Extra large format limited edition Japanese woodblock print depicting a flower lined deserted lane beside traditional buildings under a cloudy blue sky by Katsuyuki Nishijima (b. 1945) dated 1987. This is an original pencil-signed artist's proof (marked A.P. in the lower left margin) for an image that was likely produced in a limited edition of 100. The pencil-title appears to translate "Empty Sky" or "Deserted Day." Paper size 24 1/4" x 18 1/4" (image: 15 3/8" x 21 1/4"). Full margins...
An unusual playful piece depicting an owl by one of the most important sōsaku-hang printmakers in the 20th century, Akiyama Iwao 秋山巌 (1921-2014). Best known for his prints, Akiyama Iwao produced paintings even later in his career, as well as occasionally painted on ceramics. Sake cup is sealed by the potter, but seal is obscured by glaze, and Akiyama’s signature and remains unread...
Important woodcut of God the Father creating Eve from Adam’s rib.
According to Genesis, God the Father created Adam and placed him in the Garden of Eden. There he was given dominion over the animals, which he named. But he himself had no mate. God made Adam fall into a deep sleep and created his mate Eve from one of his ribs.
The recto with two blocks of Latin text.
Page from Hartmann Schedel's Liber Chronicarum, more commonly known as the Nuremberg Chronicle...
By the hand of one of the masters of 20th century Japanese printmaking is this woodblock on paper, 14 1/4" by 19" (21 1/2 by 25 3/4" framed), signed in pencil at lower right by the artist within the image area, and bearing inscriptions in Japanese in the margin at lower left and lower right. The image is a traditional temple garden in winter, a light snow covering the lanterns and roof, and apparently wilted flowers killed by the cold unable to lift their heads...
Utagawa Yoshitsuya, Japanese, 1822-1866, "Senjubo Aiming at Harunaga-Ko". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts...
Utagawa Yoshitsuya, Japanese, 1822-1866, "Wakazaka Shinnai at Shizugadake". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts...
A rare, finely crafted woodblock print in the Arts and Crafts style of the early 20th century, titled at lower left "Marigold", by German artist ILSE KOCH-AMBERG (1869-1934), measuring 6 1/2" by 6 1/2" in side the mat and 12 1/2" by 12" framed. The work features her monogram in the image, and is signed in pencil by the artist at lower right; in addition, the paper features a blind stamp including the word "Berlin" at lower left margin...
A fine 20th C. print variously titled Red Fuji; Fine Wind; Clear Weather, and Gaifû kaisei, originally create by Japanese wood block artist Katsushika Hokusai, c. 1830 as part of the monumental 36 Views of Mount Fuji. Although this print has not been examined outside of its frame, it appears to be in superb condition with bright vivid color...
Hand-colored page with extensive woodcut depicting the genealogical tree with the offspring of Japheth, one of the three sons of Noah, and of his wife Funda.
The verso with further descendants as well as exponents of the line of Christ (Sale, Leber, Phaleg, Reu or Regau).
Page from Hartmann Schedel's Nuremberg Chronicle published in 1493 by Anton Koberger in an edition of 2000 copies.
Tower with battlements as watermark.
Rare hand-colored version...
Limited edition print of two sumo wrestlers titled TACHIAI by Clifton Karhu. The print is perfectly rectangular - any distortions of the paper are from photography. The tachi-ai (a combination of two Japanese words that mean “stand” and “meet”) is the initial charge between two sumo wrestlers at the beginning of a bout. Clifton Karhu (1927 – 007) was an American artist who settled in Japan after serving there in the U.S. military during WW II and returning as a missionary...
Ernest W. Watson
Biography
Excerpted and adapted by Thomas A...
Barry Moser, American, 1940-, "Timing Devices". A dramatic triptych wood engraving, the three images are individually titled, "The Dump", "The Burying Ground", and "The Eucharist". The overall image size is 8 x 9 3/8 inches, 1977, pencil signed.
Leonard Baskin, American, 1922-2000, "Portrait of a Man," Wood engraving, image size 20 x 13 1/2 inches, c. 1950s. This is a very rare unsigned proof, which does not appear in the Fern & O'Sullivan catalog. We believe this portrait to be of 17th century French artist Jacques Callot, whom Baskin greatly admired and included in his series of etchings, "Portraits of Ten Artists" in 1964.
Large limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Inawara” dated 12/20/1982. The bottom margin is titled, dated, numbered 28/100 and signed in pencil. The artist's red seal is beside the signature. Paper: 18 1/8" x 25" (image: 15 1/2” x 21 5/8"). Very good overall condition. The print is very lightly sunstruck. The bottom margin corners are a little wrinkled and the paper at the back upper edge is slightly distressed from tape removal.
Village scene, possibly Nara, issued ca. 1950s, non-limited edition.
Pencil signed in the image beneath red artist’s seal, very good impression and color, untrimmed, full margins, light toning in margins, white tape residue on back of margins, printer’s seal on back of margin.
Overall size: 11 ½ x 17 in., image size: 10 ½ x 15 1/8 in.
Original woodcut (white pine) by Wendell H. Black (USA, 1919-1972). Titled and numbered 7/25 l.l. Signed and dated "Wendell Black 58 by Elaine" l.r. From the first edition of 25, posthumously printed by Berkley Chappell and signed by Black's widow Elaine. No lifetime edition exists. 11 1/2" by 18". cf. The Lost Works of Wendell H. Black. This woodcut is illustrated plate 11 in this volume.
Todai-ji Temple, Nigatsu-do Hall, Shuni-e. woodcut print signed and seal mark this may be a watercolor but we don't want to unframe it . Framed with linen mounting and glass. sight 14" by 10" frame 20.5" 24.5"
Shuni-e, meaning ceremony of the second month, is a series of Buddhist rituals in which priests pray to repent for the sins of the profane world to the goddess Kannon, who is enshrined in Nigatsu-do Hall, a sub complex of Todai-ji Temple in Nara. These rituals, annually held between ...
An unframed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 12 1/2" by 17 3/4" inside the existing mat (the full sheet 16 5/8" by 21 1/2", as permanently laid down on a board), signed in pencil by the artist at lower right and bearing his red seal. The image is of a major traditional multi-tiered temple, perhaps the famous one at Himeji on Honshu, shown in winter with snow on the nearby pines. Sekino was creating art before age 20. He knew Shiko Munakata,...