A tasteful work by Nakamura Kohei enclosed in the original signed wooden box titled simply Ido Chawan. This piece was shown at his exhibition from 2011 at Mitsukoshi Nipon-bashi Honten (Tokyo) Department Store and is featured in the catalog image number 2 (catalog included). The pale glaze crawls across the surface, creating a sense of drama over this very austere form. The rim dips and curves, a playful accent to the otherwise sedate work, made to suit the stately confines of the tea room...

This piece comes off like it has been buried in a volcano, incredible igneous encrustations cover the sides, with molten ash, bidoro, goma, kutsuki and a host of other firing enclosed in the original signed wooden box. To one side a crescent moon shaped kutsuki forms a rakish grin, inviting the viewer to join in the merriment. It is a masterpiece by this young artist...

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a guinomi (Saké cup)...

Rich, almost volcanic deep red Shino chawan by multi-talented potter, Matsuzaki Ken. This large chawan has a tremendous amount of character and movement with a surface that resembles the Enbu work of Yamada Kazu though made before it was premiered. The thick, unctuous surface has a wonderful feel in the hand and is potently juxtaposed against the crimson red of the base glaze...

A dramatic large bowl from the youthful star Tsujimura Yui showing a talent far beyond his years enclosed in the original signed wooden box titled Shizen-yu Oni Oke (Natural Ash Glazed Demon Tub)and date to 2018. Molten ash streaks around the formt. The inside,eyelets shows scars where kutsuki (other items) have fused to it in the heat of the conflagration with pool of amazing crystal green and blue ...

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a guinomi (Saké cup)...

Large and bold faceted teabowl with two raised ridges surrounding the bowl under one of my Oribe glazes. There is areas of poured white slip under the glaze that creates areas of lighter and darker Oribe.

Stoneware, slip and glaze

5.65 x 4.35

Decorative, functional and food safe

Green ash has poured in a torrent around the form, huge eyelets create bulge from the surface on one side, evidence of how it rested on its side in the kiln. Full of the world today, contemporary, breathing, alive...

There is no doubt about the superlative nature of the deep celadon glazes used by Living National Treasure Nakajima Hiroshi, and this vessel is no let down. A creamy green crackling glaze covers this artful form which comes enclosed in the original signed wooden box titled simply Seiji Tsubo. The surface is darkly crackledf like a block of shattered ice the color of a carribean lagoon...

A shell shaped swirling form by young female artist Takatsu Mio enclosed in the original signed wooden box. It is 6-1/2 inches (16.5cm)wide, roughly 7 inches (18cm) tall and in excellent condition.
Takatsu Mio (b. 1976) was raised in Gifu prefecture among the scattered kilns of Mino. She graduated the Osaka University of Arts Sculpture Department in 1999, moving on to advanced studies which she completed in 2001. Her first exhibited works were in 1999, and then again in Tokyo in 2001...

Red highlights the orange and white on this playful form vase by Kato Yasukage enclosed in the original signed wooden box titled Shino Hanaire and signed by the 14th Generation Yasukage followed by his seal. The pin-holed glaze burnt and licked crimson by the flames. The way the color fades into the white feldspar one can almost imagine the smoke rising off of the molten form as it cooled in the kiln...

Wow! Is what comes to mind the first time you see this daring silver glazed organic Kake Hana-ire by Okumura Hiromi. The clay folds about onto itself, forming a seed-like pod, with an opening in the top and wings extending out both sides. A wire loop is affixed to the back for wall hanging. A signed and stamped wooden plackard by the artist accompanies the piece. It is 11 x 14 x 5 inches (28 x 36 x 13 cm) and is in fine condition...

An attractive slip decorated Japanese style teabowl, chawan, by Devon potter John Pollex...

A large vessel by Shimaoka Tatsuzo enclosed in the original signed and stamped wooden box titled Shio-yu Zogan Jomon Tsubo. The artists famous Jomon rope impressions are visible in filled slip about the center,covered in salt glaze, resulting in a burnished blue,green and Yohen colors giving light to the heavy form. A beautifully potted piece!
Size, D 24.1 cm H 31.8 cm
Condition, Excellent
Shimaoka Tatsuzo (1919-2007) attended the Tokyo Industrial School Ceramics depart...

A one of a kind turban shell shaped covered Jar in rich Oribe green by Suzuki Goro enclosed in the original signed wooden box titled Oribe Mizusashi. An unique work and excellent example of this important artists.
Size, D 31.2 cm H 23.8 cm
Condition, Excellent
Suzuki Goro has a list of shows and prizes too lengthy to go through, but the highlights are, Nitten National Art Exhibition, Nihon Shin Kogei Ten (New National Crafts Exhibition), Nihon Gendai Kogei Ten (Natio...

This experimental work by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl. Described on the box as a “Kiretsu-mon” (ki = turtle, retsu = cracked, mon = design/ crest), according to Hiramatsu, his inspiration for this piece, and a number of others came from an ancient form of sea life known as an Ammonite—a large spiraled mollusk who’s shells are often found fossilized today. The inside of the bowl is ...

Molten ash streaks around the form of this exquisite traditionally uzukumaru shaped tsubo by Sugimoto Sadamitsu enclosed in the original signed wooden box. It shows the true mastery of Sadamitsu over kiln placement and firing technique.
Size, D 18.6 cm H 18.8 cm
Condition, Excellent
Sugimoto Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving the kiln name from his mentor Daitokuji priest Tachi...