Leaf from sketchbook depicting a thatched hut with tree on verso, dated 1940

Dated Jan. 7, 1940 (Showa 15) on lower right, good condition, slight browning on edges

Overall size: 8 ¾ x 11 ¾ in.

Antique floral watercolor, the subject white wild roses, 11 1/2" by 7 1/2" (17 1/2" by 13 1/2" framed in light oak), signed at lower right "M. S. Robison". The paper is loose under the mat and has slipped, as photos of corner/edges show. Re-set in proper position and enjoy this well-executed piece.

A study of fruits and vegetables, dated 1944

A leaf from a sketchbook dated Showa 15 (1944), unsigned, minor wear, toning on back

Overall size: 11 ½ x 16 ¼ in.

Watercolor painting of a mountain landscape in autumn, signed at lower left with what appears as "F. Renaud". A brook or stream occupies the right center. This is a nicely painted work, 4 5/8" by 6 1/2" inside the mat, 8 3/4" by 10 3/4" simply framed. The watercolor probably dates to the 1960's or 1970's. Photos were taken with the present cloudy non-glare glass removed. I suggest discarding it permanently in favor of regular glass. Ready to hang on the wall as-is, though.

Antique, circa 1910 unsigned watercolor on paper painting of a red-headed young woman with elaborate hat, carrying roses, 12" by 9 3/4" in modern-day but attractive and complementary gold framing. There are old condition issues (cracks in the board) at top portion in the hat, and hair, extending to the top edge. These were amateurishly taped on the back side...

Watercolor on quality paper, 7 3/4" by 11", 10 1/4" by 13 3/4" as framed, the subject the famous and iconic symbol of the Santa Fe and Taos region of northern New Mexico, the sanctuary near the town of Chimayo. The art is titled at lower left margin and dated there 2004, and signed "Benke" or similar at lower right. Condition is excellent. A decorative little item if you're looking for something that reminds you of your trip to that scenic and history-filled region of the country.

For the collector of Oregon or Northwest art, a small (6 1/2" by 8 1/2" in inexpensive wood frame), unsigned contemporary watercolor of a small river running past rugged, arid cliffs, titled on reverse "John Day River @ Black Rock". The John Day River is a tributary of the Columbia River, in north central Oregon. At 243 miles in length it is the third longest free-flowing river in the United States. It is known for its salmon and steelhead fishing...

This is a very early watercolor, 9 1/2" by 5 3/4" framed, in the style of the early 19th century, titled at bottom "Double Rose", by an anonymous artist lost to time. His or her handiwork has survived likely 150 years or more but has lost a little color from fading, and the paper has browned. These are not faults---rather, they give the drawing age and character...

The watercolor is unsigned, 6" by 8 1/2", 10" by 13" as simply framed, the scene tall forest trees and distant mountains; there is either a stream or pathway in the foreground. I'd think it has some age, but probably not before about 1970. The artist was talented, and this will decorate a small wall nicely.

Watercolor on paper landscape, 10 1/2" by 7" inside the early-style gold mat, 18 1/2" by 14 1/2" as framed, signed in blue at lower right "J.A. HANCOX". No listings were found for this artist, but the work appears certainly to be of English origin. There is fairly heavy foxing especially at top in the sky, and a small bar of lighter paper there. It appears that the artist signed in lower right corner and then tried to rub it out there before re-signing it two inches higher up.

Watercolor of white flowers, 7 3/8" by 7 3/8" (14 1/4" by 14 1/4" in gold metal framing), signed at lower right by Northern California contemporary artist Joyce Herman. Her business card is affixed to the reverse side. The painting is nicely done and in excellent condition.

Watercolor on heavy watercolor paper, 10 1/2" by 14 1/4" inside the mat, 19" by 22" as framed, not signed, the subject a coconut palm at left, with a schooner-type sailboat in the distance beyond a narrow spit of land, a white gull overhead. The work probably dates to the 1950's or early 1960's...

A nicely painted and peaceful 1920s-30s watercolour of a winter scene with a deer. This 5-1/2" x 3-5/8" sight size picture is in the original gilt embossed wood 11 x 9" frame with a gold mat. It is unsigned but looks like our other painting by L. Livingston (our stock number 5727), and it is in excellent original condition with no chips, cracks, fading, tears, staining, foxing, losses, damage or repairs...

Watercolor painting of yellow roses on their prickly stems, 11" by 7 3/4" (16 1/2" by 12 3/4" framed), unsigned, circa late 19th century or early 20th. There is an old framer's label on the reverse backing from Boston. Condition is good, mat should be replaced, as well as old-style acidic old sawn wood backing boards. The mat edges did leave browning to mark their presence but that would be hidden completely by a new mat.

A printed Marriage Blessing, with adjacent watercolor painting of flowers at left and a waterfall with bridge (resembles Multnomah Falls, Oregon) at right...

A small late 20th century watercolor titled on reverse label "Brazeau River", signed lower right with initials "MH". The work measures 5" by 3 1/4" inside the mat and 9" by 7" as framed. The Brazeau River is 130 miles in length and runs in a generally easterly direction from the high Canadian Rockies of Alberta, through the foothills and towards the plains where it merges with the North Saskatchewan River...

Nicely executed watercolor still life of various articles including a cup or shaving mug, spoon, coffee grinder, ginger jar, fan, and ceramic jug, 14 1/2" by 19" (23 1/2" by 27" in a circa 1960's green frame), signed at lower left by artist Pauline Goode. I was not able to locate information on the artist until I dug down into the internet, which provided a snippet from a 1956 Pasadena, California newspaper...

Late 19th or early 20th century American watercolor of several small sailing craft off a dock, signed at lower right with what appears as "L. Hart" or similar. (There might be a "18" below the signature---possibly as in 1918, but it is difficult to make out with any certainty). The work measures 9 3/4" by 8" (14 3/4" by 13" framed). Let's call the artist a talented amateur who created a pleasant scene. Condition is good. Gilded oak framing has light wear but is complementary to the art...