Arthur R. Middleton Todd, British, 1891-1966, "Strolling Players", etching, 6 3/4 x 5 3/4 inches on 11 1/2 x 9 1/4 wove type paper. Pencil and plate signed in bottom right. Featured in Fine Prints of the Year in 1927.

Alphonse Legros, French, 1837-1911, "Le Matin sur la Rivière", etching, 7 x 7 inch on 8 3/4 x 11 1/2 inch watermarked wove-type paper. Pencil signed in the lower right, plate initialed in the lower left. 1st state, C. 1898. Catalog: Bliss 593.

Lucien Grand-Gerard, French, 20th Century, Etching, "Young Girl with Flowers", image size 11 1/2X9", pencil signed

A large etching in colors by the famous Czech artist, TAVIK FRANTISEK SIMON (1877-1942), commonly titled "Rue Mouffetard" (Paris scene). The sheet measures 21" by 24" and is presently unframed with just an old mat. The subject is a pawn shop ("Chiffonier") in Paris, the antique curiosities and goods displayed on the street as people mill about. In the plate appears the artist's distinctive monogram and the date of execution, 1913...

This is an original 1924 etching, from the series of 55 etchings by the artist, in the book "Dingo", published that year by Ambroise Vollard Editeur. The edition was 350. "Dingo" featured dogs and their unique habits and characteristics. This image is adorable, and accurately illustrates how dogs interact with one another---the black dog at left lifting his right paw, the white sheep dogs on their guard, sniffing out the newcomer to their territory...

Original engraving on copper by Wendell H. Black )American, 1919-1972), first edition, printed posthumously by Berkley Chappell. 6 1/4" by 8 1/4" image alone. Titled an numbered 7/25 l.l. Signed and dated 1965 l.r. This etching is illustrated (plate 3) in "The Lost Works of Wendell H. Black" by Henry Sayre.

A lovely 1920 dated etching of the Tower of London, signed FR lower left.

Maroni Sherman “A Kashmiri Peasant” Drypoint 10x8” Fine quality and beautiful work framed signed and mounted

Percival Gaskell, Etching, "In the Garden," This very fine impression with its deep rich tones measures 11 3/4 x 7 3/4 inches, c. 1930. Presented on cream wove paper, this original drypoint has wide margins with a sheet size of 15 1/2 x 10 1/4 inches and is pencil signed on the lower border. Born in England and educated in Cambridge, Gaskell studied art in London and Italy before studying under Sir Frank Short at the Royal College of Art.

Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, roughly 4' by 6". Titled and numbered 7/25 l.l. Also signed and dated '61 l.r. This work is also signed and marked "imp" by Berk Chappell. cf: "The Lost Works of Wendell H. Black" by Henry Sayre, plates 7 and 8--plates are misattributed in the book, since GH III should be plate 8, and GH IV should be plate 7.

Original etching with aquatint by Wendell H. Black (American, 1919-1972), first edition, posthumously printed by Berkley Chappell. Excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated "65" l.r. 4" by 6" image alone. For information regarding this artist please see "The Lost Prints of Wendell H. Black" by Henry Sayre. (this work is plate 1 in "The Lost Prints...)

Colored etching, 7 3/4" by 4 3/8" inside the mat, 13 1/4" by 9 3/4" framed, pencil signed at lower right margin, with "No. 18" notation, by the famous French artist, JEAN-FRANCOIS RAFFAELLI (1850-1924). This is a sympathetic depiction of a common woman of the lower class, gathering sticks on a chilly day for her cooking fire or hearth. Raffaelli found the common, the poor, the working class, and the underprivileged people of Paris and its industrial suburbs to be his favorite subjects...

Etching on thin laid paper, 3 3/4" by 2 3/4" (14" by 11" in modern day frame), from the series "Beggars and other low life", by the noted early Dutch artist JAN GILLISZ VAN VLIET (1605-1668). The etching is one image out of a series of ten or eleven similar views by the artist, who, despite information to the contrary, was not strictly a pupil/student of Rembrandt...

Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, titled and numbered 9/25 l.l. and signed and dated l.r. Also signed and inscribed "imp" by Berkley Chappell. cf: "The Lost Prints of Wendell H. Black" by Henry Sayre.

William Joseph Schaldach, 1896-1982, American, etching, "Chores - Lyons Plain, Connecticut", image size 7 3/4 x 9 3/4 inches, titled and signed in pencil.

Wenceslaus Hollar Hanns Holbein Portrait c 1647 Self-portrait of Hans Holbein as 45-years old in 1543. This copy was engraved by Hollar in 1647. Fair condition mounted corners on left side may have restoration . good image a bit over 5.5" and a bit under 4.5"

Wenzel Hollar (1607-1677), Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens, 1649, with text below. Pennington 1397, third state (of 6). In generally good condition, on laid paper . 6 1/4 x 4 1/2, the sheet 10 3/8 x 6 1/2 inches. Mounted to a large window page

Ernest Stephen Lumsden, English, 1883-1948, Etching, "Paris in Construction, No. 5", 1907, signed in pencil, image size: 8 1/4 x 4 1/2"

A PAIR of very clean French artist 19th century etchings, the subject of both upper class women, one by CHARLES WALTNER (1846-1925), the second by ERNEST JOSEPH LAURENT (1859-1929). They are also very nicely (identically) framed in tasteful black and silvery framing, including silk mat and inner fillet; the frames also in excellent condition. The combination of art and quality framing makes for a most handsome decorative addition to your traditional interior...

