Beautifully executed pastel in subtle white, gray and tan, this is an image of Sacre Coeur and Montmartre in snow, signed at lower left by artist R. A. Badenhop. I am unable to locate an artist of this name, despite the obvious quality of the work, which measures 20" by 16 1/2" (27" by 23 1/2" framed). The empty streets, teeming with tourists and visitors on more pleasant summer days, make for an unusual sight in this famous and crowded section of Paris...
A rare and powerful painting directly on a rather crude wood panel, unframed, 16 3/4" by 23 3/4", by the important twentieth century Peruvian artist ALICIA BUSTAMANTE VERNAL (1907-1968), featuring a group of native people climbing in the bleak mountain landscape, the forward group carrying a shrouded body for burial. The work is titled on the reverse "El Entierro" (The Interment/Burial"), and is dated there 1954, with additional notation "Ayacucho" (the Peruvian city)...
An impressive watercolor landscape with Italian looking tree at left and extensive vista at right with small figures visible, unsigned on the front, but on the reverse is written in old pencil hand "Childe Harold's Pilgrimage" after JMW Turner by J Glen". This is therefore a 19th century work after a famous painting of Turner by that title, first exhibited in 1832...
An impressionist painting of the famous obelisk and fountain in the center of Paris at the iconic Place de la Concorde, 24" by 29" (and the very nice period frame 31" by 36"). Curiously, the work is unsigned but the artist was obviously talented. Paint is thickly applied in places, thinly in others (artist used bare canvas in places to show clouds)...
A watercolor on paper of people conversing and socializing in a square or city street, the sheet 15" by 11", the drawing 12 1/2" by 8 1/2" (22 1/2" by 18" in newish gold framing), the work indecipherably signed in red below the linen mat. The signature looks like "Arnold Balg(xxxxx)" or any number of variations of that, but to date I have been unable to tie this to a listed artist...
A large unframed oil, 34" by 46", unsigned, a vintage mid-century work ***AFTER*** a DEAN CORNWELL (1892-1960) painting which was executed in 1953 for a New York Life Insurance Co. calendar, in commemoration of the 300th anniversary of the incorporation of New York City. The painting is meticulously painted and I contacted auctions dealing with illustration art to see if it might be a study for the finished work...
An antique painting of a classical landscape, the scene including feathery trees, a number of tiny figures, and a distant church, likely French or Italian, less likely English (the red tile roof, clothing styles), unsigned, painted on a board and set within an oval frame. The piece measures 13 5/8" by 16 3/8" including the antique frame...
Original acrylic on canvas painting, 18" by 13 1/2", unframed, by the noted Central Australian aboriginal artist JUNE BIRD NGALE (born c. 1954). The painting is titled on an original 1992 label of Utopia Art, Sydney, "Bush Tucker" (tucker is the Australian word for food). The label is affixed to the canvas and "June Bird" is written in pencil on the stretcher. We seem to be looking at some kind of bush or plant which would presumably have provided that food...
Offered in as-is condition, a true restorer special----a framed (18" by 15" oil on canvas, 22 3/4" by 19" as framed) lovely impressionist painting of Notre Dame and trees in Paris, a figure providing a spot of color, signed at lower right and dated there 1912 by listed English artist ROBERT ARTHUR WILSON (1884-1979). On the stretcher is written "Painted by R A Wilson" and "Notre Dame Church in Paris"...
A nicely painted watercolor of wild roses, signed at lower right by artist M. J. Gage, circa 1900. Found in Boston area, The work measures 6 1/4" by 12 1/4" inside the double mat and 14" by 18" as framed in oak. Colors are fresh considering that this is a century old. Clean and ready for the wall.
A nicely worked oil on canvas, 21" by 29" plus almost 1" wide old frame, the subject an extensive continental European landscape with figures on shore and in a small boat, a dog, wading and resting cows, trees and classic buildings, signed at lower right by artist "O. Kirkman" and dated there 1858. The more one studies this the more detail one sees. This antique painting will need restoration and it is well worth the effort to bring it back to displayable condition...
A vintage, old, pastel on paper drawing of old steep-roofed houses in a mountain landscape, 10 1/2" by 15 1/2" (14 1/2" by 19" as framed, no glass), signed at lower right corner with initials that appear as "SHC.". The work probably dates to the 1920's or 1930's, judging from the style, and framing materials. The old paper has browned heavily and one can see a ghost image of the drawing on the reverse side...
Oil on canvas on board, 18" by 27", unframed, signed at lower left by artist OSWALD SCHLOMBS (1876-1926), and titled in pencil on reverse "Herbst" ("autumn", in German). The artist though listed is not well known, though obviously talented...
A fine example of California plein air art by listed woman artist MARY MAISON (1886-1954), unframed, 16" by 20", signed at lower right...
A mid 20th century watercolor on paper landscape painting of craggy classical mountains and gnarled pines, signed at center left with characters. The work measures 14" by 19" (24 1/2" by 30", no glass).
A **PAIR** of watercolor on paper paintings of tropical South Florida landscapes, each 15 1/4" by 19 1/4" (one unframed, the other measuring 21 1/4" by 25 1/4"), both signed by Wisconsin-born artist RACHEL STEARNS (1895-1979). Stearns spent much of her life in Chicago where she received art education, some with Frederic Grant. Evidently she spent a lot of time in Florida, as a number of watercolor works featuring scenes from that state are known. These watercolors are vintage perhaps 1940's a...
A small contemporary watercolor of the dynamic waterfront harbor area of Vancouver, British Columbia, signed by artist Jo Wodz. The work, 3 3/8" by 3 3/8" (6 1/4" by 6 1/4" in modern frame) is by a contemporary Canadian artist, information on her painting style and subjects available on the internet. Condition is excellent. A fine way to remember Vancouver and its many charms.
A watercolor painting of a small motor boat and the surrounding dock area complete with lobster traps, signed at lower right by artist WILLIAM J. GILLETT, where it is also dated 1950. The work on heavy watercolor paper measures 12 1/2" by 17 1/4" and is currently housed in an old frame and mat that should all be discarded (that measuring 21" by 25"). The piece was stored in an attic with no glass so the paper is evenly showing evidence of soiling, and it does not lay flat due to some buckling ...