Porcelain Cube Tower Vase in the signature geometric style of Korean contemporary ceramic artist, Lee Min Kyu. The body subtly tapers at the top and bottom. This vase makes a great set when combined with the Lee Min Kyu Porcelain Bowl (Stock #0388), as seen in the last photo here. Height: 15.5 inches, 39 cm; Circumference: 18 inches, 45.5 cm.

Traditional Oribe rinka-hachi serving pair with underglaze decoration

Stoneware and traditional glazes

Approx. 8" X 7" X 1.75" each

Functional, decorative and food safe

Pair of richly glazed molded bottle vases by master potter, Kawai Takeichi. The taller leopard spotted tessha bottle is 9.2" x 5.9" and is in perfect condition. The smaller gosu blue with pale celadon like accents measures 7" x 4.4" and is also in perfect condition. Both of this vases come with their original signed boxes and both pieces are included in this single sale.

Kawai Takeichi (1908-1989), also known as Bu'ichi, had a long and illustrious career...

Large classical Oni-Shino chawan by Kajiura Soshu (b. 1916). Showing a wide array of surface variations including a thick Shino together with large areas of an iron red glaze with the face of the bowl being covered in deposited ash from an intense wood firing. The interior has wonderful luminescent iron together with areas of Shino cells and and also has a ground down clamshell where something was stood inside the chawan during the firing, a common occurrence in this style of pottery. ...

Rare black and white inlay vase by Kyoto master potter, Kondo Yutaka. Measuring just shy of 25cm tall this vase is cloaked in a black textured surface with impressed, inlay decoration of stark and contrasting white across the surface...

Fine Bizen sake set by Prefectural Intangible Cultural Property of Okayama (Bizen); Isezaki Mitsuru (b. 1934). Mitsuru is the brother of Living National Treasure, Ningen Kokuho, Isezaki Jun and uncle of Isezaki Koichiro. He is widely exhibited and published and has won the prestigious Kaneshige Toyo Prize for his work.

This sake set is composed of two guinomi and a tokkuri, each prominently marked and in the original signed box...

Large, Momoyama inspired, Shino chawan by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). Though it is easy to spot some influences of his master, Arakawa Toyozo, this chawan is all Tsukigata Nahiko. The vivid iron slip shows, like a shadow, under the feldspar Shino glaze with rich areas of natural green glassy ash coating the surface and iron accents about the lip and showing through the surface...

Robust high walled Toruko-ao Persian blue vellum teabowl over a suminagashi style neriage pattern

Porcelain and glaze

5.5" X 4.25"

Due to the vellum nature of this glaze, it is not recommended for daily use

A massive Oribe Slab by Hayashi Shotaro enclosed in the original signed wooden box titled Oribe Cho-ho-Zara. It is 25-1/2 x 13 x 4-1/2 inches (65 x 35 x 11.5 cm) and in excellent condition. Due to size the cost of shipping will be accrued separately for this item.
Shotaro is one of Japans true genius potters, moving far beyond tradition, glaze research and firing technique, to a place of inception...

Porcelain Cube Bowl in the signature geometric style of Korean contemporary ceramic artist, Lee Min Kyu. The sides of the bowl seem to rise up straight, yet they flare outward ever so slightly. This bowl makes a great set when combined with the Lee Min Kyu Porcelain Vase (Stock #0387), as seen in the last photo here. Width: 9.5 inches, 24 cm; Height: 4.5 inches, 11.25 cm.

Tea Bowl, chawan, Wood-fired Shino Glaze, by George Gledhill. H.3.125"(8cm) x Dia.5.25"(13.25cm) x Footring Dia.2.5"(6.25cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

A dramatic basin brutalized by the elements by Shigaraki Master Tsujimura Shiro enclosed in the original signed wooden box. Representative of this artists work, the lip has split with heat, one edge blasted off, and the entire charred and buried in ash. The dish measures 7.5 cm (3 inches) deep, 29 cm (12 inches) diameter and is in excellent condition.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter...

As if cut from a solid block of clay, this bowl appears to be constructed of intersecting planes, though the chawan was first thrown, altered and cut, mentori style. This modern chawan is by master innovator and Bizen potter, Kakurezaki Ryuichi. Apprenticed to Isezaki Jun, he learned the traditional methods of Bizen pottery and firing and has added so much more to his style and vision of clay...

