A contemporary, unsigned oil on canvasboard work, 9" by 12" (12 1/2" by 15 1/2" in simple black frame), the subject small boats at a dock, one likely a fishing boat. The work was likely painted rather rapidly by an artist of talent. It is clean and ready for the wall.

Oil on canvasboard painting of a woman with basket on head in tropical town street, 12" by 16", 17" by 21" framed, signed at lower right Paul Katzman. The FRAME is most interesting, with a geometric cross-hatching pattern that would complement a Southwest themed painting.

A vintage circa 1930's watercolor of old two story hotels on a block in Oakdale, in California's Central Valley, between San Francisco and Yosemite, signed at lower right by listed California woman artist ESTELLA HOISHOLT (1889-1979). The buildings are of brick and a quaint, older style rarely seen nowadays in California, countless earthquakes having taken their toll on masonry buildings...

A really nicely done watercolor on heavy watercolor paper, the subject a New York Central Park view, the artist evidently looking south across a lake towards the famous San Remo Apartments residential building with its distinctive towers. Signed at lower right in Asian (Chinese?) characters and with red artist seal there, also signed and stamped again on the reverse side, where it is titled "Evening at Central Park #13" and dated March 31, 2008...

A decorative impressionist landscape painting of autumnal trees in an intimate space, perhaps a shallow arroyo, oil on canvasboard, 18" by 14" (25" by 21" framed), signed at lower left by artist Alison Lowe. It is framed in gold frame with clean liner and all in all is a solid decorative picture for moderate cost.

Oil on canvas American painting of a clipper foundering in a storm, 20" by 27" (22 1/2" by 29 1/2" in a nice old gold period frame), unsigned, circa 1870's. The work strongly resembles that of American marine artist CLEMENT DREW (1806-1889) but is unsigned. The painting is in poor condition currently. It appears to have had a reline decades ago, and likely overpainting. Now there is craquelure throughout, flaking paint and other issues...

A Mediterranean landscape painting, oil on board, 13" by 19" (19 1/2" by 25 1/2" framed) signed at lower right "ELBAZ" and above that, the same name in Hebrew script. This could be a work by listed artist ANDRE ELBAZ (1934-) but I am unable to confirm that. The listed Elbaz painted works in Morocco and some have brought large sums at auction there...

An old oil on canvas painting of a swift-running river in a steep mountain canyon landscape in the fall, 24 1/2" by 20" (32 1/2" by 27 1/2" in circa 1920's pie crust style frame, unsigned on front, with "Herman Herzog/Storm at Yosemite" written on the back of the canvas in an old style hand (difficult to photograph, I have provided two images)...

Late 19th century American watercolor painting of sheep in a country landscape with trees, 12" by 24 1/2" (21" by 33 1/2" framed), signed at lower right with initials "S.M.G.". The artist might be hard to identify but the work resembles watercolors by such artists as Carl Weber (see example in my shop). The artist has used a combination of watercolor and white gouache. Condition is excellent. The gold frame has age and there are some missing pieces.

A finely detailed oil on panel painting of flowers in a vessel set upon a plinth on a tabletop, painted in the late 20th century but based on the style of the old Dutch master painters of the 17th century, signed at lower left by artist RICARD SANGER. Note the painting of the tulips, in particular. The work measures 20" by 15 1/2" and 27 1/2" by 23" nicely framed. On the reverse is written "Ricard Sanger/Aus. School" (presumably, Austrian?) and then the artist's name again in pencil...

A vintage impressionist oil on board painting with modernist touches, unsigned, 20" by 16". The work is probably by a listed artist but alas there is no signature. The almost Cubistic handling of the cloth and rear drape and the foreshortened space are most interesting. The work probably dates to about the 1940's. Unframed, and with some small faults common to older paintings, including light soiling, a few minor losses, edge losses etc.

An oil on canvas painting of the symmetrical snow-capped cone of Mt. Fujiyama in Japan, hardy palms in the foreground, signed at lower right by Japanese artist "T. Arashi" (signed in English and Japanese characters), no date, circa 1980. The artist was very talented and has created a beautiful and arresting composition. The mystical, famous mountain stands in all its glory above the surrounding landscape. Condition is excellent. I have not been able to locate information on the artist...

