An interesting, folky, oil on canvas painting of a house with stone chimney set in a lush open valley, apparently set in Salinas Valley in California, signed by artist Sharon Moree Giambrocco Ebina, who wrote a long story on the back of the canvas. In that story she explains how the painting is inspired by the movie made from the John Steinbeck book "East of Eden". She also touches on the Japanese inspiration she feels, her signature incorporating the Japanese character for "valley"...

A colorful Haitian painting on canvas, 17 1/4" by 25 1/4" as framed, signed lower left by artist "Teddy C." or "J. Eddy.C.", the scene a typical coastal village of small colorful dwellings, with small boats offshore and three total figures, one on horseback. There is a small hole about 1/2" square at lower right as shown. It can no doubt be minimized with some tape applied to the reverse side. See other Haitian paintings in my shop.

Oil on masonite panel painting of the desert, 12" by 9", signed in capital letters at lower left by listed southwestern artist BILL SHADDIX (1931-). The presence of the iconic saguaro cactus places the scene as east of the Colorado River, therefore in Arizona. Shaddix was born in Oklahoma during the Dust Bowl, and emigrated to California by the early 1940's with his family. A deputy sheriff in Orange County by 1956, he began to paint, and eventually turned full time to his fine art...

Oil on Masonite painting of a high desert of the Southwest, 8" by 9 3/4", unframed, signed in red with initials at lower left. Probably dates to the 1960's or 1970's. Put an eight by ten inch frame on it and you will have a very nice little landscape for your wall.

Oil on canvas painting of the famous Rialto Bridge in Venice, Italy, signed at lower right with a signature that looks like Gianni XXXX, and dated there 2000, the piece measuring 17" by 23" in green framing. The work is nicely painted, the water reflections handled well. Condition is excellent. This should bring back fond memories of a trip to the world-renowned antique historic city.

Oil on board, (ONE OF TWO BY THE ARTIST IN MY SHOP), 4" by 7 1/2" inside the mat (7 1/2" by 11 1/4" as framed) signed at lower left in green "Six" and dated there "32", the subject the iconic saguaro cactus of the southwestern American desert at sunset. Because that species of cactus grows naturally only in Arizona, we can assume that this is indeed an Arizona scene...

An oil on rough side of the Masonite painting of a windmill in a landscape with a foreground cow, painted in a skilled impressionist hand, and signed by the artist, one PENNY SMITH, at lower left. The work was probably painted in the 1950's, judging from the signature and style/materials. I do not see a listing for a Penny Smith, but she was trained. Measurements are 14" by 12" and the work is unframed...

An impressionist street scene of Koge, Denmark (a market town about 25 miles southwest of Copenhagen), signed at lower right "A Krogh Petersen", and titled below that "Kirkistrad (Church Street) Koge". The unframed 17 7/8" by 20" painting on canvas is sold in as-is condition. There is a ragged puncture at upper left in the tree, and nearly all parts are present except for an area smaller than a pencil eraser. Have this patched and the painting lightly cleaned...

Small oil on canvas laid on board painting of a man in traditional outfit with distinctive hat. The mid 20th century work is signed illegibly at lower left corner. This would appear to be from Ecuador, or if not there, another Andean nation such as Peru or Bolivia. Measurements are 4" by 3 1/2" (7 1/2" by 7 1/4" as framed, with blue velvet liner). An interesting addition to a small wall or nook.

Old horizontal format landscape, oil on board, featuring trees, a creek or lake, the only sign of man a picket fence near the group of trees at center, signed at lower left "Ferguson". The painting likely dates to about 1925 or 1930. Measurements are 14 1/2" by 25" (19" by 32 1/2" in frame that dates to about 1965). There is stable authentically old "alligatoring" of the paint (a crackling pattern related to how quickly the paint dried)...

Oil on canvasboard painting of a home and greenery with a high mountain backdrop, signed at lower left faintly "J. F. Gasser" and inscribed on reverse "Original/by Rev. J. F. Gasser/April 1937/La Crescenta Calif". The work measures 12" by 16" (16" by 19 1/2" framed). The artist does not appear to be listed or known but was talented. An early scene in what is today a highly desirable upscale Los Angeles suburb backing up to the scenic Angeles National Forest.

A contemporary painting of the famous Lone Cypress clinging to the rocks along the Seventeen Mile Drive on the Monterey Peninsula, near Carmel on California's central coast. The oil on canvas, 12" by 16" (14" by 18 1/2" framed) is signed at lower left by artist Florence Antree. The work is clean. I note a small hairline abrasion/puncture in the branches at upper left, largely hidden by the composition. A little appropriately matched watercolor around it would hide the issue completely...

A circa late 1800's or circa 1900 antique painting on gray art board of a lake at sunset, a steep outcropping with ruins at left and a small boat completing the composition, unsigned, by an amateur hand, 13 1/2" by 8 3/4" as framed. The work is in an ornate turn of the century frame with a few missing chips that could be easily painted over in gold. What more is there to say---it is a classic little painting of its era, perfect for a small or narrow wall.

This is a small California painting on board of the sequoia or redwood forest, 8 1/4" by 11" framed, unsigned, protected behind glass. Condition is excellent. Frame is wood. Though small, the artist captures the majesty of the cathedral-like groves for which the state is famous.

Oil on canvas painting of an extensive mountain landscape, 16" by 20", unsigned, unframed. This is a decorative work that needs a cleaning and a frame. Note how the extreme upper right edge, which had evidently been hidden under a frame, shows the true colors of the work. A regular size, framing this should not be expensive, and it's possible that a careful cleaning to remove the soiling might not have to be done by a professional.

Oil on canvas, 17" by 9" and thin original wood frame, signed lower left "M Stuart", depicting a young woman in greenish gray paint. This is more a work of figural art, really, than mere portrait. The sitter is unknown, as is the artist; there is a listing for a Mimi Stuart (1959-) but I am not convinced this is by that artist. Signature looks as if it could be by a British hand, judging from the style of writing. It is a professional signature, though, and this is not a work by an amateur...

Oil on canvas laid on board painting of a tree in late autumn, the leaves still in their golden glory, haystacks filling the meadow. This work measures 8" by 10" and is unsigned and not framed. On the reverse is written in pencil "Oct 7 - 1939". More than likely this is by a listed artist but his or her identity will remain a mystery. Put a frame around it and this will shine.

Oil on canvas, circa late nineteenth century, 21 1/2" by 26 3/4" and about one inch wide framing, unsigned, featuring feathery trees, distant snowy mountains, a lake with small sail craft, and a gentleman pulling in nets on another small boat. This painting is in need of restoration, but, I believe it well worth saving for posterity. There are some holes, the largest about 3/4" by 1/2", at lower left, a similar one at upper left, and some much smaller punctures at far right...