A very large celadon platter by Yoshikawa Masamichi enclosed in the original signed wooden box. It is made to either sit or hang suspended from wire on the back. The platter is 75 x 20 x 5 cm (29-1/2 x 8 x 2 inches) and is in excellent condition. Due to size the cost of shipping will be accrued separately.
Yoshikawa Masamichi was born in Kanagawa in 1946, and graduated the Japanese Design Academy in 1968...

An assortment of sake cups by some of Japans most sought artists representing pottery traditions from throughout the country.  Higashida Shigemasa, Kato Tsubusa, Kato Yasukage, Koie Ryoji, Kakurezaki Ryuichi, Matsuda Yuriko, Takeuchi Shingo and Yamada Kazu, all forerunners in their genre and these bowls representing their most popular styles.  We have carefully screened and selected each work as a masterpiece unto itself, and feel very confident you will agree.  Bon Appetite! 

A stylish Tsutsu Chawan by Kishimoto Kennin enclosed in the original signed wooden box titled Iga Chawan On top, and named within Shinobi-Mono by Tachibana Daiki, Priest from Daitokuji Temple.  The Zen master has chosen an interesting name in Shinobimono.  It means “That which is hidden or unseen”; hidden like the nature of Zen, Buddhist law, or the final destination on the path of Tea.  It also was another name for Ninja, the famous families of spies and assassins of Japan, whose most fa...

Three finger strokes create enigmatic shapes like bent autumn grass or the rushing of a water fall on the dark side of this vase by Living National Treasure Hamada Shoji enclosed in the original signed wooden box titled Kakeai-yu Kabin.  Above a pale millet dusts the rim, meetingthe dark glossy glaze at the shoulder. 
Size, D 11.5 cm ( 4.5 inches)  H 22.1  cm ( 8.7 inches) 
Condition, Excellent , The box with some age
Hamada Shoji was born in Tokyo, and enrolled in th...

A very desirable work with a swish of resist creating a white floral streak on the rich red and black of this contemporary Mashiko form by Living National Treasure Hamada Shoji enclosed in a box annotated by his son Shinsaku and titled Kaki-yu Nuki-e Kabin, Shoji-saku.  The form is iconic Mashiko, with a strong sense of the utilitarian, a keynote of the Mingei movement which Shoji represented.  A spectacular example of this artists work...

A very unusual sculpted work in crispy Manyosai Shino glaze by Hayashi Shotaro enclosed in the original signed wooden box. It is 8 x 10 x 10 inches (25 x 20 x 26 cm) and in excellent condition.
Shotaro is one of Japans true genius potters, moving far beyond tradition, glaze research and firing technique, to a place of inception. He first began with a 7 year apprenticeship under his older brother Kotaro, ending when he established his own kiln in 1974...

A superb example of the work of this Living National Treasure, 8 inches (21 cm) diameter, 7-1/2 inches (19 cm) tall and in excellent condition.
Designated Living National Treasure in 1997 for his supremacy in the use of Kutani glazes, Yasokichi, born Masahiko, has gone a step further than many National Treasures by broadening his spectrum with a new style of Kutani ware. Masahiko graduated from the Kanazawa school of arts, and took up apprenticeship under his father Yasokichi II...

Like a mirror of the soul, the ovoid forms of Living National Treasure Tokuda Yasokichi III flash with brilliance, vivid color explodes, while the darkness seems infinite, impenetrable and reflecting only the world around it.  Here is a fine example of his work, pale blue blends through green into soft yellow before plummeting into darkness. The body of the vessel has been brought up to a very narrow neck, just wide enough to receive one flower before flaring out at the top...

There is something very alive about this sculptural tea bowl by the famed artist Ajiki Hiro, a blossoming to life like fresh shoots breaking through the last winter snow, the warmth of the earth lying beneath pale glaze.  The Kodai (foot) is verylow, not much more than a flat spot on bottom, making it very comfortable to hold.  It comes enclosed in the original signed wooden box titled simply Shino Wan, and is covered by a stamped paper cover decorated with a sketch of a recluse staring out fr...