This rich and substantial pot is by Mashiko potter Hyuga Munetoshi, a one time student of the Hamada kiln (?). Glazed in an exceedingly rich tessha/kaki iron glaze the pot has wax resisted decoration of flowers on either side of the pot. Intended for use as both a tsubo and mizusashi, this pot is a great example of modern Mingei influenced Mashiko pottery. The glaze is far more complex and rich than the photos convey and will not disappoint in person...

Wood-fired Tea Bowl, Matcha Chawan, by John Benn; Harstine Island, WA. Shino Glaze. One finger marking remains where the bowl was glaze dipped. Stamped with artist's mark. H. 3.00"(7.5cm) x Dia. 5.875"(15cm.) John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln. Now, he and his wife, Colleen Gallagher, make wood...

Quintessential Shigaraki chawan made by master veteran potter Otani Shiro. Serene and feudal in appearance this bowl is an wonderful example of a wood fired chawan made explicitly for use in chanoyu and not as a decorative bowl. The face, interior wall and floor of the teabowl are coated in various hues of natural ash that was deposited and melted during the firing of his anagama. The bowl, surface, interior and foot are all well balanced and work in harmony with each other creating a well conce...

Futa-oki, Lid rests, by George Gledhill; Payette, ID. Wood-fired, ash glaze. Sizes range from: GG.FO.1 H.1"(2.5cm) x Dia.2.5"(6.25cm) GG.FO.2 H.1.125"(2.75cm) x Dia.2"(5cm) GG.FO.3 H.1.5"(3.75cm) x Dia.2"(5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented ...

This contemporary Shiwan figure was made by Mr.Lin Wei-Dong. Mr. Lin is a well-known Shiwan potter. His signature appears on the bottom along with the notice that he produced this piece at Tao Lin Studio. There is a stamped seal on the straw mat close to the foot. The statue is a famous Chinese legendary figure called Ji Gong. As the story goes, Ji Gong was a real person. A Buddhist of the Southern Song, his dates are 1148~1209. His original name was Li Xin-Yuan. He came from Tai-Zhou in modern ...

Nothing I can say can convey the rugged beauty locked up of this Oribe Mizusashi, signed and enclosed in the original signed wooden box. Matsuzaki Ken is one of the most important potters in Japan, born in Tokyo in 1950.

He graduated from the Fine Arts Ceramic Department at Tamagawa University in 1972, and moved to Mashiko to take up an apprenticeship under Living National Treasure Shimaoka Tatsuzo, putting him in direct lineage with Mingei legend Hamada Shoji.

In 1978 he establ...

Wood-fired, faceted vase by George Gledhill; Payette, Idaho. H.8"(20cm) X Dia.5.25"(14cm.) See enlargements for flashing details. This pot is rugged and organic, with wonderful fire effects. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him...

Wonderfully color illustrated catalogue on the works of Ningen Kokuho, Living National Treasure; Arakawa Toyozo. The catalogue measures 10" X 10" and has 187 pages and covers chawan, mizusashi, chaire, tsubo, hachi and numerous other pieces. It also shows the diverse works of Arakawa, showing Shino, Seto-guro, Karatsu, Shigaraki, Bizen and numerous others styles that he worked in.

This catalogue shows works fired at various kilns across Japan, at friends kilns. Fired works from the kilns o...

An Oribe Dai-hachi footed basin by Koie Ryoji enclosed in the original signed wooden box. It is 11 x 7-1/2 x 3-1/2 inches (28 x 19 x 9 cm) and is in excellent condition. A few pre-firing chips are shown in the close-ups, glaze over-running theedges proof that they happened before the piece was fired.
Born in Tokoname, 1938, Koie Ryoji graduated the Tokoname industrial school and moved on to work at the City Ceramic Research Facility. In 1966 he established his own studio. Largely displaye...

Vivid texture and color variations paint this bold swirl platter by Shigaraki and Oribe specialist, Yamaguchi Yoshinari. Made of a tight buff-white stoneware the Oribe glaze has created varying hues of green depending on the thickness of the glaze with high points having a brighter surface and a thick pool of green glass in the center of the plate with rich blue-green tones where the copper has become over-saturated. Measuring 11.75" x 1.75", the plate is in original condition though the box has...

