Ame and copper glaze stacked stones style covered jar, mizusashi with a rain pattern decorated around the jar's waist and moss green accents at the foot and top

Stoneware and glazes

7.5" X 7"

Functional, decorative and food safe

Robest impressed decoration teabowl with an overall "echoes" pattern around the piece under one of my Oribe glazes

Stoneware and glaze

5.5" x 4.25"

Decorative, functional and food safe

A tea bowl with stunning glaze by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This is an early work, when he focused on celadon-like glazes. At that time he was studying ancient Chinese pieces, and was influenced by his father who excelled in celadon. His tea bowls are not common, and purple ones are quite rare. Piece is simply titled Tea Bowl (Chawan 茶碗), it is glazed stoneware, from Shōwa Period, late 1970...

A cool and elegant drinking vessel by rising star Matsumura Jun, enclosed in the original signed wooden box. Beautifully uniform in a misshapen way.
Matsumura Jun was born in Chiba Prefecture in 1986,and graduated from the Tajimi City Pottery Design and Technical Center in 2015. At the same Year he was awarded at the Meijer Shigaraki Tradition and Innovation-Japanese Ceramics Now. In 2016 awarded at the Kanazawa Contemporary Kogei Exhibition, and the Mino Ceramic Art Museum in Tajimi...

Lg. faceted mentori teabowl with temmoku and medieval green glazes. The surface of the glaze is streaked with iridescence

Stoneware and glazes

5.7" X 3.65"

Functional, decorative and food safe

From our Southeast Asia Collection, a lacquerware masterpiece from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223...

Spectacular Hi-iro defines this sake set by Konishi Toko II enclosed in the original signed wooden box. Various shades of color scorch the undecorated flame licked raw earth. A pleasure to drink from in every aspect, every cup offering a new facet. The tokkuri is 5-1/2 inches (14 cm) tall, cups 2-1/4 inches (6 cm) diameter and all is in perfect condition. Toko, of course, learned from his father Toko I (1899-1954) and was succeeded by his own son Toko III.

A stellar tea bowl covered in rich Oribe green by Tsukamoto Haruhiko enclosed in the original signed wooden box titled Oribe Chawan.
Size, D 13.1 cm H 9.1 cm
Condition, Excellent
Tsukamoto Haruhiko was born in Toki city, Gifu, in the heart of ceramic country in 1959, and raised among the kilns of the Mino region...

Casually faceted mentori teabowl with my Tetsu-oribe style glaze on a sandy stoneware clay.

Stoneware and glazes

10.5 x 13 cm

Decorative, functional, food safe

Pale jade spots dot the incised surface of this unusual vase by Nagae Shigekazu enclosed in the original signed wooden box retaining the Shiori and Shifuku. The vase, if not for its distant, moon-like quality, has a very pop-art-presence, blending both the austerity of Japanese traditional aesthetics with contemporary art. Fun and moving; a haunting pleasure. It is 14 inches (35.5 cm) tall, 5 inches (13 cm) square at the base, 7 inches (19 cm) wide at the rim and in excellent condition...

29" x 16" x 29", oil paint on wood. Alan Kessler was born 1945 in Philadelphia, PA. He was educated at the Philadelphia College of Art, Philadelphia, PA where he received a Bachelor of Fine Art. He then attended the Maryland Institute College of Art in Baltimore, MD where he received his Masters of Fine Art. He has had 16 solo exhibitions in New York, including six at O.K. Harris, two at the James Yu gallery, and the Dobrick Galleries in Chicago.

Yunomi, Tea Cup; by Isamu Tagami of Hinata Kiln, Mashiko. Nami Jiro white glaze with brushwork of bamboo on snow pattern. H.3.25"(8.25cm) x Dia.3"(7.75c.) Volume=7oz(210cc.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares...

Hayashi Shotaro is one of Japan’s preeminent potters, and he has outdone himself again with this mouthwatering work decorated with a pagoda in dark iron silhouette against an iron red sky fading to darkness at the rim. It comes enclosed in the original signed wooden box titled Manyou Yamato-ro Henko (Manyo is his signature glaze and Yamato-ro refers to imagery of old Japan). This piece was shown at his exhibition celebrating 45 years of potting, and is featured in the catalog image number 19...

Donated 2005 at a value of $250+ based on 2005 precious metal's prices. Hand wrought in an American studio this sterling metal sculpture necklace set for donation to Brigham Women's Hospital Center for Chest Disease. Although gifts are not signed with a name, this was stamped: HANDMADE STERLING. 2 0z Studio Red Garnet & White Pearl Jewelry Set. It was auctioned at their First Annual Dinner Dance & Silent Auction held @ the Boston Marriott Newton Hotel - 2345 Commonwealth Ave., Newton (Rte...

A black cloak is draped from the shoulders of this mysterious character lurking in the shadows of the tea room by legendary potter Higashida Shigemasa enclosed in the original signed wooden box titled Hikidashi-kuro Chawan. Matte over much of the surface, The dark glaze trails off near the base, revealing a startlingly white clay. The contrast is both abrupt and challenging, creating a tension most welcome on an otherwise subtle work...

This stunning blue glass bowl by studio glass artist Don Gonzalez expresses the beauty of glass itself - the intrinsic optical qualities are a primary design focus. Standing 7" tall and 7" diameter, it has a strong sculptural presence...

An earing clings to the “mimi” on this fabulous ash glazed vessel by one of our favorite hidden treasures, Tamura Roppo, enclosed in the original signed wooden box titled Koshu Iga Mimitsuki Hanaire. The traditional form is affixed with two “ears”, from one of which clings one tremulous drip of ash, seeming to slightly weigh down that side. Happenstance occurring at just the right place at just the right time during the firing process that it survived without falling or breaking off...

A ghostly pale tsubo with jagged grooves cut into the shoulder by Kimura Morinobu enclosed in the original signed wooden box titled Kaede-yu O-Tsubo (Large Tsubo with Maple-Ash Glaze)...