A circa 1900 oil on canvas painting of roses against a simple dark background, 12 1/2" by 18", and 20" by 24 1/2" in likely original bright gold frame. There does not appear to be a signature. Roses were a popular subject of painters during that period, with many young ladies especially encouraged to take up painting. The American painter George Cochran Lambdin often used dark or black backgrounds for his floral still life works...

A small watercolor on paper within an oval, featuring a short vase filled with wildflowers, the piece measuring 8" by 7" as framed; at the lower portion in pencil is an inscription in German: "Die Heimat Blumen Grussen Dich", and "Plauen Mai 1920". This translates roughly as "the flowers of home/homeland greet you". "Heimat" evidently is a German word with no clear translation into English...

A watercolor painting of flowers (perhaps, zinnias) in a vase on a tabletop, painted in an impressionist manner, and signed at lower right by artist "Cara dee" or similar. The work measures 18 3/4" by 14 3/4" as framed. All photos taken through detail-dulling non-glare glass. Condition is excellent.

A PAIR of oil on canvasboard paintings, each 20" by 24", signed at lower right by the same artist, "McKee", the subjects a rural farm in autumn, the other an eerily empty Hopperesque old house. These were found in Southern California and the scenes may well be Californian. There are a number of artists by the name McKee so it is difficult to determine who may have created these...

Oil on canvas painting of a man's smoking pipe and other objects on a tabletop, 13" by 15", 16 1/2" by 18 1/2" in mid 20th century gold frame, signed at upper right by artist Cora (Cara?) L. Sloper and dated there 1899. This is a competently painted work, but I am unable to locate an artist by this name despite an intensive internet search...

This is a very old antique traditional still life of fruits, garlic, and a sliced melon, oil on old coarse weave canvas, laid on Masonite, 22" by 34 1/2" (25 1/2" by 38" in attractive old framing), apparently unsigned. The painting is of the very old traditional style of old master works of its kind. It would make for a fine accent piece in dining room or extended pantry or kitchen. There is a narrow scrape in the paint at upper left, appearing as a fine light line roughly 7" in length, other...

A very interesting and unusual painting, appearing to be gouache on a prepared gessoed panel (and the piece is accordingly quite heavy for its size), featuring Native American indian dancers and onlookers in the Southwest, likely Navajos of New Mexico or northeastern Arizona. The 22 1/2" by 27" unframed work is signed at lower right "Arline Wyrick". A quick google search did not reveal any obvious links to a known artist, but she was obviously quite skilled, and this bears further research. T...

An old and antique American painting of a seated young man playing a flute in a vaguely defined interior, 24" by 20" (32 1/2" by 28" in mid 20th century frame), unsigned. The talented artist remains anonymous but was obviously talented and probably listed. Note the mantel clock at left and elegant European-style table and chair. Over the years the painting has darkened dramatically, taking on a yellow-brown cast due to decades of grime and smoke. A test cleaning by a restorer shows the whit...

Oil on canvas painting, 25" by 34 1/2", unframed, unsigned, after the French impressionist masters Renoir and Monet, who often painted on the Mediterranean in the late 19th century. This is a contemporary work by an anonymous artist. Colors are beautifully handled, as is the golden light. There is a 2" long generally horizontal small tear in the blue of the sea at left center, easily patched by a professional restorer, though (and I generally don't recommend it) it could be pretty much hidden...

Watercolor on paper of a small white painted house in a sparse landscape, the sheet measuring 15" by 22", signed at lower right with "N.W.S." (National Watercolor Society) by the listed California watercolor artist ROBERT UECKER (1929-2005). Uecker was born in Los Angeles and won a five year scholarship to the Chouinard Art Institute, where he was instructed by the likes of Rex Brandt, Ed Reep, and Pruett Carter. Later in life he became a teacher himself, as well as owner of art supply stores ...

