Rich, almost luxuriant chawan by rising star, Tsukamoto Haruhiko (b. 1959). This lush and evocative Oribe chawan features an every changing landscape and kaleidoscope of textures and color over the well carved, faceted surface. From light and pale tones of green and blue-green, to thick pools of a rich brown-green pool of glaze in the mikomi, this chawan has something at every angle and turn of the chawan...

Red highlights the orange and white on this playful form vase by Kato Yasukage enclosed in the original signed wooden box titled Shino Hanaire and signed by the 14th Generation Yasukage followed by his seal. The pin-holed glaze burnt and licked crimson by the flames. The way the color fades into the white feldspar one can almost imagine the smoke rising off of the molten form as it cooled in the kiln...

Mixed stoneware clay, unique curved lines, movement, form and warm textures of nature are a clear influence of Izumita Yukiya works. This wonderfu tea bowl is enclosed in the original signed wooden box titled Sekisoh (layers) Chawan.
Size, D 12.6 cm H 10.1 cm
Condition, Excellent
Yukiya was born in 1966 in Rikuzentakata City, Iwate Prefecture . In 1995 opened is own workshop...

Try describing this incredible Mizusashi covered in glassy Oribe green glaze by important artist Hayashi Shotaro enclosed in the original signed wooden box. Spectacular is all that comes to mind. It is entirely sculptural, with a refinement of glaze only this artist can create. The piece is 7 inches (18 cm) tall, 9 inches (23 cm) diameter and in perfect condition. Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics...

Wide, open teabowl richly glazed in medieval green and Temmoku with a my vibrant "bloesem" (blossom) design

Stoneware, slip and glazes

6.25" X 2.8"

Functional, decorative and food safe

A relatively new term, “Oni Tamba” is used to describe works of Tamba-ware fired using carbon trap and ash glazing techniques modeled after those pioneered by Tsukigata Nahiko in the 1950’s. This piece in particular displays a bold and innovative ceramic landscape that seems quite impressive for such a young artist as Onishi. One side of the bowl resembles charred igneous rock while the front shows a warm soft orangish glow—like an ember in a fireplace...

The deep sides of this striking bowl are covered in unusual shades of lustrous orange tinged feldspar by master craftsman Kato Yasukage XIV enclosed in the original wooden box titled Shino Chawan and signed By the 14th Generation Yasukage followed by his seal.  The coloring appears as if the bowl is still held in the whispering grasp of the flame, a bright yellow-orange which appears almost liquid in places.  Very unusual and a most unique piece by this important artist. 
Size, D 12.2...

A deep Choho-zara rectangular dish decorated with morning glories in dark rust and red over yellow with a black rim, a striking combination by Kyoto female artist Takagi Hoko enclosed in the original signed wooden box. Created from a heavy slab, the sides were raised and carved with wave patterns covered in white with a raw base chiseled out in long horizontal strokes...

Molten ash streaks around the form of this exquisite traditionally uzukumaru shaped tsubo by Sugimoto Sadamitsu enclosed in the original signed wooden box. It shows the true mastery of Sadamitsu over kiln placement and firing technique.
Size, D 18.6 cm H 18.8 cm
Condition, Excellent
Sugimoto Sadamitsu was born in Tokyo in 1935...

Mint Oni-Hagi masterpiece chawan with notched foot by star potter Seigan Yamane. This extraordinary tea bowl is covered by wonderful different shades of white glaze and a few shades of purple on brown pottery. In my opinion it is the one of the most aesthetic chawans that he made. The seal of the artist is stamped on the bottom.

Seigan Yamane was born in 1952, and started making Hagi ware in 1987...

An austere form calling to mind the strictness of form and years of practice required to master the way of tea by Sugimoto Sadamitsu enclosed in the original signed wooden box titled simply Kuro Chawan. Beyond, that dark charring fades out to charcoal black color and lively textures, one can imagine the beauty of staring into the bowl at the vibrant, frothy drink.
Size, D 12.1 cm H 8.6 cm
Condition, Excellent
Sugimoto Sadamitsu was born in Tokyo in 1935...

