Oil on wood panel painting of a Dutch city scene, painted in the 19th century style of artists such as Cornelius Springer, the work 16" by 20" (24" by 28" as nicely framed), signed at lower left "Shone". The work is contemporary though the artist was obviously familiar with the meticulous style of the earlier artists. Painting and frame are in excellent condition.

A large watercolor on paper on panel painting of a classical mountain landscape, dated in Chinese 1980 at upper left (and likely signed there, I cannot read calligraphy), the work measuring 32" by 22 1/2" (the entire panel 40 1/2" by 30 1/2" with metal frame, loose/no glass). The artist was obviously familiar with centuries of Chinese classical landscapes. There is light wear in several places but nothing serious. The work is loose within the frame and can be shipped with or without it.

A striking, traditional, antique, oil on old oak panel painting, with even an Old Master feel, the painting itself 13 1/4" by 15 3/4" (34.3 cm. by 41.3 cm), the scene a landscape dominated by a placid large white dray-type horse (painted with extraordinary sensitivity and skill), a goat at left foreground, and resting cattle in the distance, the remainder of the composition dominated by a sky filled with beautiful clouds, and classic willow trees at right...

A floral still life painting on pebbled paper, 14 1/2" by 10 1/4" inside the mat, 19" by 15" as nicely framed (no glass). The work bears signature "Montezin" at lower left but I have researched the piece and it is not by the noted French artist. It is offered solely on its decorative qualities. There are light folds in the paper at top but they are not really a concern.

A very pretty contemporary oil on canvas landscape of trees, a cluster of pink flowers in the left foreground, signed at lower right by California Art Club associate member DULCIE ADAMS. Biographical information seems to be lacking on this obviously talented artist. The work measures 18" by 24" (26 1/2" by 32" nicely framed). Painting is in excellent condition; linen liner has a small stain that could probably be removed.

A most interesting circa 1960's work featuring a group of older, mostly one story buildings in a town, those buildings apparently of stone, judging from the earthy colors. A dark blue sky elegantly sets off the earth tones, making for an interesting play of light and color. Brush strokes are vigorous and sure. The painting is oil on canvasboard, measuring 9" by 13" (12 3/4" by 16 1/2" framed), signed with initials that could be "CB" at lower right...

A typically colorful painting from Haiti, featuring female figures carrying loads of fruit on baskets balanced on their heads, against a mysterious deep green background landscape. The painting is signed at lower right "Xavier B./Haiti/2000". Measurements are 25" by 21" as framed in white wood. Canvas is slightly rippled, there are a few hairline crack marks in the legs of several figures, but nothing that is bothersome at normal viewing distance...

An old watercolor on paper laid on board painting of old buildings, with a view to open water beyond the narrow lane. The work is signed with initials "MC" or "ME" at lower left but there is no other information. The watercolor measures 11 1/2" by 9" inside the mat and 18 1/2" by 16" as framed. There is old wood slat backing remaining. This might well be a scene of old England, perhaps Cornwall, but it is really hard to say more as to the locale portrayed...

Oil on canvasboard painting of a dirt road through a pine woodland, signed at lower right by artist ADDIE SYLVESTER. On the reverse side it is titled "Deep in the Heart of Texas", signed again and dated 1950. I do not see information on the artist. Curiously there was a woman by that name who passed away in 1989 in Manhattan, Kansas area; on the backing paper, most of a label is missing, but the remaining letters of what would be the town in the address are "MAN..."...

Oil on canvas painting of white and pink roses in a blue bowl, signed at lower right "Strachan". The work, measuring 18" by 24" and 23" by 28 1/2" in likely original frame, has tiny losses in background and lower left area. The frame also has light wear, and losses on back of left edge. Overall, a very shabby chic piece in feeling. There is an old Los Angeles framer's sticker on reverse backing.

Oil on canvas painting of a farmer by a water pump in an open field, two dray horses at center and left slaking their thirst. The work measures 11" by 12" and 15 1/2" by 16 1/2" in frame that may well be the original. The painting is signed faintly yet distinctly at lower left corner "S.S.C.", which is one of the known signatures of American artist SAMUEL SIMPSON CARR (1837-1908). Other known signatures include "S.S. CARR" and "S. CARR"...

A PAIR of watercolor paintings framed as one, in black and white, each signed lower corner "CC" or "LL", likely late 19th century or early 20th. Each measures 2 1/4" by 3 1/4" (12 1/2" by 9" as framed). There is no information inside on the identity of the talented artist. Silvery frame and hand drawn mat makes for a very elegant little piece.

A most unusual painting on wood panel, 24" by 30", unframed, featuring some gritty, tough-looking downtown Los Angeles men in a claustrophobic, vertiginous streetscape of old hotel buildings. The Hotel Rosslyn and annex were built in 1914 and 1923, respectively, and were fashionable places to stay, in their day, at Fifth and Main in old downtown. The medium used is likely casein or other non-oil, water-based paint...

An American oil on panel painting, unsigned, likely circa 1920, unframed, featuring a landscape including a lake, some distant low mountains, and yellowing foliage in foreground suggesting autumn as the season. The piece measures 14" by 22". Surface is dirty---could really use a cleaning/varnish---and there is paint chipping along left, top, and bottom edges, as well as a small loss at left center in the foliage. Needs some TLC but the essentials are all there...

A beautifully executed watercolor painting of a proper Victorian lady in her fine parlor, her chair and small table sitting on a bear skin rug. The work is unfortunately unsigned. It measures 18 1/4" by 12 3/4" at the mat opening (25 1/2" by 19 1/2" as framed). This was acquired from a New Jersey dealer, in Florida. He claimed to have had a bit of paper with the name of the artist but has never been able to come up with it despite my requests...

Oil on canvas painting with great luminosity, the subject small craft pulled up on foreground beach, with a view to distant ships offshore a city, signed at lower left corner and dated 1876 by well listed Danish painter NORDAHL GROVE (1822-1885). The work measures 17 1/2" by 26" (23 1/2" by 32" framed)...

Early landscape painting of a likely imaginary, idealized, pyramidal mountain peak of California, (doesn't really resemble Mt. Shasta, but I suppose it could be), 20" by 16" on the stretchers, painted on canvas, 25 3/4" by 21 3/4" in a fine old gold 19th century frame, signed at lower right by artist "C. A. Simpson" and dated there 1886. The painting is firmly in the luminous tradition of some of the eastern Hudson River artists, with a pinkish glow suffusing the sky. Note the tipis at left lo...

A watercolor painting featuring a street scene in exotic Cusco, Peru, the imagery of a steep walkway in the high altitude mountain city, a lone figure in classic, native Andean dress descending the steps, an extensive view of tiled rooftops, whitewashed buildings and churches completing the middle distance, as serrated mountain ranges fill the horizon. The 10 7/8" by 7 1/2" painting (15 1/4" by 12 1/4" framed) is signed at lower left "ORE" and dated there 1980. Condition is excellent. The gra...