American Artist A.Brown “Riverfront” Landscape Oil 18x27”…the work was done circa 1920s and has a beautiful gold leaf frame original to the piece

Neapolitan School "Grand Tour" era gouache painting on paper laid on a thin card, RATHER LARGE SIZE FOR THESE, at 19 1/2" by 36", the scene quite extensive with smoking Vesuvius at far left, and a number of figures in picturesque nineteenth century garb, the title "Napoli dal Campo" at lower left. Finely detailed distant buildings and trees complete the charming Italian scene...

Original oil painting on masonite board by George Joseph Habergritz, a well-listed 20th Century New York painter. This painting measures 13" by 9" (20" by 16" in its original frame). From around 1950, excellent provenance, and excellent condition. Please see our other listings for more paintings by this artist.

A Classical Chinese landscape painting handpainted on silk using the literati style and venerating the Song Dynasty famous artist Ma Yuan's famous landscape painting of scholar visit friends in the mountain

PAIR of gouache paintings, one 10" by 10 1/2", the other 11 1/4" by 10 1/2" (21" by 20" and 19 1/2" by 19 1/2" as identically framed in birdseye maple), each bearing a placard, one work identified as "House in Saratoga Springs", the other "Band Stand at Kinderhook". The placards also include "Courtesy of Standard Oil of New Jersey". These drawings are very fresh and clean and along with their attractive quality frames are ready for the wall...

William Lee Hankey, British, 1869-1952, The Bridge at Corfe Castle," etching, image size 6 1/4 x 8 1/2 inches, pencil signed l.l., plate initialed l.l., artist blindstamp l.r., very rare image, number one of 12 impressions, small repair in the image.

One of two works in my shop by apparently the same artist, (acquired at different times---the other JB01670): a watercolor on paper, 10 3/4" by 7 1/2" (17" by 14" in its simple green frame), signed illegibly (faint, at lower right), the subject a Spanish (most likely) church tower, the foreground dominated by impressive arches and columns. I have included three photos of the faint signature and leave it to the viewer to try to decipher it...

This is a monotype (generally considered an original work, the artist creating the art on a glass or metal surface which is then pressed against paper to create the final image---usually only one impression is made, so while some consider this a print, others might feel it is unique work). The artist, Pat Berger of Los Angeles (signed in pencil in margin and label on reverse) has been an active member of the art community in Southern California for many years...

Dutch seascape, cards at Waters edge, signed FRILING Oil on canvas measuring 24 x 34“ and it’s original 19 century frame measuring 34 x 46“ Most likely a scene of the beach at Scheveningen, signed but signature largely illegible, appears to be dated "09," which along with the style of execution would suggest an affinity if not affiliation with the Amsterdam Impressionists who were active during the late 19th century into the early 20th...

This work done by the artist Miss KAMINSKI who began her journey into the deep world of private landscapes.

An antique 19th-century Scottish oil painting on canvas, circa 1880 AD, attributed to the prominent, well-known Scottish artist Robert McGregor, R.S.A. (1848-1922).

This painting is a prime example of Robert McGregor's signature style and color scheme. His exceptional skills are displayed here, as he has captured the proportions of the children's bodies in various poses with remarkable accuracy...

Oil on canvas of a blue-eyed elderly lady wearing a white bonnet, 27" by 22" (34" by 29 1/2" in the 19th century frame), that attractive old frame bearing a placard giving the name of the artist as WILLIAM MATTHEW PRIOR (1806-1873). Images of the unsigned painting, which was found in Downeast Maine, were sent to major auction houses in New England and New York City. None disputed this being a work by the famous itinerant portraitist...

Pair of original antique botanical Fern lithographs prints circa 1867. Edward J. Lowe’s Ferns: British and Exotic. this print was published in London by Groombridge & Sons in 1867. This work was one of the earliest works to concentrate solely on the subject of the fern. Lowe used his botanical expertise and money to produce this work. He hired A. F. Lydon as the artist for the work and Benjamin Fawcett created the lithograph plates. Presented archival matted and framed...

This is a surprisingly good kanji It was done in 1972,slightly beyond Haku Maki's core period for such small kanji. It is the character for Mu or Nothing It is a very abstract depiction of the character, more so than most of Maki’s rendering of Nothing, which he did many times. This image is sharp and concise and it has drive. It has the Maki style and balance:a seal and the bottom margin. The seal at the right is balanced off by the splash at the left

A fascinating Polychrome with Gold Oil Painting on Canvas "LIGHT AT THE END OF THE PATH" by Günther SEYWIRTH. Signed by artist. Good condition Size: 20" x 16" (50 cm x 40 cm.)

A fantastic Clarissa Peters (Mrs. Mose B. Russell) mourning painting of a baby and toddler. Peters chose a simple palette of white and bluish-gray to emphasize the ethereal and ephemeral nature of the painting, reserving the use of colors to the hair, lips, and eyes of the subjects. Known for painting children, Peters' mourning paintings are scarce, and double mourning portraits are exponentially rarer yet...

English Landscape Watercolor “Chestnut Kent” Hampstead Heath School Gainsbourgh circa 1880s

Antique Japanese woodblock print by the artist Hasui Kawase (1883-1957) entitled Chuzenji Lake, Utagahama. Depicting figures, most likely pilgrims, walking near a red torii gate at water's edge. The sun shines on boaters on the lake and tall trees give shade on the shore.
The artist, Hasui Kawase is considered one of the major landscape artists of Japan. He was born the son of a silk merchant and studied both Japanese and Western style painting...