An Iga Kogo by Kishimoto Kennin and Tamba Kogo by Nishihata Tadashi, both superb examples of their craft and tradition, both by these prominent artists and both enclosed in the original signed wooden boxes.  The Kennin piece is a small square reminiscent of a pillar stone from some long lost temple, the edges covered in earth, the round top lost in a covering of moss.  Here he has breathed new life into the traditional form, both paying homage and yet leaving his indelible mark on it to carry ...

Kakehanaire, Hanging Flower Vase, by Sachiko Furuya; Honolulu, HI. Black, White, Bamboo Ash glazes. H. 4.25"(10.75cm) x Dia. 2.375"(6cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan...

Wonderfully color illustrated catalogue on the works of Ningen Kokuho, Living National Treasure; Arakawa Toyozo. The catalogue measures 10" X 10" and has 187 pages and covers chawan, mizusashi, chaire, tsubo, hachi and numerous other pieces. It also shows the diverse works of Arakawa, showing Shino, Seto-guro, Karatsu, Shigaraki, Bizen and numerous others styles that he worked in.

This catalogue shows works fired at various kilns across Japan, at friends kilns. Fired works from the kilns o...

Round vase with my ao glaze over black and white slip with a banded spirali pattern

Stoneware,slips and glazes

10.5" X 6"

Functional, decorative and food safe

Kakurezaki Ryuichi is one of the most well known of Bizen potters, he is interestingly originally not from Bizen but far off Nagasaki, which seems to have gifted him with the ability to see the clays potential beyond conventional form. He graduated the Osaka University of Fine Arts, then enjoyed a long apprenticeship under Bizen Living National Treasure Isezaki Jun before opening his own kiln in 1986. Combining traditional technique with modern architectural form, He was recipient of the Japan C...

Silver waves ripple like the summer seas around the Mt. Fuji like cone of this iconic form by Morino Taimei enclosed in the original signed wooden box titled Ginsai Namijo Mon Henko (Silver Wave Pattern Vessel). The unsual base of white lends this piece a singular quality among his repertoire, and would be a wonderful compliment to other works by this esteemed artist.
Size, W 24.0 cm (9.1/2 inches) H 25.5 cm ( 10.1/4 inches)
Condition, Excellent
Taimei was born in K...

An iconic work in ivory colored covers this vase which comes enclosed in the original signed wooden box titled Zoge-ji Hanaire. A beautiful work with smooth movement of the rim and plump form. This is a great opportunity to acquire a very special piece by this artist.
Size, D 14.6 cm H 26.2cm
Condition, Excellent
Wakao Kei was born in Gifu in 1967 ,the first son of the legendary artist Wakao Toshisada . He first exhibited at the Asahi Ceramics Exhibition in 1997, and was ...

A rare and expressive example by the highly sought Tanaka Sajiro enclosed in the original signed wooden box titled Chossen Karatsu Hana-ire.  Every aspect of this work is unique, the slightest change in viewing point gives new insight into the work and the artist who created it.  Rich green spreads like wet moss on one side, rust and dark iron pin-holed and distraught, form a base.  Above drapes pale Chossen Karatsu colors and an unusual pair of handles cling to the side.  If you get tired o...

Rich Oribe square serving piece, with pierced and linen decoration for tea ceremony, kaiseki. This piece is made of stoneware and was made by veteran Oribe potter, Kato Sakusuke. His works are widely exhibited and published and his touch for making Oribe pottery is wonderful.

This piece is in great condition with its signed box and measures 7.5" by 3" at its widest

Wood-fired Vase, Hana-ire, by John Benn; Harstine Island, WA. Natural Ash Glaze. Inspired by Tsuno-daru (Sake Cask with Horns.) H. 9.25"(23.5cm) x Dia. 4"(10cm.) natural Ash Glazing, shell wadding remains on body. John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln. Now, he and his wife, Colleen Gallagher, mak...

Kakurezaki Ryuichi is one of the most well known of Bizen potters, he is interestingly originally not from Bizen but far off Nagasaki, which seems to have gifted him with the ability to see the clays potential beyond conventional form. He graduated the Osaka University of Fine Arts, then enjoyed a long apprenticeship under Bizen Living National Treasure Isezaki Jun before opening his own kiln in 1986. Combining traditional technique with modern architectural form, He was recipient of the Japan C...

