A peaceful scene---slow moving creek in a landscape, bordered by trees in what appears to be early autumn, signed at lower left center by Massachusetts listed artist JOHN J. FRANCIS (1862-1933). The work is competently painted by an artist who seems to have specialized in the watercolor medium. His works are often encountered in New England. Auction records seem to be hopeless entangled with another American artist with the same name, born in 1889 and died 1939...

An antique drawing in ink and watercolor, 4 1/4" by 6 3/4" inside the mat, 11" by 13 1/4" framed, unsigned, featuring a rolling landscape with stand of trees and tiny figures. At left a full hay wagon is pulled by an animal; at center a couple walks together; at right, three others take a break and chat. This could possibly be an American drawing after an English etching. The materials and framing look American, the scene less so...

For the collector of botanical drawings and art, a nice unframed 11 7/8" by 9 3/8" floral watercolor drawing highlighted with a little gum arabic in the nineteenth century tradition. It is not signed, but I think at lower left in old faint pencil it says "yellow aralia", and at bottom, very faint and barely visible, there is a lot of illegible pencil writing. This likely dates to the 1860's to 1880's period...

Hey beautiful landscape in watercolor depicting a field with flowers and beautiful clouds in the sky signed on watercolor paper …..Collier was born in Glossop in Derbyshire, the son of Martha Siddall and Thomas Collier, who was a prosperous grocer and tea dealer. He received tuition at the Manchester School of Art and, inspired by David Cox's example, lived at Betws-y-Coed in northern Wales between 1864 and 1869...

English School (ca. 1850-1870)

Two Antique English miniature watercolors with printed borders.

Frame size: 7.5" x 8.5"

An antique watercolor landscape (17 1/2" by 29 1/2", and 25 1/2" by 37 1/2" framed) featuring a peaceful scene of a house on a northeastern lake, a sail boat lazily floating by, signed lower right and dated there 1889 by the well known American 19th century painter EDMUND DARCH LEWIS (1835-1910). The artist painted from Maryland to Maine, visited Cuba and apparently Italy, and even apparently spent a short time on the Pacific coast at Monterey, California...

Artist F.J. Torrome -Lady of the Lake watercolor 1906 Measuring 15 x 22“, frame size 23 x 29“

A large watercolor painting in impressive strongly horizontal format, the subject waves rolling in on a coast, sailing boats on the horizon, the work signed at lower left by artist "Langdon". This could be Chauncey Langdon (1828-1907), described on AskArt as a topographical painter from Vermont who came around the Horn to California in the Gold Rush days...

A beautifully executed watercolor painting of a proper Victorian lady in her fine parlor, her chair and small table sitting on a bear skin rug. The work is unfortunately unsigned. It measures 18 1/4" by 12 3/4" at the mat opening (25 1/2" by 19 1/2" as framed). This was acquired from a New Jersey dealer, in Florida. He claimed to have had a bit of paper with the name of the artist but has never been able to come up with it despite my requests...

PAIR of watercolor still life paintings of floral subjects, 8 1/2" by 7" inside the mat (16" by 14" framed), circa mid 19th century, likely American (purchased in Maine). Note the exquisite detail and color. Hand drawn mats add to the vintage appeal. Later 20th century gold frames are in good condition. One mat has old browning/possible water damage at lower right, not affecting the art.

Antique watercolor painting, beautifully executed, the image featuring a wrapped ceramic vessel, old leather-bound books, and a pair of red ornate slippers, the work signed at lower right in pencil "Emily J. Hare 1892". The painting, paper laid on a thin board, measures 10 1/2" by 14 1/2" and 14" by 18" framed. Despite the obvious skill of the artist, the only online references I see to this name are to a woman born circa 1871 in Maine to English and Canadian parentage...

Watercolor on paper laid on board still life of flowers and a vase in an interior, 15 1/2" by 11 1/2" (25" by 20" in a tired and worn old frame, not pictured but possibly available at no extra cost), signed at lower left and dated 1870 by the well listed New York artist MORSTON CONSTANTINE REAM (1840-1898). This is a rather early work by an accomplished and well listed artist, the younger brother of CARDUCIUS PLANTAGENET REAM (1837-1917), who encouraged Morston to develop his art skills...

Watercolor and gouache painting on paper, circa mid 19th century, of a house by a canal or waterway, with several figures in the image, unsigned, measuring 14" by 9 1/2". There is a simple frame as well (not pictured, but available at no extra cost, with the painting). The work is charming and clearly antique...

Antique, circa 1850 watercolor of a coastal scene in the British Isles, signed somewhat illegibly at lower right with what might be "Johnson", "Imson", or similar. The watercolor measures 10 3/4" by 16 1/2" inside the mat and 18 1/2" by 23 1/2" in nondescript modern frame (not pictured)...