For the collector of Oregon or Northwest art, a small (6 1/2" by 8 1/2" in inexpensive wood frame), unsigned contemporary watercolor of a small river running past rugged, arid cliffs, titled on reverse "John Day River @ Black Rock". The John Day River is a tributary of the Columbia River, in north central Oregon. At 243 miles in length it is the third longest free-flowing river in the United States. It is known for its salmon and steelhead fishing. The John Day Fossil Beds along its length i...

An oil on canvas laid on Masonite painting of a young brunette woman, the view from the breasts up, against a neutral dark background, signed in red illegibly at top left corner. The piece measures 17 1/2" by 12 3/4" (24 1/2" by 19 1/2" framed). More than likely the artist is French, judging from the overall style, signature, and the stenciled numbers "1208" on the frame. The artist is probably listed, but my efforts to decipher this signature have been unsuccessful. Date of execution is pro...

Found in eastern Maine, a fine old still life pastel, the image including an orange, dark blue grapes, a walnut in the shell, and a metal vessel. At lower right are the words "GOOD SHEPHERD BAY VIEW" (???), but no signature. Circa 1900 date of execution judging from frame, which is dark stained walnut with gilt inner fillet. Size 9 1/4" by 12 3/4" (13" by 16 1/2" framed). Allow for a few reflections and some dust on the glass.

A painting on canvas, 10" by 14" (11" by 15" in simple modern frame), featuring a New England homestead, likely Connecticut, complete with split rail fence and stone wall, signed at lower right and dated there 1892 by Wisconsin-born artist GEORGE SELDEN ROORBACH (1860-1930). The artist was in the Northeast in the 1890's, living with his young bride in the vicinity of Mystic, Connecticut, and also instructing in art in New York City. He exhibited at the National Academy of Design in 1891. At ...

A view of Ely Cathedral in eastern England, signed at lower right by listed contemporary British artist KENNETH W. BURTON (1946-), the work painted skillfully in gouache and measuring 9" by 13" (18 1/2" by 22 3/4" in whitish wood frame). Condition of painting and frame excellent. Burton was born in Lincolnshire and has painted widely throughout the United Kingdom, seeking out a wide range of landscape subject matter. See his website for more information on the talented artist.

An oil on canvas painting of white flowers in a glass vase on a table top, two small porcelain vessels nearby, the work signed at lower right by artist Minerva Smithers. On the stretcher in pencil is written "Matilija Poppy" and then the artist again wrote her name in longhand. A google search shows a Minerva Smithers born in 1877 in Wisconsin, the woman's residence given in the 1940 census as Hawthorne, in Southern California (very near where this was found). The work measures 18" by 14" (20...

**FIFTEEN** original gouache drawings on commercial art board, varying sizes, the largest 15" by 20", the smallest 10" by 13 3/4", mostly unsigned but several stamped on reverse with name and address in Van Nuys, California of noted Disney studios illustrator in the 1950's and 1960's, FRANS VAN LAMSWEERDE (1924-1969). These works all feature Holy Land subject matter; acquired at the same time, they evidently were together for many years since the artist's death at a young age. Medium used is g...

Brooks Pettus (1918-2003) was a noted western American artist who passed away in Kennewick, Washington, leaving behind a large body of work in watercolor and oil that only recently appeared on the market. Pettus earned his Bachelor of Fine Arts at the University of New Mexico, and spent time in Albuquerque and Taos in the early 1940's. New Mexico's artistically inspiring landscape stimulated Pettus' aesthetic sense as it has for countless others. Even though he became a professional engineer, mo...

A finely executed watercolor landscape of a forested high rocky cliff overlooking a distant valley, signed at lower left "F Green" and dated there 1873. The work measures 16" by 12 3/4" and 23 1/2" by 20" as nicely framed, with hand drawn mat lines. I am inclined to think the artist was American but suppose he/she could have been English. There are two most-likely possibilities as to artist identity---Frank Russell Green (1856-1940) and a little-known "Francis Green". If the former the work ...