Shadows of red flame ripple across the variegated surface and thick white glaze of this tall chawan by Shino master Kato Toyohisa enclosed in the original wooden box titled Nezumi-Shino Chawan.  Whenever one looks into a wood burning kiln during the firing, this is what is visible; ash molten on the sides of pots turned red hot by flames blasting through, long tendrils of fire wrapping about the wavering forms.  It is as if Toyohisa has captured that moment, and brought it out into the colder ...

Lidded storage jar with ameyu, amber glaze and a copper luster rain pattern

Stoneware and glazes

11" X 8"

Functional, decorative and food safe

A globular vase covered in the trademark sansai glazes of Ningenkokuho Tokuda Yasokichi III (Masahiko) enclosed in the original signed wooden box. A superb example of the work of this Living National Treasure.
Size, D 21.4 cm H 21,8 cm
Condition, Excellent
Designated Living National Treasure in 1997 for his supremacy in the use of Kutani glazes, Yasokichi, born Masahiko, has gone a step further than many National Treasures by broadening his spectrum with a new style of Kut...

A striking tea bowl by rising star Suzuki Taku enclosed in the original signed wooden box titled Kuro-Sabi (Black Rust) Chawan. From his famed rust glazes series , which not only display remarkable color variations, but also textures, creating a pleasurable experience for both the eyes and the hands.
Size, D 12.7 cm H 8.9 cm
Condition, Excellent
Suzuki Taku is a rising force in sculptural forms in the Japanese ceramic art world. In fact he graduated the prestigious Wase...

Two platinum spikes erupt from the black glazed surface of this Kurinuki vase hollowed out from a black of black clay by Masatomo Toi, the first Kurinuki vase he has created (we think he is on to something). It is 21 cm tall, 25 x 23 cm (10 x 9 inches including the spikes. It comes with a signed wooden placard, directly from the artist.
Masatomo Toi was born in Aichi Prefecture in 1992, and graduated the Design course at the Tajimi Ceramics Research Facility in 2019. Since he has been d...

Large, robust Madara-Karatsu mizusashi with undulating ribs around the circumference of the pot made by Karatsu specialist, Kojima Yoshiaki. In excellent condition with its original signed box, this mizusashi measures 22 x 18cm.

There is a nearly identical example of a mizusashi by Kojima Yoshiaki in the book, MODERN JAPANESE CERAMICS, pg.75, no.54.

Cosmic rays flow away in a burst of green over the twilight color of this vessel by Furutani Hiromu (Churoku I) enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. The entire vase seems to be covered in ashen gray over which the vivid green glass has flown, forming rivulets leading to a single crystalline drop on the opposite side. It is 22 cm (9 inches) diameter and in excellent condition, directly from the artist.
Furutani Hiromu (Churoku I, 1922-2012) Fa...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with chosen-karatsu (black&white)x marked as sake cup. His sake cup is very p...

Large altered oval teabowl form with temmoku and partridge feather glaze in the style of Karatsu pottery with a matching oval foot

Stoneware and glazes

6" x 5" x 4"

Functional, decorative and food safe

An exquisite work of micro-calligraphy by young female artist Tamura Seito IV enclosed in the original signed wooden box titled Karakusa moyo koro. It is roughly 4 inches tall and in new condition. Tamura Seito is a fourth-generation potter and chosen to inherit the tradition of Saiji micro-calligraphy for the Tamura family. She graduated Tsukuba University in 2004, then began to study under Tamura Keisei. In 2007 she graduated the Ishikawa prefectural Kutani Research Center and began a fell...

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta. However, they needed expensive costs, so they could not be continued. And Sadamitsu Sugimoto re...

Broad, formal style teabowl with TOL, tree of life design under a saffron iron yellow glaze

Stoneware, slips and glazes

5.5" x 4"

Functional, decorative and food safe

Yunomi, Tea Cup, Mashiko-yaki, by Tagami Munetoshi. Rou nuki-e (wax resist) Kaki (persimmon) glaze exterior, with Nuka (rice husk ash) glazed interior. H. 3.5"(9cm) x Dia. 3"(7.5cm). Volume = 8oz(240cc.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and th...

