An oil on canvas laid on Masonite painting of a young brunette woman, the view from the breasts up, against a neutral dark background, signed in red illegibly at top left corner. The piece measures 17 1/2" by 12 3/4" (24 1/2" by 19 1/2" framed). More than likely the artist is French, judging from the overall style, signature, and the stenciled numbers "1208" on the frame. The artist is probably listed, but my efforts to decipher this signature have been unsuccessful...

The pair of antique paintings will make for a highly decorative addition to a home. One of the apparently unsigned and undated works features mostly vegetables, with a game bird and possibly a fish, while in the other work, fruit predominates. The rustic paintings were executed by a competent though not highly refined hand. Measurements are similar but not identical...

Honore Daumier, French, 1808-1879. These Lithographs were printed in the French Newspaper in the 19th C. Thus there is newsprint on the back. They are signed in the plate and are about 9" by 12".

A landscape painting with feathery trees silhouetted against a luminous sky, a female figure walking at right with brown cow on the path which borders a creek, signed illegibly at lower right and dated there 1852. Someone invested some money in preserving the work, as it has been relined in recent times. The original stretcher was retained. The work is now stable. It is not perfectly flat however, there being some roll to the canvas especially at bottom...

Large 27" by 33 1/2" (33" by 39" framed), oil on canvas still life cornucopia painting of fruit and flowers including tulips and carnations, in a basket set on a vaguely defined table top against a dark background, apparently unsigned, circa mid 19th century but in the tradition of 17th century Dutch still life. This came recently from a fine area home, where it was proudly displayed in the living room. I do not see a signature...

Antique French oil painting of the Franco-Prussia War (1870-71) Napoleonic era. Warriors on horseback engage in combat by sword. Oil on canvas. In the manner of Théodore Géricault. Framed.

Age: 19th century

Dimensions of painting: 39" high x 47" wide

This exceptional oval 60" x 32" French Painting is Signed Gustave Bouvard?? The painting was purchased from an antique dealer in Baton Rouge, La and he said the painting came from Napolean Bonaparte's Brothers Estate. It is signed in the lower left corner and is in Excellent Condition. Has original frame and stretcher. We are researching this painting and if you have any information please advise.

Tabletop Still Life with Glass Vases

Henri Dominique Roszezewski (French, 19th/20th century)

Oil on panel, signed.

A painter of landscapes and still lifes, Roszezewski studied under Maillard...

French late 19th century oil on canvas still life of flowers in various vessels on a tabletop, signed at upper right corner "J. Billou" (the "J" could be a "G" or "T"). Oddly I do not see a listing that would correspond with this name, but this is clearly a talented artist. The work measures 19 1/2" by 24" (22 1/2" by 27" framed). The colors and handling remind of some Renoir still life paintings. This was found "as-is" in northern New Jersey...

Large painting of a protest at night in front of an official building, 44" by 31" (50" by 37" framed), unsigned. This is a French work that is most certainly by a listed artist, but he/she remains anonymous. The complexity of the foreground and details of the facade are indications of the skill of the artist. The painting is of a large and impressive size, and would make a decorative addition to a traditional interior...

A very attractive Original Oil Painting in the Manner of Henri Joseph HARPIGNIES (1818-1916) of a French Provincial Village Scene depicting a Woman with Child. Oil on Canvass, signed lower left; Frame surround also retains Name lettering. Overall condition good, light craquelure, couple inconsequential small spots of restoration (lower center in trees), areas of frame retouched. 19/20th Century. Size: 15.5" H. x 11.5" W., framed 23" x 18" W. Provenance: Private Estate in Chevy Chase, MD., USA

Diana Leaving the Bath (Diane Sortant du Bain), after Francois Boucher (French, 1703-1770). Oil on canvas. 2nd half 19th century. Offered in an antique tin over wood frame. This is an unsigned 19th century copy of the Francois Boucher original that was acquired by The Louvre, in Paris, in 1852. This copy was probably created within twenty-five years after Boucher painted his original.

Emile Lambinet, French, 1815-1877, oil on panel, Punts at a Quiet Landing, 11 x 16 inches, cradle backing, signed lower right.

***One of two very similar works by the artist in my shop, that should truly be kept together as a pair (see item JB0437)***Oil on canvas 19th century landscape with gnarled old tree, fence and birds, 15 3/4" by 12 3/4" (19 1/2" by 16 1/2" as framed), signed at lower left by well listed artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This French artist's works appear with some regularity at European auctions, the more important examples in the past having brought to over $30,000...