Enigmatic lines score the martian landscape of this large slab platter by innovative Japanese artist Teramoto Mamoru enclosed in the original signed wooden box. The slab measures 53.5 x 16.5 x 5 cm (21 x 6-1/2 x 2 inches) and is in perfect condition. The box itself is a testament toteh value placed on it by the artist, double the thickness of a usual box and of a fine grade of kiri. The moonscape style is haunting, and Mamoru is a must for any modern Japanese ceramic collection.
Mamoru (...

Wood-fired Plate by George Gledhill; Payette, ID. Ash glaze. H.2.375"(6cm) x 9.75"(24.75cm) square. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped to sh...

Splendid Keshiki, it is difficult to describe this stunning square platter by Bizen master Kakurezaki Ryuichi (b. 1950) which comes enclosed in the original signed wooden box. The massive dish is torn and scraped from a single thick slab of clay. Spattered with natural ash glaze, it is a true masterpiece by this most sought after artist. The piece is 16-1/2 inches (42 cm) square and in excellent condition. It is likely that Ryuichi needs no introduction, one of the most well known of Bizen p...

The surface of this rough slab is like an eroded plain with rivulets of glass running to a clouded pool in the center, signed along the edge and enclosed in the original signed wooden box by Sugimoto Sadamitsu. It is roughly 20-1/2 x 8-1/2 x 3 inches (52 x 21.5 x 8 cm) and in perfect condition.
Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving the kiln name from his mentor Daitokuji priest Tachibana Oki. His Ze...

Plate, Mashiko-yaki, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kuro (black) and Kaki-yu ("persimmon" glaze.) H.1.25"(3cm) x Dia.7"(18cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is currently the 4th-generation he...

Small Dishes with kaki (persimmon) and gosu (blue) glazes, Mashiko-yaki, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. H.1.125"(3cm) x Dia.3.75"(9.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went t...

Air bubbles appear trapped in the glaze like a thin slab of ice. This is a fantastic Chozara by Inoue Yoshihisa enclosed in the original signed wooden box. It measures 30-1/2 x 9 x 1 inches (77 x 23 x 2.5 cm) and is in perfect condition. Due to size the cost of shipping will be accrued separately for this item.
Yoshihisa (b. 1947) studied ceramics under Kiyomizu Rokube VI, certainly one reason for his emphasis on sculptural concerns. His work has often been accepted to the Nitten Nation...

Triangle-shaped Dishes (2) with blue cross-hatch design, Mukozuke or dessert/salad dishes, by Hanako Nakazato; Union, Maine and Karatsu, Japan. These dishes are appropriate for most any savory or sweet food and are an excellent size for use as a mukozuke dish used in Japanese cuisine. Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Livi...

Large Dish or Rimmed Plate by Sachiko Furuya; Shoreline, WA. Contemporary, H.2.75"(7cm) x Diameter of 13.5"(34.25cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in ga...

Elegant Iga hachi with rimpa design by Yasuda Michio. This hachi is reminiscent of earlier Rimpa works and has underglaze slip work depicting a warabite ferns and fence design. The platter has wonderful accents of real gold sponged about the surface. Yasuda Michio is one of few carrying on the Rimpa tradition in ceramics, he studied with banura Shiro and has been widely exhibited and published.

This piece is in excellent condition and measures 12.25" x 7.25" x 2.8" and comes complete with ...

Tea Bowl, Matcha Chawan, Ido-gata (well-shaped,) by Sachiko Furuya. H.3.5"(9cm) X Dia.6.375"(16.25cm) X Footring Dia.2.375"(6.25cm). Gray glaze. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. Sh...

Kuro (Black) Sabi-Nagashi (dripped glaze) Kaku Bachi (Square Plate,) Mashiko-yaki, by Tagami Isamu. Mashiko-guro) (Mashiko Black) glaze with Kaki (persimmon) glaze cross pattern. H. 1.25"(3cm) x 6.5" (16.5cm) square. Small "kamakizu" (kiln scar) on side (see enlargement #4).Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embark...

Ao glazed neriage (contrasting clays) mizusashi, complete with custom lacquer lid. A great piece for use or as a statement

Porcelain and glazes

5.5" X 5.5"

Functional, decorative and food safe