Stephen Parrish, American, 1846-1938, etching, "Mills at Mispek, N.B.", image size: 8 3/4 x 11 3/4 inches, 1884, seconds state, cat. Schneider-104, pencil signed lower right.

Samuel Chamberlain, American, 1895-1975, drypoint etching, "The Verdant Village", image size: 6 1/2 x 11 inches. 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontain, Ile-de-France, exhibits Chamberlain's ability to create subtle gradation in plate tone.

Complete 1967 portfolio of 25 soft ground etchings with aquatint by Jack Levine (American, Boston, born 1915). This work is complete--portfolio case plus all original material, including the 25 soft ground etchings individually pencil signed by the artist and numbered 37/100. Published in 1967 by Touchstone Publishers on handmade BFK Rives wove paper. This portfolio was inspired by the "Dreigroschen Oper" film by Pabst, after the play by Bertold Brecht (The Threepenny Opera)...

Louis Orr, American, 1879-1961, etching, "The United Nations", image size: 15 18 1/2 inches, pencil signed, plate signed and inscribed copyright Webb & Knapp Inc., 1953.

Arthur Heintzelman, American, 1891-1965, drypoint etching, "Convalescence", image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.

Alphonse Legros, French, 1837-1911, etching, "Les Bords De La Liane", image size: 5 7/8 x 7 3/4 inches, c. 1900, pencil signed lower right. This airy, impressionistc etching depicts a man fishing in a forested landscape. Provenance: Baldwin-Wallace College.

Sir Francis Seymour Haden, British, 1818-1910, etching and drypoint on copper, "Dusty Millers", image size: 5 1/2 x 8 5/16 inches, dated 1877, state V/V, cat. Schneiderman-172, pencil signed lower right. One of Haden's intrestes apart from being a surgeon and printmaker was firshing...

Sir Francis Seymour Haden, British, 1818-1910, etching, "The Two Sheep", image size: 4 1/2 x 5 7/8 inches, 1870, cat. Harrinton-177, cat. Schneiderman-132, state V/V, pencil signed.

Stephen Parrish, American, 1846-1938, etching, "Sunset, Gloucester Harbor", image size: 4 7/8 x 8 3/4 inches, 1880, cat. Schneider 40, SP number 40, first state of two, pencil signed. A beautiful, rich impression, Parrish makes excellent use of plate tone to imbue the scene with atmosphere. The second state, which has much less ink in the sky and sea, was later published in American Etchings.

Arthur Heintzelman, American, 1891-1965, etching, "Planche Aux Cinq Croquis", 1925, edition 100, image size: 4 1/8 x 5 5/8 inches, pencil signed

Arthur Heintzelman, American, 1891-1965, etching, "Cafe Montmartrois", BPL 114, plate destroyed, Characters from French art culture of 1925; Scene features Heintzelman, left, bending over table, the Parisian model, Kiki who appears in Planche aux Cinq Croquis. To her right, Fredie, subject in Fredie du Cafe "Le Lapin Agile" and of Le Poete regarded by Heintzelman as the last of the great Montartre singers, Young man with the guitar is Fredie's son.

Arthur Heintzelman, American, 1891-1965, drypoint etching, "Adolphe Appia, Jeune Artiste Philosophe", drypoint etching, image size: 12 3/8 x 8 1/4 inches, 1934, cat. Smith-92, edition of 100, pencil signed.

Arhtur Heintzelman, American, 1891-1965, etching, "Edouard, Musician - Montmartrois", image size: 11 3/8 x 9 1/4 inches, 1923, cat. Smith-85, pencil signed lower left, Keppel label on reverse, framed.

William Lee Hankey, European, 1869-1952, etching, "Trincket Box", image size: 4 5/8 6 3/8 inches, pencil signed, blind stamp.

Stephen Parrish, American, 1846-1938, etching, "A By-Way in Trenton", image size: 5 7/8 x 9 7/8 inches, 1881, cat. Schneider-52, ed. 38, pencil signed lower right

Stephen Parrish, American, 1846-1938, etching, "Port of Nice", image size: 3 7/8 x 5 inches, 1888, cat. Schneider-145, pencil signed lower right

Frank Benson, American, 1862-1951, etching, "The Passing Flock", image size: 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark

Ovesized Japanese limited edition copperplate etching titled “Makinohama Beach” by Tanaka Ryohei (1933-1919). Pencil-signed, dated 2006, and numbered 19/100 in the lower margin. Paper size: 24 1/4" x 13" (image: 20 1/8" x 9"). This etching was never framed and is in excellent condition.