Large watercolor painting of the famous formations at Monument Valley, Arizona, arguably one of the most iconic sights of the American Southwest. The work, signed at lower left simply "George", measures 20" by 27 1/2" inside the mat and 31 3/4" by 40" framed. The artist was obviously quite skilled, but he did not leave us a lot of evidence as to his identity. The painting probably dates to the 1970's or 1980's. Condition is generally excellent, though upon close examination it does appear th...

A large oil on canvas, 49 1/2" by 32 1/2" in thin gold frame, unsigned, titled lower right "SAN GABRIEL", painted circa 1980's, in the so-called "Cuzco School" style of South America. According to the Wikipedia description of the School, Cuzco (Cusco) was considered the first artistic center that systematically taught European artistic techniques in the Americas. The conquering Spanish, wanting to convert the Incas to Christianity, produced impressive, complex Christian religious imagery, fro...

An oil on canvas painting promoting a South Asian or Indian movie, titled "Sangeeta". The work measures 35 1/2" by 25 1/4" in a simple black frame. It is a bit loose on the stretcher but otherwise is in good condition. Major star's name is Nigar Shyam, and there is writing in Arabic which I would imagine place this in the northern or western part of the country.

Oil on canvas laid in recent times on wood panel, 19 3/4" by 15 3/4", unframed, the subject three Roman women watching from an exposed cliffside residence as they search the sea below for the ships of loved ones returning home. This is after an 1895 work by well-known, important, English Victorian artist LAWRENCE ALMA-TADEMA (1836-1912), titled "A Coign of Vantage". This is not painted as finely as the original, to be sure, but the artist was moderately skilled. There is stable craquelure. T...

An oil on panel painting of a red covered bridge in a mountain landscape, a village at left center, 13" by 19 1/2" (16" by 22" framed), signed at lower right by artist Ed Mifflin. I do not see a listing for this name. The scene likely shows Vermont or Maine; possibly there are covered bridges in hilly southern Ohio that might fit. In any event the circa 1960 work is very poetic. The black panel on which this is painted was not meant for art use, leading one to suspect that the artist was a t...

Small oil on canvas laid on board painting of a man in traditional outfit with distinctive hat. The mid 20th century work is signed illegibly at lower left corner. This would appear to be from Ecuador, or if not there, another Andean nation such as Peru or Bolivia. Measurements are 4" by 3 1/2" (7 1/2" by 7 1/4" as framed, with blue velvet liner). An interesting addition to a small wall or nook.

Oil on canvas painting of a young woman seen in 3/4 view, signed at upper left (incised) Dan A Griggs and dated there '90. The work measures 10 1/2" by 8" (16" by 14" framed). I opened the backing to see if there was any more information on the talented artist but was stymied by the foamboard being partially affixed to the canvas. The framer's stamp, very faint, is from Alamagordo in southern New Mexico. Note the beautiful, skilled handling of the light, the composition, and paint. Though c...

A beautifully painted impressionist view of the charming Filipino countryside, " by ", unframed, signed at lower right "T. I. SANCHEZ Manila", and dated there 1963. The unframed oil on canvas is in excellent overall condition. I note a slight dimple/depression at left which is visible when viewed in raking light (see photo). A light cleaning would be beneficial. Sanchez does not appear to be a listed artist but was certainly a talent, in the tradition of the great Fernando Amorsolo. See oth...

Framed watercolor on paper painting of small boats on shore and in a bay, unsigned, circa late 19th century. The (likely) east coast scene measures 9" by 19 3/4" inside the mat and 14 1/2" by 25 1/2" as framed. I did open up the backing to peer inside, in search of a signature, but a signature was not found. The paper was evidently mounted on a board in the nineteenth century, as that board has the old telltale down-the-middle line where the two old wood boards would have met. The fact that ...

Oil on canvas painting (29 1/2" by 23", and 34" by 27 1/2" framed) of hunted ducks suspended from a nail, and two other colorful, deceased birds arrayed outside a window on a weathered Mediterranean wall, a mischievous cat emerging from that window at lower left to do what cats do. The painting is signed at lower right by the noted Italian late 19th century artist MICHELANGELO MEUCCI (1840-1909), who specialized in just this sort of view. This is certainly one of the artist's most accomplishe...