Large watercolor on paper European street scene with half timbered style houses and many figures going about their daily lives, 21 1/2" by 16 3/4" (an impressive 36 3/4" by 29 1/2" in its original Victorian Eastlake style framing complete with original sawn wood back boards), signed at lower left and dated there 1875 by the well listed English watercolor artist THOMAS COLMAN DIBDIN (1810-1893), and titled "Caudebec"...

Unusual watercolor of what appears to be a wagon on the plains, piled high with rocks perhaps, and, even, the skull of a buffalo, signed at lower right "P. PARSONS '96". The watercolor is on paper and measures 8 1/2" by 18 3/4" (15 1/4" by 25 1/4" as framed). The work is in excellent condition with no foxing visible. I do not see an obvious listing for the artist. Found in San Diego area. Recently, on the east coast, I saw a watercolor coastal scene signed in the same manner.

Circa 1900 watercolor of the heart of Venice, Italy, including the familiar sights of canal and gondola, St. Mark's Basilica church and the famous clock tower on the Piazza San Marco, signed at lower left "E.K. Coomber". This work measures 12" by 6 1/4" inside the mat and 18 1/2" by 12" framed. The artist though apparently unknown was talented and a master of the watercolor medium. The artwork is clean, although the photos suggest otherwise; there is foxing and soil on the inside of the glass...

Watercolor on paper laid on board painting of roses and hollyhocks in an intimate garden enclosed by a wall or structure, 16 1/4" by 13" and 1 1/4" wide frame, unsigned, executed late 19th or early 20th century. The artist's mastery of watercolor is clear, but unfortunately he or she failed to sign the work, which resembles paintings by members of the Stannard family of watercolorists (Henry John Sylvester 1870-1951, Lilian 1877-1944, Theresa 1898-1947). An experienced English art dealer, havi...

1848 Watercolor Illustration Mockingbird After An 1808 By Wilson 10x13” The work is extremely fine detail on Watman paper framed size 19x16”

This is a well executed impressionistic watercolor of haystacks on a marsh, a popular theme in American art, addressed most notably during the third quarter of the nineteenth century by the great Martin Johnson Heade, in the marshes of coastal northeastern Massachusetts. This painting on heavy paper was laid down to an old board a long time ago. Unfortunately it does not appear to be signed, at least not on the front. The painting itself measures 10" by 14", 18 1/2" by 22 1/4" in its late 19t...

Mounted Painting of Waterfowls / Li Kuchan (1899-1983) 53 1/8 X 13 inches 134.9 X 33 cm Ink & Color on Paper Dated 1981 Inscribed & signed with an artist seal. Condition Report: Hand-Painted, Good Condition Provenance: Property of a Washington collection Terms & Conditions of Sale NYDJ Chinese Art Gallery advises its prospective buyers to evaluate each lot of its auction with discretion and self-provided professional assistance. Any literature regarding its Lots for auction, including des...

Watercolor with gouache highlights on paper painting 13 3/4" by 9 1/2" inside the mat, of a large and impressive castle on a hill, (possibly Windsor Castle near London), a pastoral landscape with figures in the foreground, signed in pencil at lower right "A WATT". There is a listing for an Arthur George Watt (1883-1935) but I doubt this be the same artist, as the techniques and style do not mesh and the dates are wrong; this drawing is earlier. The drawing is beautifully executed by a talented...

For the Orientalist art collector, this is a fine little drawing in pencil and watercolor, 5 1/2" by 8 1/4", (10 1/2" by 14" in its vintage frame), the subject an apparently Middle Eastern scene of classical temples set into a hillside. It has been suggested that this could be the famous Petra, Jordan site of classical antiquity. The work, glued to a sheet with "Ackermann & Co." blindstamped into the right corner, is unsigned. (Ackermann was a supplier of artist supplies during the 19th centu...

Hudson River School style watercolor on paper, 13 1/2" by 19" inside the mat, 24" by 30" as framed, signed at lower right "Byron Albee". This is a subtle, delicate, beautifully executed watercolor of trees and a line of stones next to a pond. Because it IS so subtle, it does not photograph impressively; but in person it is appealing. The work has survived the years in excellent condition with only a bit of well balanced overall browning of the paper. The painting is not dated and I do not se...

Watercolor on paper laid on thin card painting of a fetching, dark-haired young woman, apparently in Venice (tiny gondola/architecture at far right), holding spring flowers at the water's edge, " by ", and signed at right center "E. LARRI". I do not see a listing by this name but he/she worked squarely in the tradition of 19th century Italian watercolor art. The piece was in a nondescript frame when found, and backed by curling old acidic wood. I have removed it from the frame for photography...