A French oil on canvas painting of a flirting couple, the male dressed as a pierrot clown, she in an elegant ornate dress, the work signed at lower left with what appears as "Jos. Bellet". The work could possibly be by JEAN PIERRE JOSEPH ALFRED BELLET DU POISAT (1823-1883), but further research may be required to confirm the artist. Measurements are 13" by 9 3/4" (20 1/2" by 16 3/4" in old gold frame)...

"Admirer de loin" oil on board 13 3/4" W x 10 1/2" H Edouard Toudouze was born on July 28, 1848 in Paris. He was the youngest son of August Gabriel Toudouze, a French architect who was, for a time, the Chief Architect of Marseilles. His mother, Adèle Anais Colin-Toudouze, was the daughter of Alexandre-Marie Colin, a history painter. Toudouze was also the nephew of Jean-Baptiste-Auguste Leloir...

**One of two very similar works by the artist in my shop, preferably to be kept together- Oil on canvas, 16 1/4" by 12 3/4", in an old master style but of mid to late 19th century date, teaturing a house, tree and dogs and travelers, signed at lower left by noted, auctioned artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This is an almost monochromatic, very understated, subtle painting; perhaps a study for a larger, highly finished work. The artist's works have sold into five figures at So...

Travelers in an Alpine Landscape

Swiss or German School, circa 1860.

Oil on paper, with a gilt sand mat.

Painting Size: 6” x 4.5” Oval
Frame Size: 12.25 ” x 10.25”

This is a powerful little painting of The Netherlands, 6 1/8" by 8 3/4", painted on a wood panel, and a narrow simple frame, signed at lower left in the paint by well listed German artist ADOLF STADEMANN (1824-1895). Its diminutive size notwithstanding, the wonderful quality of this oil---in particular the masterful handling of the winter light---is immediately apparent. The artist, who specialized in this "Eisvergnugen" (roughly translated from the German as "ice play" or "enjoyment on the ice...

“Cows on the banks of the Starnbergersee” Oil on canvas 6” x 10” unframed / 14" x 18" framed Ludwig Sckell was born in October 1833 on Lock Mountain in Bavaria to the famed horticulturist Carl Ludwig Sckell and was the father of Louis Sckell who also gained great acclaim as a landscape artist. He spent most of his adult life in Munich Germany where he gained fame as one of the great landscape painters of his time. He was an honorary member of the Academy of Fine Arts in Munich. The wor...

NOTE: THIS PAINTING HAS BEEN THOROUGHLY RESEARCHED by 2 MAJOR AUCTION HOUSES and is AFTER SPITZWEG. This is an OIL ON BOARD (thick hardwood) signed lower left: K. SPITZWEG. Image area is 8 5/8" X 11 1/2". Man Watering Flowers and a Lady in the Background. In Excellent Condition though could use a cleaning appearing a little "dark". AFTER SPITZWEG ...ca. first quarter of the 20th CENTURY

PAIR of circa 1880 oil landscapes on panel, each 10 1/4" by 18 3/4" (15 3/4" by 24 1/2" in modern frames). The images of lakeside castles are classic 19th century European art. Small sail boats, feathery trees and ancient stone bridges complete the scenes. Each is signed with monogram like "A M" or "S M". I considered these might be by the famed German painter Adolph Menzel but think that unlikely. The old beveled wood panels on which they are painted likely date to the 1880's or thereabou...

Lina Krause (German,1857-19)

Old Master Style Still Life

Oil on Panel, signed

Provanance: Noortman Master Paintings, Maastrick

Painting: 9.75" x 7.25"
Frame: 16" x 13.75"

A complete Renaissance image/Painting of a handsome young man with a feather cap/hat happily holding a wine glass in his hand. Artist: Gebhard GAGG, (1839-1921). Carved and painted in polychrome colors on wood. Signed and dated 1892 by the artist. This fine piece of art is numbered on the back side (No. 331). Size: 14" x 10" (35cm x 25cm.) Good condition, gold framed.

Original antique European Alpine Village winter scene oil painting by Anton Doll (1826 - 1887. Oil on canvas signed lower left noted painted in Munich framed in original gold gilt frame. Anton Doll began studying law in Munich, before he turned towards painting. In 1852, he became a member of the Munich Art Association that had exhibited his paintings from very early on. Doll was influenced by Carl August Lebschée and Adolf Stademann, and his main subject was the city of Munich. Besides his...

