Louis Orr, American, 1879-1961, etching, "The United Nations", image size: 15 18 1/2 inches, pencil signed, plate signed and inscribed copyright Webb & Knapp Inc., 1953.

Arthur Heintzelman, American, 1891-1965, drypoint etching, "Convalescence", image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.

Alphonse Legros, French, 1837-1911, etching, "Les Bords De La Liane", image size: 5 7/8 x 7 3/4 inches, c. 1900, pencil signed lower right. This airy, impressionistc etching depicts a man fishing in a forested landscape. Provenance: Baldwin-Wallace College.

Sir Francis Seymour Haden, British, 1818-1910, etching and drypoint on copper, "Dusty Millers", image size: 5 1/2 x 8 5/16 inches, dated 1877, state V/V, cat. Schneiderman-172, pencil signed lower right. One of Haden's intrestes apart from being a surgeon and printmaker was firshing...

Sir Francis Seymour Haden, British, 1818-1910, etching, "The Two Sheep", image size: 4 1/2 x 5 7/8 inches, 1870, cat. Harrinton-177, cat. Schneiderman-132, state V/V, pencil signed.

Stephen Parrish, American, 1846-1938, etching, "Sunset, Gloucester Harbor", image size: 4 7/8 x 8 3/4 inches, 1880, cat. Schneider 40, SP number 40, first state of two, pencil signed. A beautiful, rich impression, Parrish makes excellent use of plate tone to imbue the scene with atmosphere. The second state, which has much less ink in the sky and sea, was later published in American Etchings.

Arthur Heintzelman, American, 1891-1965, etching, "Planche Aux Cinq Croquis", 1925, edition 100, image size: 4 1/8 x 5 5/8 inches, pencil signed

Arthur Heintzelman, American, 1891-1965, etching, "Cafe Montmartrois", BPL 114, plate destroyed, Characters from French art culture of 1925; Scene features Heintzelman, left, bending over table, the Parisian model, Kiki who appears in Planche aux Cinq Croquis. To her right, Fredie, subject in Fredie du Cafe "Le Lapin Agile" and of Le Poete regarded by Heintzelman as the last of the great Montartre singers, Young man with the guitar is Fredie's son.

Arthur Heintzelman, American, 1891-1965, drypoint etching, "Adolphe Appia, Jeune Artiste Philosophe", drypoint etching, image size: 12 3/8 x 8 1/4 inches, 1934, cat. Smith-92, edition of 100, pencil signed.

Arhtur Heintzelman, American, 1891-1965, etching, "Edouard, Musician - Montmartrois", image size: 11 3/8 x 9 1/4 inches, 1923, cat. Smith-85, pencil signed lower left, Keppel label on reverse, framed.

William Lee Hankey, European, 1869-1952, etching, "Trincket Box", image size: 4 5/8 6 3/8 inches, pencil signed, blind stamp.

Stephen Parrish, American, 1846-1938, etching, "A By-Way in Trenton", image size: 5 7/8 x 9 7/8 inches, 1881, cat. Schneider-52, ed. 38, pencil signed lower right

Stephen Parrish, American, 1846-1938, etching, "Port of Nice", image size: 3 7/8 x 5 inches, 1888, cat. Schneider-145, pencil signed lower right

Frank Benson, American, 1862-1951, etching, "The Passing Flock", image size: 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark

Ovesized Japanese limited edition copperplate etching titled “Makinohama Beach” by Tanaka Ryohei (1933-1919). Pencil-signed, dated 2006, and numbered 19/100 in the lower margin. Paper size: 24 1/4" x 13" (image: 20 1/8" x 9"). This etching was never framed and is in excellent condition.

Valentine Green, British, 1739-1813, mezzotint after Reynolds, "Self Portrait of Sir Joshua Reynolds", 1780, plate size: 19 x 15 inches, signed in the plate. Water stains along the bottom edge of the sheet, outside of the plate mark.

Andre, Dunoyer de Segonzac, French, 1884-1974, etching, "Foire de Chaville", image size: 3 1/2 x 5 1/2 inches, ed. 2.45, pencil signed.

Armand Mathey, French, 19th - 20th Century, engraving after Van Dyck, "Charles I", image size: 21 x 16 5/16 inches, published by Georges Petit, Paris