Striking ethnographically-inspired kinetic modernist earrings by William Spratling, arguably the most important name in Mexican Silver. The top portion are classic Taxco, but the large dangling loops freely suspended add a fresh, modernist touch, along with the excitement of motion. These are large statement pieces, measuring 1.75' in length. They are not heavy and easy to wear. Original screw-back mechamisms in good working order...

Art Nouveau Owl belt buckle

Gablonz, Bohemia

1900

5" x 3"

Metal alloy

Pictured on page 29 of Jewels of Fantasy: Costume Jewelry of the 20th Century, Deanna Farneti Cera (Editor)

Very good antique condition

Large American Modernist Sterling Spiral Brooch

Ed Wiener

c.1948

Excellent condition

3" x 2 3/4"

Hans Hansen sterling silver necklace designed by Bent Gabrielsen

Denmark

Late 1960's - 1970's

Pendant - 4 1/4" long

Torque measures 15" in circumference plus a 1 1/4" opening

Both neck ring and pendant are signed Hans Hansen 925s Denmark

Very good vintage condition

Betty Cooke modernist sterling silver brooch

Mid 20th century

This rare early form measures 1 5/8" x 1 1/2"

Marked Cooke, sterling

Excellent vintage condition

Poul Warmind modernist sterling silver bracelet

Denmark

1950

7 1/2" x 1"

Weight - 65 grams

Marked Warmind, Denmark, sterling

Excellent vintage condition

We are offering an exceptional multi colored gemstone necklace that adorns all the way around the neck. Each stone is set in a pear shaped silver dish that reflects bold colors and makes this very rare necklace glow. The length is 15.5in. long and weighs 83 grams heavy. The silver is higher than 925 and the settings are Of thick silver. When worn it becomes one of the most comfortable necklaces you will own. The drop is 1.5in. tall and 1in. wide...

Ledesma is a noted Maestro in Penny Morrill's books. This is a rarely seen all silver Art Nouveau swirl weighing 61 grams heavy. It is properly hallmarked as shown and in 2 places. The repousse is without dents and is flowing in design. At it's widest it is 7/8th's of an inch and is 16.5in. long. The piece is jaw dropping on and you can turn the swirl inside or outside to wear. One pix shows it with the outside swirl. This one deserves our attention, just LOOK AT THAT NECKLACE!

Early hand made eye/eyelash sterling and matrix turquoise earrings by famous modernist Sam Kramer, NYC, c.1955. Each matrix turquoise comes from a different mine - one is greenish turquoise with black material (right) and the other is blue turquoise with brown(left) material. Obviously hand made, with each earring charmingly differently shaped than the other. They each measure approx. 1 1/8" long by 3/4"-1" wide. Each is signed STERLING mushroom mark(for Kramer) and are in excellent condition...

An 18k birks bow brooch with diamonds from the 1950s. This retro brooch with three claw-set round brilliant cut genuine diamonds circa 1950s is well-made; it measures 2-1/8" x 1-1/4" pin is stamped 18 K and BIRKS. It has a safety catch, and it weighs 9.9 grams. The diamonds measure approximately 6 points in total - they are sparkling clear and white (VS, E-F colour)...

This is a Pair of 14K White Gold Diamonds & Pearls Heart Earrings from an East Coast Estate. Total Diamond Weight is approximately 1.5 Carats. Ca. 1950- 1975 .....

A handsome gentleman’s ring, the front in the form of a horseshoe encircling an onyx cameo carved to depict a steeplechase scene of a jockey and horse leaping over a fence. Interestingly, the carver chose not to polish the black onyx background, perhaps to lend a more masculine feel to the design. The shank is finished in a reeded pattern. Tested and guaranteed 18K.

• Origin: probably, France, ca...

A rare 14K yellow gold Art Nouveau locket, the front cover depicting a Ford Model B automobile (1904-06). The headlights and the center of the grille are set with old mine cut diamonds sparkling as if truly lit up. The car is very finely detailed with excellent depth to the design, clearly showing the early right-hand drive and the fluted sides of the engine compartment. The back bears an ornate period three-letter monogram. Tested and guaranteed 14K.

• Origin: America, ca...

A superb pair of Art Deco 18K yellow gold cufflinks, the front faces decorated with champleve translucent red and opaque black enamels around central reserves of engine-turned engraving in a herringbone pattern. The geometric design of the enamel work is distinctively Art Deco. The red enamel is built up in a thick application to create the appearance of three-dimensional jewels. The backs are designed as faceted batons with tapered ends. The faces are connected by removable connectors...

A very attractive pair of Napoleon III 18K yellow gold cufflinks, the canted square faces studded with round mixed-cut rubies and old mine cut diamonds. The rubies are in the finest color-range, with strongly saturated, very slightly purplish-red hue. The nature of the inclusions in the stones suggests they are Burmese in origin. The diamonds are of similarly fine quality...

A wonderful 18K yellow gold and Essex crystal stick pin dating from the reign of Emperor Napoleon III. The head features a reverse-carved crystal decorated with a scene of a horse and rider jumping over a stone wall in a grassy field. The coloring is very finely done in pale shades. Essex crystals—especially those with sporting themes—were very popular in England and the United States. Occasionally, they were made in France, as well. French examples can often be identified by the use of...

A lovely pair of 18K yellow gold and steel earrings by Fred of Paris. The original FORCE 10 line was created by French jeweler Fred Samuels in 1966 and was based on pieces of rigging found on sailboats. Since 1936, the Parisian house had been one of the world’s most exclusive jewelers, the Samuels’ combination of precious metals with stainless steel was a shocking innovation. In the forty years since the collection debuted, Fred of Paris has continually tweaked the collection by adding gemst...

A fine 14K yellow gold locket, the front cover decorated with deep translucent guilloche enamel over an engine-turned background surrounded by a reeded border enameled in opaque white. The front is centered with an old mine cut diamond. The trefoil-shaped bail is an especially nice touch. The interior retains the original frame insert. The bail is marked for 14K and has an unidentified maker's mark.

NOTE: This locket was very difficult to photograph. The purple enamel is deeply saturated ...