Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide...

Rectangular stoneware vase decorated on sides with stylised flowers, one side also with geometric pattern in iron red and blue on whitish ground, the sides and shoulder in mottled blue and iron red for the neck. ----Made by Kawai Kanjiro’s student and nephew Kawai Buichi (1908–1989). He began his training as a potter under his uncle in 1928 in Kyoto. During the 2nd WW he was drafted and served with the army in North China for one year in 1942...

An interesting and modern vase of raw, hard-fired clay with natural fire pattern by Terada Teppei (b. 1975). The gaping, irregular sprout stricking outline some sort of volcanic vent. Shaped as a bamboo root, it is one of the “Carbon trapped” series. Signed on the bottom: Fe (Teppei’s signature on his carbon-fired pieces). Terada Teppei is son of Terada Yasuo 4th generation of the Bizan Kiln in Seto, Aichi. Enclosed in the inscribed and signed box with paper, made in 2010. H 23.5 cm...

A modern, tokkuri-shaped vase of heavily thrown Shino-ware with thick white, partly covering, glazed over which are powerful, brown splashes. The body with raised tapering bands that turn clock-wise. The piece was made by artist Tsukamoto Haruhiko (b. 1959).* Fully signed kiri-box with artist’s seal and signature. Made around 1980. H 15.5 cm. Condition: Perfect. * Tsukamoto Haruhiko was born in Mino in 1959, and is now based in Gifu prefecture...

Medium size terra cotta plate decorated in the tin glazed majolica style with resisted spirali e tagli design amid an abstract background. This plate can be wired to hang, please let me know if you want this option.

Terra cotta, glaze and overglazes

14.25" X 2.25"

Functional, decorative and food safe

Amber glazed (Ameyu) teapot with cobalt decoration high-lighting the body of the piece

Stoneware, glaze and overglaze

8" X 5.75" X 9.5"

Functional, decorative and food safe

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters...

Of squat shape with a centre hole, inspired by the cosmic black hole. Painstakingly built by small bits of clay added to core, the piece is than burnt in the autumn in the nearby fields under a stack of rice straw. He is carefully checking the process as the sculptures must not get over burned, they have to get the right, natural, earthy ash color that change for each piece of artwork. H 11 x 19,5 x 19,5 cm circa. From 2015...

A gossamer work by the demanding young female artist Lu Xueyun enclosed in the original signed wooden box titled Breeze 2019-I. The vessel is made up of married sheets of thin porcelain, so thin in fact that light passes easily through it. Her works are truly exquisite, captivating in their frailty...

A gossamer work by the demanding young female artist Lu Xueyun enclosed in the original signed wooden box titled Breeze 2019-III. The vessel is made up of married sheets of thin porcelain, so thin in fact that light passes easily through it. Her works are truly exquisite, captivating in their frailty. I have been following the diaphanous works of Lu (known in Japan by the Japanese reading of her name, Ro-san) for nearly 5 years and waiting for the opportunity to introduce her to the outer world...

A beautiful vessel / seashell Kara of organic shape with a sideways, seedpod opening in mat mottled turquoise glaze producing a feeling of underwater ambiance. The rest of outer body and the side, elongated shell is done with his usual technique of grooving the surface with needles and rubbing iron into the grooves resulting in those great dark brown and white lines. The contrast between the two techniques is producing a fantastic visual effect...

At nearly 13" tall, this large Persian blue style glazed vase cuts a great figure flanked by bold and detailed brushed of owls rendered within medallions and further detailed with patterns of decoration and faint gold accents to complete the piece. The full form is finished off with an elegant and purposeful neck that adds to the vertical nature of the vase without taking anything away from the presented brushwork and design under this attractive glaze.

Suzuki Takuji has had a stellar care...