A finely worked original pastel of a Native American girl dancing in an interior defined by an arch, the work signed at lower left by artist CARLOS FREY (1938-). The piece is in remarkable condition, bearing framing label from Nebraska stating that it was framed to museum standards. Frey has a website outlining his long career in the arts. He works in many media, including photography, and sells originals and various types of reproductions of his works. He graduated from the University of Ka...

Oil on canvas painting of pinkish flowers in a clay pot against a blue drape, unsigned, circa 1950's/early 1960's, 20" by 16" (22" by 18" in simple wood frame). The work was found in Virginia. Obviously by a trained artist. Note the shadows cast at left---well handled. Condition is excellent. There is a very small disturbed area on frame at top.

Oil on masonite panel painting of a Texas landscape with oaks and bluebonnet in the spring, 16" by 20", unframed, signed at lower left by artist Nancy McDonald. According to the daughter of the artist, Nancy's paintings were sold in the San Antonio area. She belonged to the River Art Group for many years. McDonald passed away in 2011. The painting is attractive and squarely within the "Bluebonnet School" tradition of Texas art. Other than a stubbed upper left corner, which will be mostly or...

Acrylic on canvas contemporary painting of palms, depicted in yellow, pinkish-red and greenish-blue against an electric blue background, 18" by 24", unframed, signed at lower right by the artist, Shannon Casey. This is a nicely decorative, breezy work that will surely add a touch of the tropics to your interior. There are a very few minor spots of soiling or abrasion that hardly detract from the overall effect.

A charming watercolor painting of the coastline at Antibes on the French Riviera, 11" by 14 1/2" (16 1/2" by 19 1/4" framed), signed at lower left by artist A. Pinkey and bearing inscription on backing giving the history of the artwork. The inscription reads "Shirley keep/Aunt Amy Pinkey painted this of the Cote d'Azur when she and I spent 6 weeks at Antibes Hotel de Paclette (sp.?) in 1919 (S. recovering from flu. pneumonia) in A.L.A." The artist was apparently just an amateur but she created...

An impressionist oil on canvas painting of an old late 19th century American church in a western city, as snowcapped mountains loom at right, signed at lower right corner "Crossen '75". This might be by a listed artist, Michigan-born Preston McCrossen (1894-1981), who worked in New Mexico. amd California. I have googled brick churches in western cities to try to identify the subject. There is a church of Our Lady of Mount Carmel, in Denver, Colorado, that bears a considerable resemblance, but...

Nicely drawn impressionistic drawing of fresh peaches, the leaves still attached, apparently unsigned and measuring 8 1/2" by 11 1/2" (11 1/2" by 14 1/2" framed in oak). Would look attractive in a pantry or breakfast nook. Squarish light area at top is a reflection only.

Impressionist seascape oil painting on canvasboard, 12" by 16" (16 1/2" by 20 1/2" framed) signed at lower right by Colorado artist ALFRED JAMES WANDS (1904-1998). On the reverse in pencil is written "Artist---Alfred Wands/2065 Ivanhoe St./Denver 7 Colo./Breaking Sea/$50.00". The work likely dates to the 1950's. Wands was born and raised in Cleveland, Ohio. He attended the Cleveland Art Institute, then went to Europe for studies in Brussels and Munich. Upon return to the US he relocated to ...

An American circa late 1960's to about 1970 still life painting in oil on rough side of the Masonite, 18" by 14" (24" by 19 1/2" framed), signed at lower left possibly "Pardoe". The red poppies are beautifully rendered and the richness of the red contrasts with the deep blue of the vase. Condition is excellent. A very decorative painting, in a frame of the period.