Set of 2 Sake Cups (Guinomi.) Kaki Glaze with overglaze red & green enamels, white interior. H.2"(5cm) x Dia.3"(7.5cm.) By Munetoshi Tagami of Hinata Kiln, Mashiko. Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to Americ...

Elegant tall temmoku vase with stamped lugs at the neck. This glaze is very visually intriguing as it appears different when viewed in different light sources. The surface is covered in a frogskin texture that looks like small oilspotting.

Stoneware and glazes

13.75" X 7"

High walled, irregular form teabowl with tataki paddled decoration around the form under amber haiyu and temmoku glazes

Stoneware and glazes

5.25" X 3.9"

Functional, decorative and food safe

Iron infuses the draperies of crystlized Shino glaze covering this traditional bottle shaped vase by Tsukigata Nahiko enclosed in the original signed wooden box titled Oni-Shino Tsubogata Hanaire.  A fold in the side adds asymmetry and a sense of immediacy to the piece, taking away the sense of creation and putting it firmly in the natural world where nothing is perfect (except perhaps the scent of a plum blossom!).  This is a quintessential work by this important artist whose work will remain...

Yunomi, Tea Cups, Mashiko-yaki, by Tagami Isamu of Hinata Kiln. Faceted sides, Kaki (persimmon) glaze on exterior, White Nuka (rice husk ash) glazed interior, with red & green overglaze enamel decoration of sugar cane and stripes. H.3.25"(8.25cm) x Dia.3.25"(8.25cm,) Volume=8.5oz (250cc.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaur...

Wood-fired Tea Bowl, matcha chawan, with signed wooden box by George Gledhill; Payette, ID. Ash glaze. H.3.125"(8cm) x Dia.4.5"(11.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the wo...

Junri Hamada is an expert potter in famous pottery area Mino especially with "Kiseto" works. Accessary: none Size: 21.3cm (D) 5.6cm(H)

ash blasted and bursting with inclusions, this chawan tea bowl by Otani Shiro comes with everything you could want from this representative Shigaraki potter.  Over a terracotta clay burnt ash gray a smattering of pale flying ash provides the backdrop for molten drips of foggy green and yellow shizen yu glaze.  The shape conforms beautifully to the palm, showing the master skill of this important artist. 
Size, W 12.8 cm ( 5-1/4inches)  H 9.9  cm ( 4 inches) 
Condition, Excellen...

A humble crackled white bowl by Koie Ryoji enclosed in the original signed wooden box titled simply Chawan. Inside drops of spilled ink and a bit of blank canvas (raw earth) like a minimalist painting from the 1950s. It is 14.5 cm (5-5/8 inches) diameter, 8 cm (3-1/4 inches) tall and in excellent condition.
Koie Ryoji (1938-2020)) was born in Tokoname and graduated the Tokoname industrial school before moving on to work at a tile factory in 1957, where he would lose two fingers in an in...

Vase Mashiko-yaki, by Tagami Munetoshi. Faceted sides, Kaki (persimmon) glaze with checkerboard pattern of red & green overglaze enamel decorations of sugar cane reed & stripes. H. 7"(18cm) x Dia. 3.125"(8cm). Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather an...

Aoki Ryuzan masterful banded oilspot, yuteki temmoku with a powerful green ban bisecting the form. Boxed, signed and in perfect condition. 3.5" X 3"

Large and robust Kohiki (powdered white slip) yunomi, teacup by master potter Ogawa Tetsuo. Boxed, marked and in perfect condition. 3.2" X 3.5"

Both Aoki and Ogawa are well known for these techniques and style and are in numerous publications.

Aoki Ryuzan Oilspot Yunomi Sold, thank you!
Ogawa Tetsuo Kohiki Yunomi $95

A vase with a carved-comb surface of white clay by Sakiyama Takayuki enclosed in the original signed wooden box titled dating circa 1998. It is 9 x 7 x 15 cm (3-1/2 x 3 x 6 inches) and is in excellent condition.
Sakiyama Takayuki (b. 1958) graduated the Osaka Art University in 1981. In 1984 he exhibited for the first time at the Nitten National Exhibition. He established his kiln in Shizuoka in 1987, and was accepted into and prized at the National Ceramics Exhibition (Nihon Togeiten) ...

