The purity and perfection of this takes your breath away. It is a gorgeous piece by Hattori Tatsuya and comes enclosed in the original signed wooden box titled Ginsai Wan. The bowl is 12 x 13.5 x 8 cm (4-1/2 x 5-1/4 x 3 inches) and is in perfect condition, from the artist late 2020. He is a master of silver/platinum/titanium glazes, and his forms, especially his tea pots, are very popular and generally sell out quickly...

an unusual contemporary spiraling form vessel by Mihara Ken enclosed in the original signed wooden box titled Sekki Kaki (Un-Glazed Flower Vessel). Exquisite,with his lively earth tones colors and texture.
Size, D 41.8 cm H 7.8 cm
Condition, Excellent
Mihara Ken was born in Shimane prefecture in 1958, and apprenticed under Funaki Kenji at the age of 23...

This cups is reminiscent of a colorfully striped Nishijin-ori Kimono, blue red green and yellow on a base color of hemp. The rim rises and falls in a rhythmic dance aong the broad shoulder. Created by modern master Ajiki Jun, it comes enclosed in the original signed wooden boxes titled Shio-Yu Basara Guinomi. Basara is a term in Japanese aesthetics associated with the challenge of traditional ideals during the Muromachi period...

An austere form calling to mind the strictness of form and years of practice required to master the way of tea by Sugimoto Sadamitsu enclosed in the original signed wooden box titled simply Kuro Chawan. Beyond, that dark charring fades out to charcoal black color and lively textures, one can imagine the beauty of staring into the bowl at the vibrant, frothy drink.
Size, D 12.1 cm H 8.6 cm
Condition, Excellent
Sugimoto Sadamitsu was born in Tokyo in 1935...

A tall vase covered in rich Oribe green by Yamaguchi Makoto enclosed in the original signed wooden box titled Oribe Kaki. Asymmetric lines scar the blanketed green body, the rim split to half around the spiraling form. An excellent example of this artists work.
Size, D 11.2 cm H 34.6 cm
Condition, Excellent
A rising star in the pottery world, Yamaguchi Makoto was born in Seto, Aichi prefecture in 1978. In 2000 he was apprenticed to Hiroshige Kato (Kasen Toen)...

White glaze parts like melting snow on the dark surface of boulders in the early spring on this ceramics box by Miwa Kyusetsu XIII enclosed in the original signed wooden box titled Setsurei( Mountain range that become white due to snow.) Setsurei is also the name of his exhibition in the end of 2019 celebrating his succession of Miwa Kyusetsu XIII...

An exceptionally large work by one of the most important contemporary ceramic artists in Japan. Collected widely both here and abroad, a favorite of Daitoku temple in Kyoto who hold a number of his works. Pieces by this artist are held internationally by museums including: The Metropolitan Museum of Art, Stockholm Museum of Art, and the Urasenke Chado Research Center, Miho Museum.

Trained in a Zen temple before becoming a potter, Tsujimura Shiro (b...

Descended directly from the Raku household of potters in Kyoto, Ohi is known as some of the highest quality tea-ware in Japan. The 10th generation Chozaemon is especially appreciated for his masterful technique and high-quality pieces. This one has the added distinction of being endorsed by Hōunsai, the 15th head tea master of Urasenke and of having a expertly applied gold repair along the front of the vessel...

Iron glaze with hakeme brushed slip design by Koie Ryoji enclosed in the original signed wooden box titled simply Chawan. There is something of a midcentury abstract expressionist painting to it, with minimal coloration, it stands out in its minimalism and simplicity with a quiet elegance. The brush stroke is consistent both inside and out, not allowing a boundary at the rim. It is 14 cm (5-1/2 inches) diameter, 8.5 cm (3-1/4 inches) tall and in excellent condition...

A humble crackled white bowl by Koie Ryoji enclosed in the original signed wooden box titled simply Chawan. Inside drops of spilled ink and a bit of blank canvas (raw earth) like a minimalist painting from the 1950s. It is 14.5 cm (5-5/8 inches) diameter, 8 cm (3-1/4 inches) tall and in excellent condition...

Lantern Flowers (Hozuki) decorate this snow white porcelain vase by Yamada Yoshiaki enclosed in the original signed wooden box titled Henko. The imagery is expertly depicted over a form which has been allowed some freedom, more like the natural shape of a stone than a traditional vase. This is very much representative of this artists style, known for these asymmetrical shapes, natural corners and exquisite palette. It is 31 x 5 x 17.5 cm (12 x 2 x 7 inches) and is in excellent condition...

A beautiful example of modern Bizen-ware—with a thick feldspar glaze partially covering the clay body allowing the natural ash glaze underneath to show through in areas. This piece along with others by the same artist tend to push the bounds of what you usually see in Bizen pottery.

The craftsman who made this piece, Takahiro Ishii, was born in Tokyo, and, after studying ceramics for a number of years, he moved to Bizen to become a ceramics teacher and later opened his own kiln. H...

The trademark glaze on this delightful sake flask (tokkuri) is by none other than 8th generation Hagi potter Masanao Kaneta. Close inspection reveals flecks of reflective powdered shell on a backdrop of thick, translucent glaze with hues of orchid, salmon, and ivory. One of our favorite Hagi potters, if you have not previously experienced works by this artist we cannot recommend him enough.

Like the seven generations who proceeded him, Masanao Kaneta (b. 1953) learned his Hagi tech...

The potter who made this exquisite Oribe tea bowl came to be master of his craft in a rather unusual way. Born into a potting family and eventually taking over as the 6th generations head of the kiln. He carried on the family tradition while incorporating ancient potting techniques and methods from foreign lands. Here in this Oribe piece, you can detect a deeper than usual luster to the black glaze, a certain uniqueness in the style of painting, and a golden hue to the feldspar contrast medium, ...

Being based in Kyoto we occasionally come across fine Chinese and Korean tea-ware to mix in with our Japanese offerings. Here we have an example of a ceremonial tea bowl by a Korean potter Ji Sun Tak who dedicated his life to reviving ancient techniques of the past by excavating and documentation of a number of historic kiln sites on the Korean Peninsula. Surprisingly light in the hand this piece has a look refined through the centuries, the work of a master artist and winner of one of Koreas hi...

This is everything we could hope for in a bowl by this esteemed artist, Kumano Kuroemon enclosed in the original signed wooden box titled Kuma Shino Chawan. Like the potter himself, this bowl is large and stable, seemingly welded to the floor by its own weight and presence. On the side of the box is written in a single bold brush stroke a Zen circle.
Size, D 14.2 cm H 9.8 cm
Condition, Excellent
A ceramic madman, oil painter and recluse, Kuroemon is as eccentric ...

Viscous charred feldspar clouded with stormy color adorns this amazing work by Kumano Kuroemon enclosed in the original highly decorated signed wooden box titled Kuma Shino Mizusashi. This has the wow factor in truckloads! A quintessential piece by this artist that his work will remain influential long past the coming generations. Size, D 22.1 cm H 21.2 cm
Condition, Excellent
A ceramic madman, oil painter and recluse, Kuroemon is as eccentric as his pottery predicts....

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. This piece was made as "manaitasara" to be used at Japanese cuisine or tea ceremony. His shigaraki(stoneware) pieces are made by archaic way in old style kiln "anagama" burning red pine wood, so those ashes are turned to natura...