Max von Schmaedel, German, 1856-?, oil on Academy Board, Portrait of Miss Davenport, 12 x 9 inches, signed and inscribed "M. v. Schmaedel/München" lower right, period frame. The sitter is identified in a copy of a letter dated August 3, 1905, from Seth Mendell to William C. Davenport, President of The Machinists' Bank, Taunton, Massachusetts, in an envelope affixed to the back of the painting. Provenance: Estate of N. David Scotti, Providence, Rhode Island.

WILHELM von DIEZ 1839-1907; GERMAN Returning from Work in the Fields Oil on Panel Returning from Work in the Fields Signed Lower Right: Wilh Diez, Munich Although he studied at the Munich Art Academy, where he eventually became a prominent Professor, he is primarily self taught as an artist. As a teacher, he had a major influence on an international group of students, including William Merritt Chase and John Twachtman. Dimensions; 13.25" x 18"; framed; 18" x 23".

Old painting, 8 1/4" by 6 3/4" (16 1/2" by 15" framed), circa 1870, unsigned, the subject a young girl with blonde hair and intense blue eyes standing in a courtyard or patio area in front of a dwelling, a curious cat peering from the entrance seen at left. The girl is dressed in traditional picturesque clothing of the time. Someone in the past affixed to the bottom of the frame a placard identifying the artist as Ludwig Knaus (1829-1910), a well-known German painter of the second half of the ...

From our European Collection, a very fine original oil on canvas by German master Hermann Werner entitled "Playing with the Kittens," signed and dated 1868 on lower left. Hermann Werner (1816-1905) was active in the Dusseldorf and Berlin art circles mainly in the middle to late 1800's. Classified by art historians as a "genre painter," one could almost conclude from looking over the body of his works from "Treat for the Children," to "A Secret for Grandma," to "The Berry Collectors," to "Mo...

19TH century Italian watercolor showing Christ taken down from the cross, by an anonymous master painter. Wonderful vivid colors. Offered in a contemporary frame. Roughly 16" by 11" (painting alone), 22" by 17" framed. One of a number of similar works by the same artist currently available.

Oil on canvas, relined, measuring 17" by 21" (24" by 28" as framed) signed at upper left in red by listed Italian painter CLAUDIO RINALDI (and below which he wrote "Firenze"---where he was active between the 1860's and 1890's). There doesn't seem to be a lot of information available on the artist, but the subject matter and the handling of the faces are consistent with a number of other works by his hand that have appeared on the market in Europe and America. Paintings of sweet, sentimental ge...

Wonderful watercolor painting, Italian, 19th Century, by an anonymous hand, of Christ being nailed to the cross. Wonderfully strong colors. Offered in a contemporary frame. Roughly 16" by 11" (work alone), 22" by 17" in its frame. One of a number of similar works by the same artist currently available. Please inquire.

Oil on canvas laid on a card, unstretched, signed at lower right corner "C Vianello". The subject is an older lady seated in a darkened interior, obviously deep in thought. The work measures 13" by 10 1/4". It is sorely in need of some restoration, as it was laid long ago on a card which is now bent and cracked. The surface though stable is dry, and there is soiling and no varnish present. A restorer could likely avoid the higher expense of totally removing the work from the card, by simply ...

Truly old nineteenth century oil painting, 29" by 24 3/4" (32" by 27 3/4" framed), apparently unsigned, the subject probably Mary Magdalene, an extensive landscape visible at distant right. The painting's precise age is difficult to pinpoint, but mid 19th century would be close to the mark. No doubt it is a copy after an original Italian master work of the 16th century. The canvas as seen on the front is more coarse in appearance than the fine weave canvas seen on the reverse, leading me to t...

Oil on canvas painting (29 1/2" by 23", and 34" by 27 1/2" framed) of hunted ducks suspended from a nail, and two other colorful, deceased birds arrayed outside a window on a weathered Mediterranean wall, a mischievous cat emerging from that window at lower left to do what cats do. The painting is signed at lower right by the noted Italian late 19th century artist MICHELANGELO MEUCCI (1840-1909), who specialized in just this sort of view. This is certainly one of the artist's most accomplishe...

Oil on canvas laid on board painting of a traditionally-dressed woman, facing away from the viewer, balancing a water jug on her head while walking in a rural setting. The work measures 13" by 10" framed and there is no apparent signature. I opened the backing and see that the canvas has been laid directly on a board. The painting might date to approximately the 1860's; similarly dressed figures are seen in mid nineteenth century paintings of the Roman campagna. One wonders if perhaps this l...