Village scene with green mountain, issued ca. 1950s, non-limited edition.
Pencil signed in the image beneath red artist’s seal, very good impression and color, untrimmed, full margins, light toning in margins, white tape residue on back of margins, printer’s seal on back of margin.
Overall size: 11 ¼ x 17 in., image size: 9 ¾ x 14 ¼ in.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with publisher’s seal on lower left, very good impression and color, very minor wear, large red collector’s seal
Oban tate-e: 10 x 14 ¾ in.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with publisher’s seal on lower left, very good impression and color, light foxing on verso, large red collector’s seal on verso
Oban tate-e: 10 x 14 ¾ in.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with publisher’s seal on lower left, fine impression and color, very light wear
Oban tate-e: 10 x 14 ¾ in.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with publisher’s seal on lower left, fine impression and color, light soiling on waterfall, general light wear, light toning on verso
Oban tate-e: 10 x 14 ¾ in.
Scene from a Noh play from the series “100 Noh Plays” published 1922-1926
Signed Kogyo with publisher’s seal on lower left, very good impression and color, light soiling on edges, left margin slightly trimmed, large red collector’s seal on verso
Oban tate-e: 10 x 14 ¾ in.
Scene from a Noh play, published 1922-1926
Signed Kogyo on lower left with artist’s seal, fan-shaped publisher’s seal, fine impression and color, visible woodgrain, overall good condition
Oban tate-e: 10 x 14 ¾ in.
Noh theatre actor, published 1922-1926
Signed Kogyo and circular publisher’s seal on lower right, light soiling, crease to upper left corner, large red owner’s stamp on verso
Oban tate-e: 10 x 15 in.
Temple scene, issued ca. 1960s
Heavy black ink on thick paper, slight embossing effect, minor soiling, slight creasing to corners, not backed
Overall size: 10 x 14 ¼ in.
Bakufu Ono, oban tate-e, dated Showa 28 (1953), published by Kyoto, Hanga-in, slightly toned, fine impression, color and condition.
Bakufu Ono, oban tate-e, one of the ¡°Great Japanese Fish Picture Collection (Dai Nihon gyorui gashu)¡±, dated 1951, published by Kyoto, Hanga-in, slightly toned, fine impression and color.
Hasui Kawase, oban tate-e, ¡°View of Omi¡±, dated Taisho 14 (1925), published by Watanabe, fine impression, color and condition.
Hasui Kawase, oban tate-e, ¡°Yuimachi, Suruga Province¡±, dated Showa 9 (1934), published by Watanabe, slightly toned, fine impression and color.
Hasui Kawase, oban yoko-e, ¡°Rain at Nissaka (Tokaido Road)¡±, later edition, fine impression, color and condition.
¡°The two adversaries (left)¡± and ¡°The two adversaries (right)¡± were published 5 December,1950. The carver was Maeda; the printers were Honda, Uchikawa and Onodera. Both have Paul Jacoulet¡¯s pencil signature and red Arrow seal on the lower corner. They are in excellent condition.
¡°This simple but highly symbolic pair reveals Jacoulet¡¯s feelings toward the North Koreans...
¡°The two adversaries (left)¡± and ¡°The two adversaries (right)¡± were published 5 December,1950. The carver was Maeda; the printers were Honda, Uchikawa and Onodera. Both have Paul Jacoulet¡¯s pencil signature and red Arrow seal on the lower corner. They are in excellent condition.
¡°This simple but highly symbolic pair reveals Jacoulet's feelings toward the North Koreans...
¡°Hokkan ¨C Mountains, Seoul, Korea¡± was published 6 December, 1937. The carver was Maeda; the printer was Honda. It has Paul Jacoulet¡¯s pencil signature and red Tea Jar seal on the lower right corner. It has great color; margins and edges are slightly toned. It is in very good condition.