Impressed rope designs under black swirls create a dynamic sense of movement on this huge charger by Ningenkokuho Shimaoka Tatsuzo enclosed in the original signed wooden box. The piece is 16 inches (40 cm) diameter and 3-1/2 inches (8.5 cm) tall; in perfect condition. After serving in World War II, Tatsuzo apprenticed under world famous Mashiko Mingei potter Hamada Shoji, establishing his own kiln in 1954...

JUNRI HAMADA is one of the high-skilled pottery artist in Mino famous pottery production center. Especially focused on KISETO (yellow&green glaze). This piece is created with the new clay found near by his kiln. SIZE:6.8cm(D)/4.6cm(H) ACCESSORY: wooden box with signature by the artist

If a chawan can be at the right place at the right time, than this is the one. This medieval style chawan has a rich, fluid coating of glassy ash covering the entire face and most of the interior of the bowl with a vivid, green pool of ash as a centerpiece for the viewer/user. The ash is in a myriad of colors and travels well onto the foot where it culminates in a beautiful drip of green glass...

Tea Bowl, chawan, Black Raku ware, by George Gledhill. There is some red/brown reflection in the photo, but the glaze surface is a deep black. H.3.125"(8cm) x Dia.4.25"(10.75cm) x Footring Dia.2"(5cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

The great master Sadamitsu Sugimoto has been challenging to various kinds of pottery, Iga, Shigaraki, Raku, Ido, Kohiki, Shino, Oribe, Kiseto so on, And he has accomplished Celadon works. This piece has abstract pattern with copper glaze under the celadon glaze. Size: 9.0cm(D) 3.0cm(H) Accessary: wooden box signed by the artist.

18 x 18 inches, 46 x 46 cm. Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.

A singular design by Tsujimura Shiro enclosed in the original signed wooden box titled humbly Iga Chawan.  The lack of pretense in the title does not match the superlative nature of the bowl.  Shiseki protrude around a great eye of black fire, a dramatic whip of pale glaze swiping from the sagging rim.  The bowl is slightly elongated, the shape creating both a tension in the form and an engaging vocabulary to the palms of the holder, making it an easy bowl to drink from.  This is a superlati...

Tarnished silver glows dully inside this raw clay bowl by female pottery pioneer Ogawa Machiko enclosed in the original signed wooden box titled simply Wan. It is 14 cm (5-1/2 inches) diameter, 7 cm (3 inches) tall and in excellent condition.
Ogawa Machiko was born in Sapporo on the Northern Island of Hokkaido in 1946...

A playful early work depicting frogs by the famous Kutani potter Matsumoto Saichi 松本佐一 (b. 1930)...

A spectacular Shino Chawan featuring clouds of red over crackled and fissured white by Japan Ceramic Society award (JCS) winner Tamaoki Yasuo enclosed in the original signed wooden box.  The form is organic, the rim ebbs and flows like salt-foam on the tide...

A charred Ash Glazed chawan by Kumano Kurouemon enclosed in the original signed wooden box titled Kuma Shino and signed To Kuroemon. Like the potter himself, this bowl is large and stable, seemingly welded to the floor by its own weight and presence. Despite that the kodai foot is small and delicate, adding creating tension between form and the space around it. A sublime example of this popular artist’s work...

Yunomi, Tea Cups (2,) porcelain, with scored sides by Hanako Nakazato; Union, Maine and Karatsu, Japan. H.2.75"(7cm) x Dia. 3.25"(8.25cm.) Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 to pursue her education...

The creator of this extraordinary work, Shibuya Deishi, is best known for his works of “Oni-hagi”—typically made with rough clay and heavy dripping glazes. This piece by contrast seems delicately crafted and has a very soft and warm quality to it. The outside is covered with overlapping molded flower petals done in an almond glaze with ivory accents at the tips of each petal...

Wood-fired Tea Cup, yunomi, by George Gledhill; Payette, ID. Shino glaze. H.3.5"(9cm) x Dia.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

A fabulous cubist form with charred surfaces and natural ash which can be used both flat on a surface or with all sides rising by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen Yu Kaku Hanaire. The texture appears to have been chiseled away, leaving deep clefts in which the flowing ash and coals have hidden and cooled. It is 18 x 18.5 x 18 cm (7 x 7-1/4 x 7 inches) and in excellent condition, directly from the artist...

Pale jade spots dot the incised surface of this unusual vase by Nagae Shigekazu enclosed in the original signed wooden box retaining the Shiori and Shifuku...

This natural form is charred and blackened, rivulets of glaze running like lava down the side, a seminal work by veteran Shigaraki artist Minagawa Takashi enclosed in the original signed wooden box. It is 15 x 13 x 19 cm (6 x 5 x 8 inches) and is in fine condtion.
Takashi was borni in Shigaraki in 1930, and raised among the many kilns in the valley. He apprenticed under Komori Shoan, and uses both climbing and Subteranian kilns to the extent that no one is said to be able to approach hi...

This Bizen vase by Ryuichi Kakurezaki is an exquisite piece that showcases the artist's mastery of the Bizen pottery tradition. Standing tall, the vase features a graceful and organic form with a curved bulb-like base. The rich, earthy tones of the Bizen clay are beautifully highlighted, exhibiting natural variations and textures that are characteristic of the firing process. The vase exudes a sense of quiet elegance, with its simple yet captivating silhouette. The craftsmanship is i...