Orange peel textured black Chawan by Samukawa Seiho I (Yoshikazu 1899-1975) enclosed in the original signed wooden box titled Kishu Yaki Nacchi-guro Chawan. It is 5-1/4 inches (13.5 cm) diameter, 3-1/2 inches (9 cm) tall and in excellent condition.
Born in Osaka in 1900 and raised in Kyoto, Samukawa Seiho I began his apprenticeship in tea ware under Sawada Muneyama in 1919. With a letter of introduction he entered the Aichi Prefectural Ceramics Research Facility in 1927...

A proud form of a fulling block inscribed with a wave pattern in the raw clay of the base and covered in ame-yu glaze by Inoue Toya enclosed in the original signed wooden box. It is 9-1/2 inches (24 cm) tall, 6 inches (15 cm) diameter and in excellent condition.
Inoue Toya (1942-2013), graduated the prestigious Nihon Daigaku in 1966, having spent his student years excavating ancient Karatsu shards and researching their techniques. He apprenticed under the multifaceted potter Nushi Ensai...

A virtual textbook on Yohen firing effects. Tamadare, Shinshoku, koge and others decorate this spectacular tea bowl by Fukioka Shuhei enclosed in the original signed wooden box titled Iga Chawan and named inside Shizanro (Fuka-yama Michi or Deep Mountain Path).  This could be a reference to the five peaks which make up the rim, a traditional form codified in the mid Edo period by the Raku family of potters. It rests on a wari-kodai split foot, unusual for Iga-ware...

A torn opening and zen-like slash creates a dramatic pairing on this otherwise austere shape by Miwa Ryosaku (Miwa Kyusetsu XII) enclosed in the original signed wooden box titled Kakehana-Ire (Hanging vase).  This combination of static form and calligraphic movement, like a Zen Brushwork, gives off a strong sense of immediacy, a fleeting sense of the moment which is the essence of Ichigo Ichie at the heart of the Tea ceremony.  As well it is this tension between tradition and artistic drama wh...

Iron infuses the draperies of crystlized Shino glaze covering this traditional bottle shaped vase by Tsukigata Nahiko enclosed in the original signed wooden box titled Oni-Shino Tsubogata Hanaire.  A fold in the side adds asymmetry and a sense of immediacy to the piece, taking away the sense of creation and putting it firmly in the natural world where nothing is perfect (except perhaps the scent of a plum blossom!).  This is a quintessential work by this important artist whose work will remain...

A whimsical koro by Takauchi Shugo enclosed in the original signed wooden box titled oribe Koro. It appears to dance, two arms up in the air with the music, a slight jaunt in its three legged step. It is 11 inches (28 cm) tall and in excellent condition.
Takauchi Shugo was born in Tokyo in 1937. He opened his kiln in Mashiko at the age of 31...

Pine trees and Snow Flakes in silver and gold on red by Ono Hakuko enclosed in the original signed wooden box titled Kin Ginsai Ichirin Tate. It is 9-1/2 inches (24 cm) tall and in excellent condition.
From Aichi prefecture, Hakuko was trained by her father initially in the ceramic arts. However she was most strongly influenced by the great experimentive artist Kato Hajime (1901-1968) and his work with gold. This affected her own style deeply, and it can be said that she carried on his re...

RARE! Oribe vessel covered in pale earth-tones scribbled with natural motifs by Suzuki Goro enclosed in the original wooden box titled Narumi Oribe Natsume. Evidencing the great value placed upon the work, it comes wrapped in a silk bag bound with silk chord, inside a the original signd wooden box enclosed in a lacquered Niju-bako double wood storage case.
Size, D 6.1 cm ( 2.4 inches) 10.8 H   cm ( 4.3 inches) 
Condition, Excellent 
Suzuki Goro has a list of shows and pri...