A Dutch 17th century etching of a standing horse near a humble abode, 6 3/4" by 7 3/4" (14" by 15 1/2" in 20th century appropriate black frame), unsigned, and with no initials or other indication as to authorship. The work bears old pencil notations on the reverse side of the mat; there appear to be names of potential artists that were pondered by a previous observer in my position (including, it appears, question marks to himself)...

Arthur R. Middleton Todd, British, 1891-1966, Etching, "The Dance", image size 10 x 10 inches, pencil signed

John Edward Costigan, American, 1888-1972, Etching, "Mother and Child", 1957, ed. 4/25, image size: 16 15/16 x 13 3/4 inches, pencil signed

John Taylor Arms, American, 1887-1953, etching, "Old Rouen," image size 6 7/8 x 3 3/4 inches, 1917, pencil signed and dated, framed.

Francis Hopkinson Smith, American, 1838-1915, "Bath Abbey". This rare, early 20th C. etching by Francis Hopkinson Smith measures 9 7/8 x 7 1/2 inches, pencil signed and titled. Smith was an author, artist and engineer, writing many books but also known for his atmospheric watercolors and oils. In his early years he is credited with building the foundation for the Statue of Liberty. At the age of 50 he gave up his engineering career and devoted the rest of his life to writing and painting.

John Edward Costigan, American, 1888-1972, Etching, "Profile of Susy Costigan", image size 7 7/8 x 11 13/16", pencil signed, N.A.

This is an original pencil signed etching by British artist Sir Frank Short.  The title is: A Lane in Arundel, it was created and printed in 1907.  The image measures 8 1/8X10 inches.  A rich impression.

Herman Armour Webster, 1878-1970, American, "Capodimonte, Italy," etching, image size 5 1/2 x 10 inches, 1927, pencil signed.

An etching on paper, measuring 14 1/2" by 10 1/4" inside the mat (21 1/2" by 16 1/2" as framed), signed in pencil at lower left margin and numbered 29/150 at lower right margin, with a dedication (in the plate) at upper left and date 5 November 1906, by the noted German Jewish artist HERMANN STRUCK (1876-1944). The subject is a bearded man wearing a yarmulke. Struck was born in Berlin of Orthodox Jewish parentage...

Arthur Heintzelman, American, 1891-1965, Etching with Drypoint, 1929, edition of 80, image size: 10 3/4X8 7/8 inches, Cat. Bpl 145, pencil signed

Arhtur Heintzelman, American, 1891-1965, etching, "Edouard, Musician - Montmartrois", image size: 11 3/8 x 9 1/4 inches, 1923, cat. Smith-85, pencil signed lower left, Keppel label on reverse, framed.

This is an original etching by Reginald Marsh (American 1898-1954)of Minsky's Chorus, the famous Burlesque venue in New York City. The original painting of this scene is in the permanent collection of the Whitney Museum. The original shows a reverse scene. The sheet size is 10 1/2" x 14 1/4", with the impressed image size of 8 7/8" x 11 3/4". The paper is heavy, textured, with a slight cream hue. As is visible in the photos, there are losses to the margins on the right and at the bottom...

Leon Louis Dolice, American, 1892-1960, Etching with Aquatint, "New York Monument at Night", 1924, image size 10 3/8 x 7 1/4 inches, pencil signed and dedicated

Edith Penman, American, 1860-1929, etching with remarque, "On the Shoreline", image size: 4 7/8 x 7 3/4 inches, pencil signed

Martin Hardie, American, 1875-1952, Etching, "Sunset", image size 8 3/8 x 9 7/8 inches, signed in pen

Ruth Doris Swett 1901- Member of Southern Printmakers This is an original drypoint etching by American Southern artist Ruth Doris Swett. The title of this etching is Deer Isle Spruces, created when she was summering up in Maine. This etching is pencil signed, titled and dedicated to: Margarest Strong. The image measures 12X8 7/8 inches. Printed on a medium weight wove type paper in an edition of 50.

Etching, circa 1930, "Saleswomen", 5" by 6 1/8" inside the mat (12" by 14 3/4" as framed), pencil signed at lower right "Hayes Miller" and bearing "40 - prints" at lower right, by the important American artist and teacher, KENNETH HAYES MILLER (1876-1952). Hayes Miller was a familiar figure on the New York art circuit for decades. Although he was an accomplished painter and printmaker, he is perhaps best remembered today for the influence he wielded as a teacher...