A late 20th century acrylic on canvas painting of an old New England mill by the mill pond in winter snow, 12" by 36" (15 1/4" by 39" framed), signed at lower right by recognized contemporary Rhode Island-based artist GERALD A. ROBILLARD. The peaceful work captures beautifully the peace of a mid winter New England day while the snow falls. One can almost hear the roar of the falls at right, typical of a mill pond...

Fine old painting of a young woman in a most distinctive red-striped dress, signed at lower right by American artist REVINGTON ARTHUR (1908-1986). This painting has composition, a great palette and blond light, and a modernist feel. It stands in contrast to much of his work, which was executed in rather dark colors. The artist was a student of George Luks, Arshile Gorky, and Kimon Nicolaides...

Found recently in Maine, this is an antique oil on board painting, 12" by 14 3/4" as framed, unsigned, the subject purple grapes and a ripe peach, the autumnal grape leaf suggesting the season of harvest, all on a marble ledge or table, with a distant view beyond. The gray academy board, style and framing suggest a date of execution of about 1880. The painting is very American in feeling, bordering on folk art as there's a naivete. The frame has wear and an obvious loss at lower left corner...

Original signed American oil landscape painting on stretched canvas depicting a showy Magnolia tree planted in The Soldier's and Sailor's Memorial Park which is an 1888 gift of Charles H Tenney to the town of Methuen, MA. This landscape is framed and simply titled: Magnolia. This impasto textured magnolia tree landscape scene is a pleasure to view each spring and summer.

In the background an impressive stone work First Congregational Church founded in 1729 and built in 1855...

A well-painted oil that reminds very much of the posters for JAWS, the terrifying 1970's movie in which an enormous shark terrorizes a summer beach coast community. The work is oil on canvas, 16" by 20", unframed, and is signed at lower right by artist Ryan Wells, dated nearby "10". The shallows, clear water, and nearby vegetation suggest a locale like southern Florida, or southwestern Florida. The shark is especially well depicted. Clearly the artist shows talent...

Old mountain and canyon landscape with foreground water and fog in the trees, 22 1/2" by 12 3/4" framed, unsigned, painted on old gray art board. The work likely dates to about the first quarter of the 20th century or possibly last years of the 19th. The vertical format would complement a narrow small wall. Old gold frame has some chip losses especially at corners...

A small painting on canvas, 12" by 9" (15" by 12" framed) titled on reverse "Hermit Home", by listed artist GEORGE EUGENE SCHROEDER (1865-1935). The scene is a modest rustic cabin in a forest clearing. The artist signed at lower right and again on reverse, wrote his name and "Heyburn, IDA". Heyburn is in the southern part of the state, between Twin Falls and Pocatello, on the Snake River...

Oil on board, 20" by 24" and frame 2 3/4" wide, signed in the paint at lower right "H. YOSHIZUMI" and dated there "57". Titled on two labels "Monterey Wharf", this is a striking, impressionist yet modern painting by a talented artist who was born in nearby Watsonville of Japanese ancestry. Yoshizumi was incarcerated during World War II at the Poston, Arizona internment camp. Many net references discuss the art he was able to produce while there, depicting his grim and alien surroundings...

Major geometric abstract oil on masonite painting, by Joseph Meierhans, circa 1940's. Gold leaf original frame - in excellent condition this work [image] measures app. 27 1/2" X 33 1/2". Meierhans, b. - 1890 in Switzerland, came to the United States in 1917, eventually settling in Bucks County. He studied under A.N.Lindenmuth and J. Sloan. He was a member of the S.Indp.Artists, ASL, Provincetown A.A. and the American Abstract Artists.

For the eclectic collector of 19th century American folk art, this is an oil on canvas, as framed in the original gilt, measuring 26 1/2" by 37 1/2" overall. The work was purchased in coastal Maine, where it came directly out of an old farmhouse near Nobleboro. It had been the property of one family there for decades. From a folk art Americana standpoint, it is a most interesting and unusual work indeed...

An example of a naïve or "primitive" landscape painting in the Hudson River School style, 23 1/2" by 30", (30" by 36" in old frame), unsigned as is typical, circa late 19th or possibly even very early 20th century. The painting has all the elements of such paintings----the feathery trees, cottage with quaint smoke from a chimney, a lone figure in foreground, small distant boats, distant mountain. The condition is very good; seems that the painting was apparently relined at some time in the mi...

George Hawley Hallowell 1872-1926, Arlington, Mass. This exceptional oil on canvas is 30"x30" in a 1920's 2" period gold leaf original Newton Macklin frame. It is in good condition, signed and dated on the lower right. His paintings sell for up to $10,000. He is listed in Fieldings, Mallett, and Who Was Who in American Art.

Oil on canvas painting of an extensive mountain landscape, 16" by 20", unsigned, unframed. This is a decorative work that needs a cleaning and a frame. Note how the extreme upper right edge, which had evidently been hidden under a frame, shows the true colors of the work. A regular size, framing this should not be expensive, and it's possible that a careful cleaning to remove the soiling might not have to be done by a professional.

Oil on canvas of a blue-eyed elderly lady wearing a white bonnet, 27" by 22" (34" by 29 1/2" in the 19th century frame), that attractive old frame bearing a placard giving the name of the artist as WILLIAM MATTHEW PRIOR (1806-1873). Images of the unsigned painting, which was found in Downeast Maine, were sent to major auction houses in New England and New York City. None disputed this being a work by the famous itinerant portraitist. The work came from the estate of a longtime Maine antiques ...

Oil on canvasboard painting of a white ranch house in a rugged, semi-arid setting, signed at lower right by artist H. D. SMYTHE and dated 1960. Research to date of this artist name has not been productive. The 20" by 24" work (26" by 30" in wood frame) has acquired some general soiling and light abrasions in a few places. In the past, it was exposed to some moisture as is seen from the back of the board, in the lower portion, but no issues related to that are to be seen on the front side. It ...

This is an OIL ON CANVAS by the PAINTER: T. BAILEY. This is a Romantic or Idealized Landscape from a Virginia, U.S.A. Estate. Found without a frame the size is 16" X 20". Circa 1925- 1950 in Excellent Condition

Oil on tin sheet painting of a man in cowboy hat, titled on reverse backing "The Old Hat", 16" by 12" (22 1/2" by 18 3/4" framed), signed at lower right and again on the backing, by the well known artist of the American Southwest, RAMON KELLEY (born 1939). This is a sensitively painted work of a subject obviously very familiar to the artist. Kelley studied on a scholarship at the Colorado Institute of Art in Denver, where he counted the artist Charlie Dye among his instructors. A Taos, New Me...

An interesting painting of a brick church dramatically positioned in a rural landscape with distant mountains, the year 1898 appearing on the lintel over the door, signed at lower right corner "K. Shuck". Online research shows there was a Kenneth M. Shuck associated with the Springfield Museum of Art, having served as its second director, between 1951 and 1976. A 1954 photo online shows him standing in front of a Thomas Hart Benton painting. This may be by that individual. The painting, on can...