PAIR of framed Paris scenes on board, one showing Notre Dame and the Seine, the other a street scene with a 1930's car and figures, each signed "Montal" at lower right. I would guess these are tourist pieces in the Montmartre painters tradition, probably dating to the 1950's or so. At 13 1/2" by 7 1/2" framed they are identical in size, and they are framed identically as well, though there is wear to each frame, showing as gold areas against a darker background...

Oil on canvas, 20" by 14 3/4" (29" by 24" as framed) signed at lower left with the signature of well listed Danish artist NILS H. CHRISTIANSEN (1850-1922), the subject a setting sun behind trees in a thinning forest. The artist seems to have been very interested in depicting the effects of light on landscapes, as many paintings seem to include his trademark round sun or moon somewhere in the sky...

Oil on canvasboard, 18" by 24", the subject dramatic, fluted, snowy mountain ridges pictured perhaps in late fall, as autumnal colors dominate the creekside grasses in the foreground, the painting signed at lower left "A. Nebeker" and dated there 1966. The location might be but I feel it could be most likely somewhere like Utah or Colorado in the intermountain West, or possibly the eastern slope of the Sierra in California...

Oil on canvas, 13" by 16" (17" by 20" as framed), the subject a glass compote filled with purple plums, the base surrounded by clusters of white and red currants, signed at lower left with a signature that appears to be "Bielard", "Bichard", or "Beclard" or possibly "Bulard". I don't see a listing for any such name but the artist was talented. I'd guess the age as circa 1920 to 1930's or so, judging from the technique, materials etc...

Oil on canvas, 16" by 20", unframed, the subject a cut watermelon, peaches, grapes, a pear and strawberries, signed at lower right "Mabel Lemos" and dated there 1948. This appears to me to be a work by the noted long-time citizen of Santa Cruz, MABEL LEMOS, the wife of painter William Lemos and mother of artist Sydney Lemos...

This is a rather large oil on canvas work, 30" by 39" (43" by 34" as framed), signed at lower right "DeShazo", the subject a landscape with houses, church, and lonely leaning telephone pole. The work is not titled and the artist is not apparently listed...

Measuring 16 1/4" by 21 1/4" (23 1/2" by 28 1/2" in its attractive and clean modern gold frame with liner), this is a beautiful impressionistic painting in oil by the noted orientalist French painter LOUIS MICHEL BERNARD (1885-1962). The subject could be a sunwashed port in the mountainous south of France, or, possibly, in Algeria or elsewhere in coastal North Africa, where Bernard spent much time. The artist was a student of Cauvy at the Ecole des Beaux Arts in Algiers...

Oil on wood panel still life painting of wilting yellow roses in a bluish-green vase on a brown vaguely defined table top, signed at lower right by artist M. Verberckmoes and dated there 1902. There does not appear to be a listing for this particular artist but the name is Belgian in origin. The work, 12" by 16 1/2" (19" by 24" in frame) could use a light cleaning, as there is surface dirt throughout, and there are some surface abrasions that show as white areas in the photos...

Oil on canvas luminous landscape of a peaceful Highlands lake ("loch") in late afternoon, 20" by 30" (27" by 37" as framed), signed at lower right by prolific Scottish and English artist FRANK E. JAMIESON (1834-1899). Jamieson painted a lot of paintings, and they are widely dispersed, and though not all are masterpieces, they are very satisfying and easy to live with, and a lot less expensive than those of masters like Alfred DeBreanski...

Oil on canvas painting, the subject a ranchette of the Southwest, likely Arizona or New Mexico, 16" by 20" (24" by 28" framed), signed at lower right corner in the paint by the noted, well-listed American impressionist plein air painter (and National Academician) PAUL STRISIK (1918-1998). The artist was born in Brooklyn and received art training at the Art Students League with Frank Vincent DuMond in the late 1940's...

Oil on canvas, unframed, 30" by 40", the subject large boulders and rocks surrounding a small pool of water, executed in a photo-realist style in muted colors, signed at lower left with the artist's name, copyright symbol, and date 1985, and titled "Slow Water" and signed again on the reverse. This is a relatively early work by the noted Twentynine Palms, California contemporary artist and muralist CHUCK CAPLINGER...

Oil on canvas laid on board, 7" by 11" and 1 1/2" wide beautiful original pie crust frame in good condition, unsigned, but without a doubt the distinctive work of noted and prolific Northern California painter RICHARD DETREVILLE (one of several works by the artist in my shop). Detreville was born in South Carolina in 1864, and by the early years of the new century, he was in Stockton publishing a magazine. Shortly thereafter he was in San Francisco, represented by a gallery...

Oil on canvas, somewhat spontaneous and sketchy image of a formally dressed couple at a social event, circa "fin de siecle", 14" by 10 3/4" (20" by 17" as framed), signed at lower right with the distinctive signature of French early to mid century artist YVES DIEY (1892-1984). Diey is well known in France particularly, where his pastels and oil paintings of nude, or semi-clothed attractive women, sometimes in exotic settings, make frequent appearances at public auction...

Oil on canvas painting of an extensive mountain landscape, 16" by 20", unsigned, unframed. This is a decorative work that needs a cleaning and a frame. Note how the extreme upper right edge, which had evidently been hidden under a frame, shows the true colors of the work. A regular size, framing this should not be expensive, and it's possible that a careful cleaning to remove the soiling might not have to be done by a professional.

Oil on canvas laid on old board of a country landscape with an apple tree at left and a split rail fence surrounding a clearing, 14" by 21 3/4" (18" by 26 1/4" as framed), apparently unsigned, but dated 1885 in the lower right corner. I feel the painting could be by a listed artist but the painting is not talking. The predominating greens and browns and the old gold frame make for a Hudson River style painting. The painting is soiled commensurate with its advanced age; a cleaning would be ver...

Oil on canvas Italian scene of the famous Bay of Naples with smoking Vesuvius volcano, unsigned, circa 1880 to 1900, measuring 18" by 28" (23 1/2" by 33 1/2" as framed). This is a charming scene, painted many times since the 17th century, of fishing boats in the bay, the backdrop being an ornate tower at left, distant houses on hillsides, and at right the curling smoke plume of simmering Mount Vesuvius. The painting is somewhat primitive, not painted by a listed artist, most likely, but he o...

This is an American painting from the first half of the 20th century, the subject gulls in flight. The unsigned oil on canvas measures 24" by 36", plus 2 1/2" of interesting Deco style weathered black painted wood frame on a side. I purchased this in Miami some years back, thinking the work bore considerable resemblance to the Florida-period works of JANE PETERSON (1876-1965), a major American artist who painted in South Florida for some time. Her works of that time are distinctive for this k...

**One of two very similar works by the artist in my shop, preferably to be kept together- Oil on canvas, 16 1/4" by 12 3/4", in an old master style but of mid to late 19th century date, teaturing a house, tree and dogs and travelers, signed at lower left by noted, auctioned artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This is an almost monochromatic, very understated, subtle painting; perhaps a study for a larger, highly finished work. The artist's works have sold into five figures at So...