Silver slip over the dark and murky ash gray sides by the popular young star Iguchi Daisuke enclosed in the original signed wooden boxes.
Size, Guinomi D 6.6 cm H 5.7 cm
Size, Tokkuri D 7.4 cm H 15.3 cm

Condition, New, From the artist this year.
Iguchi Daisuke was born in 1975 in Tochigi , After graduating the Tohoku University of Art & Design in 1998, studied in Kyoto under Imai Masayuki. He was awarded the Special Jury Prize at the Mashiko Ceramic ...

White Celadon Jar Number Two by Kim Young Mi. This beautiful and unusual shade of celadon is achieved by the artist's skillful manipulation of the glaze. 7.5h x 7w inches, 19h x 18w cm.

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware. Kim See Man's work has been exhibited at a long list of major museums, including the Asian Art Museum of San Francisco, Yale University Art Gallery, Freer/Sackler Gallery of Art, Indianapolis Museum of Art, Museum of Fine Arts in Bo...

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise are barely confined by this genre—as he often integrates non-traditional methods and materials. Born in the town of Tokonmae in 1938, from a young age he studied potting—a staple of the local economy—and later went on to do independent research, open his own kiln, travel widely participating in international conferences and workshops, and finally to become a...

A massive Blue Sculpture titled Sway by Yamaguchi Mio created as a reflection of the layered growth of organic forms such as shells and pine cones. Inspired by this natural growth, her work is likened to life in the depths of the ocean, along the seashore, of the layers of earth itself. She has made few works in blue, one of which is currently on display at the Chicago Art Institute for those in the area. This is a masterpiece. It is 74 cm (29 inches) tall, roughly 37 cm (15 inches) diameter a...

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. Size: 10.1cm(D)/12.6cm(H) Accessories: wooden boxes(signed by the artist)

A ribbon of iron glaze rises up like a swirling flame, a quintessential work by female artist Takatsu Mio enclosed in the original signed wooden box titled Work 1602. This is 43 cm (17 inches) tall and in excellent condition, directly from the artist.
Takatsu Mio (b. 1976) was raised in Gifu prefecture among the scattered kilns of Mino. She graduated the Osaka University of Arts Sculpture Department in 1999, moving on to advanced studies which she completed in 2001. Her first exhibited wo...

Temmoku glazed covered cap jar with repeated impressed designs around the body of the full jar

Stoneware and glaze

10" X 7.5"

Functional, decorative and food safe

Ripples cover the archaic surface of this flattened vessel by Sakata Jinnai enclosed in the original signed wooden box titled Hakudeisai Hajomon Henko (White Clay Wave Patterned Henko) It is 11 x 23 x 32 cm (4 x 9 x 13 inches) and is in excellent condition.
Sakata Jinnai was born in Tokyo in 1943, and began as an apprentice under the legendary Kamoda Shoji in 1964, establishing his first kiln in 1966. His work was selected for display at the Nihon Dento Kogei Shinsaku Ten (National Tradit...

Thick ash covers the ovoid form of this exquisite Chaire by Tsujimura Kai enclosed in the original signed wooden box. Nostalgic with its glaze effects and form immersed in tradition, yet full of the world today, contemporary, breathing, alive. To one side a crescent moon shaped kutsuki forms a rakish grin, inviting the viewer to join in the merriment. It is a masterpiece by this young artist.
Size, W 7.1cm(3-1/4 inches) H 11.1cm (4-1/2 inches)
Condition, Excellent , encased i...

Large Oribe style covered jar with kushime slip decoration and ring knob lid.

Stoneware, slip and glazes

13" x 7"

Hanging Vase, Kakehanaire, by George Gledhill; Payette, ID. Wood & gas fired with green glaze. H. 7"(18cm) x Dia. 2.875"(7.5cm.), with copper ring attached in back for hanging on a wall or post. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged...

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl. Described as a “Kiretsu-mon” (ki = turtle, retsu = cracked, mon = design/ crest), according to Hiramatsu, his inspiration for this piece came from an ancient form of sea life known as an Ammonite—a large spiraled mollusk who’s shells are often ...