Round ko-tsubo, small vase with temmoku glaze and clear panels with multi-color enamels in vertical stripes

Stoneware, slip, glazes and overglaze enamels

7" X 7"

A stunning pair of sake cups depicting monkeys by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf. Title: Sake Cups (sakazuki 坏) Medium: porcelain with underglaze gold leaf and overglaze enamel Size: Wider: 3.1 x 8.2 cm and Taller: 6.1 x 4.6 cm Signature in enamel on the bottom of both pieces: Saiichi (佐一) Date: Heisei Period, 2002 Condition: no flaws: no cracks or repairs; m...

Being based in Kyoto we occasionally come across fine Chinese and Korean tea-ware to mix in with our Japanese offerings. Here we have an example of a ceremonial tea bowl from the Shinragi kiln in Korea. Pieces like the one seen here are baked in a traditional wood-fired “climbing kiln” at a temperature of over 1,300 degrees for 5 days. Fashioned after classical works held in museum collections, the motifs are timeless and captivating.

In excellent condition, this piece is 5.5 in...

Eye-catching Hirokazu Ichikawa art deco ceramic vase. B.1959 Ichikawa has won many prizes including the Kyoto Art Exhibition 4x, Asahi Pottery Exhibition twice and many more. With original box. Ask for shipping quote.

Take-sugata, bamboo formed chawan with haiyu ash glaze over the ridged and stamped form

Porcelain and glazes

4.75" x 4"

Functional, decorative and food safe

The great master Sadamitsu Sugimoto has been challenging to various kinds of pottery, Iga, Shigaraki, Raku, Ido, Kohiki, Shino, Oribe, Kiseto so on, And he has accomplished Celadon works. This piece has abstract pattern with copper glaze under the celadon glaze. Size: 9.0cm(D) 3.0cm(H) Accessary: wooden box signed by the artist.

Elegant modernism art deco ceramic vase with signed box by one of the Japanese masters, Norio Azuma. Created at the turn of the century, ca. 2000. 13" tall x 10" in diameter. ask for shipping quote.

Kato Tsubusa Celadon Asymmetrical Vessel in Seihakuji Glaze Of irregular shape, with some sharp cut and other stretched edges, standing on 3Three small feet. The light blue glaze pooling inside the tray. Size, L 28 w 16 h 12,5 cm. Enclosed in inscribed and signed storage box ( the lid of the box has water marks). Condition: Excellent. *****Kato Tsubusa, born in 1962, a well-established ceramic artist from Tajimi City, Gifu Prefecture. After graduation in 1979 he experimented with po...

GIZA GIZA

Ceramic work formed with paper coated with mad and burnt by me myself, Fumie Nishimura. ‘Giza Giza’ is a Japanese onomatopoeia and would be translated to “Jagged” in English. H 13 x W 13 x D 13cm (5.11 x 5.11 x 5.11in). Very delicate and fragile piece so that some parts will be chipped, though I'll try my best to pack it very carefully. (So, as long as you want to receive 100% complete actualy piece, please don't order it since I can't guarant...

The great master Sadamitsu Sugimoto has been challenging to various kinds of pottery, Iga, Shigaraki, Raku, Ido, Kohiki, Shino, Oribe, Kiseto so on, And he has accomplished Celadon works. This piece has abstract pattern with copper glaze under the celadon glaze. Size: 9.3cm(D) 3.0cm(H) Accessary: wooden box signed by the artist.

The vase has interesting rugged and leathery texture to it, reminding of elephant skin. H 18 cm. Signed with impressed mark. It comes with inscribed and signed storage box and information paper. Perfect condition. ***** Morimoto Kei was born in Akaiwa City ( Okayama ) in 1948. In 1978 he came under the influence of Master Fujiwara Kei and was taught by him. 1982 became a student of Oi Itsugo 1986 built his first climbing kiln. 1989 opens his studio. Many awards and exhibitions to his n...