Oil on canvas painting of a delightful tropical landscape with verdant vegetation and towering royal palms, 24" by 36" (28 1/2" by 40 1/2" as nicely framed), signed at lower right by artist J. GARCIA and dated there 2001. The colors and composition are strongly in the style of the important artist from Cuba, Domingo Ramos, who created such landscapes in the 1920's and 1930's. I am unable to locate any information on this artist despite an intensive search. The party from whom I purchased it t...

A vintage still life oil painting, unframed, 30" by 24", signed twice at lower right (one, very faint) by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits and still life, with some landscapes in the mix. Coler was a member of W...

An interesting, folky, oil on canvas painting of a house with stone chimney set in a lush open valley, apparently set in Salinas Valley in California, signed by artist Sharon Moree Giambrocco Ebina, who wrote a long story on the back of the canvas. In that story she explains how the painting is inspired by the movie made from the John Steinbeck book "East of Eden". She also touches on the Japanese inspiration she feels, her signature incorporating the Japanese character for "valley". The work...

An interesting Mid-Century abstract on paper, 12" by 16" inside the mat, 18 3/4" by 23" framed, unsigned. The work could well date to the 1960's, the paper thin and slightly browned. I am not clear on the type of paint used; it is not simple watercolor. Could be a mix of some sort; the gold is metallic and the darkest portions have a gloss when viewed at an angle. Final photo is from the reverse side through the paper seepage. Drawing is loose, will be protected for shipping, needs to be re...

Found in far northern Vermont in the course of an art buying trip some years ago, is this unframed 20" by 16" oil on canvas portrait of a man, apparently signed "Shoelman" at lower right and signed again and dated on the reverse (possibly, 1806, though, more likely, 1846, considering the style---the digit likely a "4"). I acquired the painting near Cambridge/Jeffersonville not far from the Canadian border. At the time the seller said there had been speculation by a previous owner that this wa...

Oil on canvas painting of pink roses in a vase, circa 1890's, signed at lower left in red by listed American artist OSCAR MILLER (1867-1921). The 17" by 14" (27" by 24" framed) painting is beautifully executed by a talented hand. Oscar Miller was born in Manhattan and died in Providence, Rhode Island in 1921. He is known for a variety of subject matter including portraits, marine scenes, genre and still life. This painting has an 8" horizontal tear in the upper portion. It will need to be c...

The Pensive Shepherdess

(British School, 19th Century)

Oil on canvas, Unsigned

Painting size: 30” x 20”
Frame size: 36.25” x 26.5”

This sweet genre painting of a shepherdess with her flock reflects the theme of the child-of-nature, a sensibility embraced by Victorians during the 19th century. The figure’s youth and comely face convey innocence, while her steadfast pose next to the goldenrod suggests that she is at ease in her environment.

French School, Late 19th/early 20th Century

Young Girl with Paper Dolls

Oil-on-canvas, Unsigned

Oval: 19” x 14 ¼”
Frame: 25 ½” x 20 ¾”

This charming study of a young girl intent on cutting out paper dolls is reminiscent of works by Berthe Morisot, Mary Cassatt and Pierre-Auguste Renoir (his earlier works). She is beautifully captured with her rosebud lips, her hair tied up in a bow, a lacy pinafore over her navy dress and stockinged legs ...

A rare original drawing, dated January 1849, titled in margin at lower center "Jackall Hunting in India", by listed England-born Australian 19th century artist HENRY GILBERT-JONES (1804-1888). The watercolor measures 13 1/2" by 19 1/2" (18 1/4" by 26" in lemon-gold frame). This appears at first like a classic traditional sporting art print of fox hunting, but closer examination reveals it is in fact a highly detailed early watercolor and ink drawing. Henry Gilbert-Jones was born in either Eng...

An old (circa 1900, perhaps earlier) oil on canvas laid on a Masonite panel, 19 1/2" by 15 1/2" (24 1/2" by 20 1/2" framed), signed at center left with conjoined initials "AF" (or, possibly, AT). The work features an older man wearing gold-rimmed spectacles, his white moustache and beard adding considerable character to this individual, who looks like a professor or other man of wisdom, accomplishment, and achievement. To date, an effort to tie the work to a listed artist has been unsuccessful...