
Condition, Excellent
Jun was born the second son to the prominent Bizen family of Isezaki Yozan. With his older brot...

Decidedly modern, Japanese, and minimalist; the textures, colors, and form of this fascinating tea bowl all suggest inspiration from natural objects. The grey, smooth, polished interior of the tea bowl contrasts nicely with the textured ferrous dark ochre ash glaze on the exterior. Somewhere between an ido and wan-nari shape, it rests surprisingly well in the hand and allows the user to contemplate the mysteries of nature through their tactile and visual senses.

Widely exhibited bot...

Dashes of red, black and flashes of green decorated the scorred and scarred white glazed body of this magnificent Chawan by Yamada Kazu enclosed in the original signed wooden box titled Kaku-yu Oribe Chawan.  The form is slightly belted, to allow the bowl to settle comfortably into the palm.  The very traditional silhouette however has been paddled and graffiti structures scratched into the surface.  Over this has been applied an overall white glaze, with black and red ladled out on top of th...

A spectacular work by Maeda Masahiro enclosed in the original signed wooden box titled Iro-e Kin-gin-sai Mentori Hachi (Faceted Bowl with Gold, Silver and Colored Decoration). It is roughly 6-1/2 inches (16.5 cm) diameter, 5-1/4 inches (14 cm) tall and in excellent condition.
Maeda Masahiro (b. 1948) graduated the Tokyo National University of Fine Arts in 1975where he received instruction from Living National Treasure Fujimoto Yoshimichi and Tamura Koichi as well as Asano Akira. He has ...

Enigmatic designs form an abstracted bird on the dark glaze of this Tsutsu Chawan by Wada Morihiro enclosed in the original signed wooden box titled Torimon Chawan.  There is something about his art which is reminiscent of the artworks of Northwest Native Americans; the patchwork of colors and natural themes.  They call you into another place. 
Size, D 13.2  cm   H 9.6  cm  
Condition, Excellent 
Wada was born in Hyogo prefecture and apprenticed under Kyotos Tomimoto K...

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. His new challenging work, this celadon piece has born at testing phase, so special price. Size: 11.7cm(D)/8.4cm(H) Accessories: wooden boxes(signed by the artist)

The mark of the artist is carved on base.

Size
Height 9.3cm
Width 12.9cm


In excellent condition
Supplied with signed wooden box


Born in the vibrant city of Kita-Kyushu, Fukuoka in 1937, Sajiro Tanaka emerged as a shining star in the realm of ceramics through a lifelong devotion to his craft.

In 1971, seeking a profound spiritual awakening, he embarked on a transformative pilgrimage to the venerable Eihei Temple, known for its san...

Rare Hamada Shoji (1884–1978) Summer Chawan with distinctive iron pigments.

Size
Height 7.5cm
Width 13.8cm

Very good condition with no damage
Supplied with wooden box signed by Hamada Shinsaku

Shoji Hamada (1894-1978) was a renowned Japanese ceramic artist and one of the leading figures of the Mingei (Folk Craft) movement. He is internationally recognized for his contributions to pottery and is considered a master of traditional Japanese pottery...

An eccentric crusty bowl, very different, by Hashimoto Tomonari enclosed in the original signed wooden box titled Raku Yaki Yohen Chawan. Unlike his normal burnished and color ridden surfaces, this bowl is ominous, matte, shot through with pin-hole-textures and rivulets streaming from the rim. It is like something from deep within the universe, an ancient traveler which has been charred and scarred on its way through the atmosphere. Not only that but it is slightly deeper than his normal bowl...

Simple arcs of bent-grass in iron decorate this large bowl by living National Treasure Shimizu Uichi enclosed in the original signed wooden box titled Tetsu-e Chawan. It is 14.8 cm (6 inches) diameter, 8 cm (3 inches) tall and in excellent condition. It comes with a clipping from a newspaper announcing the naming of Uichi as Living National Treasure in 1985.
Shimizu Uichi (1926-2004) was born in Kyoto the son of a ceramic dealer. Discarding the family business he apprenticed in plastic ...