Rich Oribe influenced mizusashi with hakeme (hakame) and impressed design. In the firing, the glaze ran off the pot to form a dragonfly eye style drip. The drip makes the pot a bit uneven, but I could not bring myself to grind off the drip. The foot can easily be stabilized with the addition of two felt pads

Stoneware, slip and traditional Oribe glaze

5.75" X 8.6"

A powerful Bizen sculptural vessel by Motoharu Kurokawa Of a trapezoidal shape, with irregular cut away parts on both sides. Kurokawa Motoharu ( Tokyo, 1957 - ) is an innovative craftsman from Okayama, who works with Bizen, he has won numerous prizes for the originality of his works. Member of Japan Kogei Association. Impressed artist’s mark in the bottom and information of the artist. Size: H 30 cm, W 30 cm, bottom: L 18 x 7 cm. Perfect condition

Large ships bottle form decanter with ameyu and gosu glazes (Not intended for use with hot liquids)

Stoneware, glaze and overglaze

10.25" X 8.8"

Functional, decorative and food safe

A versatile platter with three Mukozuke dishes, perfect for condiments or hors-d’oeuvres. I imagine, in Japanese cuisine, a large grilled fish shared by the family, with pink salt, sansho, and sea salt in the three dishes, there to flavor to your taste. The tops are smooth cut like folded paper, but the bottoms are torn away in honeycomb like cubicles, creating a very distinct contrast unique to this artist. The plate is 14 x 28 x 4 cm (5-1/2 x 11 x 1-1/2 inches). The high dishes are 8.5 c...

A technique most commonly seen in Tenmoku tea bowls, “konoha” is accomplished by applying a coating to an actual leaf and then attaching the leaf to the surface of an artwork before firing. The exact details of this process seem somewhat murky as it appears to be a well-guarded secret among potters. After some research we were unable to identify the potter; and, although there is a signature on the bottom that appears to read “Raishō,” we could find no potter by this name. R...

The great master Sadamitsu Sugimoto has been challenging to various kinds of pottery, Iga, Shigaraki, Raku, Ido, Kohiki, Shino, Oribe, Kiseto so on, And he has accomplished Celadon works. This piece has abstract pattern with copper glaze under the celadon glaze. Size: 9.3cm(D) 3.0cm(H) Accessary: wooden box signed by the artist.

A stunning pair of sake cups depicting monkeys by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf. Title: Sake Cups (sakazuki 坏) Medium: porcelain with underglaze gold leaf and overglaze enamel Size: Wider: 3.2 x 8.5 cm and Taller: 5.9 x 5.4 cm Signature in enamel on the bottom of both pieces: Saiichi (佐一) Date: Heisei Period, 2003 for 2004 Condition: no flaws: no cracks or r...

Generous medieval galena style yunomi, teacup with a rich galena style glaze over an incised "intersection" design. Though galena influenced, this is a lead free glaze!

Stoneware and glazes

4.5" X 3.5"

Functional, decorative and food safe

Lyrical blue and white teabowl with a droozy rich blue decoration representing Sengai's Universe from his Zen parable and zenga. The circle/square/triangle is repeated twice around the apex of the chawan

Porcelain, underglaze gosu blue and glaze

5.25" X 4"

Functional, decorative and food safe

Stoneware covered dome box form glazed in my Kuro-Oribe surface and cornucopia inspired knob.

Box measures approximately 17 x 14.5cm

Stoneware and glazes

Decorative, functional and food safe

GIZA GIZA

Ceramic work formed with paper coated with mad and burnt by me myself, Fumie Nishimura. ‘Giza Giza’ is a Japanese onomatopoeia and would be translated to “Jagged” in English. H 17.5 x W 17.5 x D 17.5cm (6.88 x 6.88 x 6.88in). Very delicate and fragile piece so that some parts will be chipped, though I'll try my best to pack it very carefully. (So, as long as you want to receive 100% complete actualy piece, please don't order it since I can't g...

Massive natural ash glazed Shigaraki flower vase made by veteran potter Takahashi Shunsai (1927-2011).

Takahashi Shunsai 高橋春斎 is the second child of Takahashi Rakusai III. He grew up with his brother (Rakusai IV) watching his father's work, eventually becoming a Shigaraki ceramist himself.
He studied at the Saga Ceramic Research Center, Kyoto Prefectural Ceramists’ Technical Institute and, after mastering his skills, he established his own kiln in 1968.
He has been...

Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...