An unframed antique, 19th century watercolor of two Indians paddling a canoe in a raging small river between steep cliffs, signed at lower right with what appears as "Catherine Stuart 1879". The 7 5/8" by 10 3/4" work strongly reminiscent of paintings and watercolors by noted Canadian artists Cornelius Krieghoff (1815-1872), Alfred Worsley Holdstock (1820-1901), Frederick Arthur Verner (1836-1928). Strangely, an online search has not turned up information on the present artist. The work is ex...

Watercolor and white gouache highlighting on heavy paper landscape, 7 3/4" by 10 1/4", unframed (an early ruled mat with handwritten title and "19th CENTy." surrounds it), unsigned, the subject a hilly location in India (possibly a "hill station" in the foothills of the Himalayas). Note the fine detail including structures, tall skinny palms, a flag pole, etc. This probably dates to the 1860's or 1870's, and was likely executed by an English artist traveling through the region at the time. To...

Artist William Brooke Thomas TREGO, “Dual between a union Calvary man and the confederate trooper“ The black-and-white oil on canvas was created for the century edition of battles and leaders of the Civil War of a true 1862 incident. And I witness testified that a desperate fight with sabers, during which both combatants were severely cut, federate ignore the rules of chivalry warfare, Drew his revolver, and shot his opponent dead. TREGO lived from 1859 to 1909 William Brooke Thomas Trego ...

Original antique English watercolor titled "Fox Gloves by Stream" signed by Joseph Poole Addey (1852-1922), dated 1889. Addey was an especially gifted watercolorist. Born in Dublin, he studied at the Royal Dublin Society School of Design and the Cork School of Art. He began exhibiting at the RHA in 1877, and over the next forty years showed over 130 paintings. Image size: 19x29”, overall dimensions: 29.5 x 38.5”. less

Unsigned fine old nineteenth century ink and watercolor drawing of a great tree presiding over a pleasant forested landscape, two tiny figures at right and a small wooden structure at left providing the only evidence of human presence. The watercolor, 14 1/2" by 10 1/2" inside the mat, 24 1/2" by 21" framed, is probably English or continental European, and circa 1860's or thereabouts. The tiny figures are a woman gathering sticks for cooking, and her child. Condition is generally amazingly fr...

Found in New Hampshire, this is an antique unsigned watercolor of a rocky coastline, sailing boats on the horizon. Measuring 13 1/2" by 19 1/2", the work on paper is glued down to an 1893 Salem, Massachusetts legal directory, the edges of which are crumbling. Those edges should probably be trimmed, and the watercolor then framed to preserve it for another century. Though simple and monochromatic, this is a work well worth preserving. One corner is brittle.

A 19thC framed watercolour picture of a child 1860-80. This late Victorian period unsigned framed water color on paper is a piece of early memorial folk art and it was possibly made by a family member as a reminder of a deceased child, with typical muted colours and austere pose. This Victorian picture is a lovingly made piece, most likely a memorial painting, with a hand-cut deep red velvet mat, a gilt paper mount from a photo-album page and a black and gilt frame with applied brass Coptic cro...

Watercolor en grisaille drawing of the ornate entry area of a 19th century American home, complete with trellis, shutters, clapboard and fine woodwork, unsigned, measuring 18" by 14" (20 1/2" by 16 7/8" framed in brown wood frame. There is also a pencil study of the doorway on the reverse (see last photo). Any number of artists could have created this. It reminds me of a home you'd see in a watercolor by Edward Lamson Henry. I'd date this to about 1910 through 1930. Condition is very good a...

This is a wonderful large watercolor (18 1/2" by 27"----28" by 36" as framed) executed in the nineteenth century by English artist WALTER TOMLINSON (ca. 1833-1909). The scene is Ann Hathaway's famous cottage in Stratford-on-Avon, which Shakespeare lovers will recognize as the town associated closely with the Bard himself. When I first saw this I assumed it was a print and was amazed to find that it was indeed an original work of art. The condition is superb, with no foxing; there is a very sl...

Gouache on paper painting (9 1/2" by 20", and 18" by 28" as framed) of the world-famous Rialto Bridge spanning the Grand Canal in Venice, Italy, signed at lower right and dated there 1889 by the well known American 19th century painter EDMUND DARCH LEWIS (1835-1910). The artist painted from Maryland to Maine, visited Cuba and Italy, and even apparently spent a short time on the Pacific coast at Monterey, California. Lewis came from a privileged background, and that enabled him to pursue his art...

I thought this at first a print, the detail is so life-like and convincing, but closer examination revealed that it is indeed an original drawn work on paper, measuring 9 1/2" by 7" (15" by 13" framed). The artist must have had tremendous patience, or lots of time on his or her hands, to have created each leaf and flower. The work probably dates to the 19th century. As would be expected in art of this age, there are a few discolored areas at lower left and lower right, but they just add to th...